Let There Be Light cover

Let There Be Light

Rating 4.5
Word count
200K words
Chapters
20
ISBN
9787521779158

Tags

Summary

Let There Be Light is a work of nonfiction by the writer Liang Hong, following her "Liangzhuang Trilogy." This time, she turns her subject from the countryside and migrant workers to a group of "trapped" adolescents: children who have dropped out of school or are staying at home because of emotional problems, and children on the edge of dropping out and depression. Over three years, she visited megacities, medium-sized cities, county towns, and rural villages, entering homes, schools, social education institutions, and psychiatric facilities, conducting immersive interviews with children, parents, teachers, doctors, and psychological counselors, recording their authentic voices, and attempting to present a psychological portrait of contemporary Chinese adolescents. The book unfolds along the threads of Binhai City, the Capital, and Dan County, drawing on interviews, diaries, letters, and medical records to show the concrete shapes that school refusal, depression, bipolar disorder, alexithymia, and gaming addiction take in children's lives. The stories of Minmin, Yaya, Wu Yong, and other adolescents let readers see how trauma is quietly produced by everyday speech and cultural inertia, and also how understanding and attention can become a glimmer of light illuminating the abyss. The book repeatedly asks: Are the words, expressions, and educational methods we take for granted creating invisible trauma in the name of love? Deep in culture and belief, how much inertia runs counter to our love for children? This is a book of documentary writing for children, for parents, and for every ordinary person, calling on people to stoop and listen, and to protect those adolescents who are struggling to emerge from hardship and longing for spring.

Editor's review

梁鸿写过梁庄,写过那些被时代甩出去的人;这一次,她把目光投向更近、也更难面对的地方——孩子的内心。作为母亲,她承认自己可能也是孩子痛苦的来源之一;作为学者,她把这种切肤之痛变成了三年的田野。她走进医院的精神科病房,走进休学孩子的房间,也走进那些被“为你好”压得说不出话的家庭,听孩子说,也听父母说。这本书最难得的地方是不站队:它不控诉家长,也不美化孩子,而是把话语、表情、期待这些日常细节摊开,让人看见创伤是怎样一点点被制造出来的,又怎样可能被一点点照亮。全书二十余万字,有访谈、日记、书信和病案,结构像长篇纪录片,读起来并不轻松,却很难放下。“要有光”三个字既是对困境中少年的祝福,也是对我们每个人的提醒:在孩子坠下去之前,先学会倾听。本书获第二十一届文津图书奖,并入选豆瓣年度图书等多个榜单,是一部值得家长、教师与所有关心教育的人认真读一读的作品。

Who it's for

A good fit for

  • 孩子正处在青春期、出现情绪或厌学困扰的家长
  • 中小学教师、班主任与学校心理老师
  • 心理咨询、社会工作与青少年服务从业者
  • 关注教育议题与社会现实的非虚构读者

Not a good fit for

  • 希望读到轻松消遣读物或励志成功学的读者
  • 期待具体诊疗方案与用药指导的专业医学读者

Reading tips

  1. 建议按“滨海市—京城—丹县”的顺序阅读,留意同一问题在不同城市与家庭中的差异。
  2. 读到孩子自述部分时可放慢速度,把它当作真实的来信来听,而不是当作案例来分析。
  3. 读完后不妨与家人或同事各写一段自己的“成长中被说过的话”,对照书中细节反思日常语言。
  4. 本书涉及抑郁、自伤等内容,情绪敏感或正处于低谷的读者宜分次阅读,必要时寻求专业支持。

About the publisher

CITIC Press China · Founded in 1988

Founded in 1988 and affiliated with China CITIC Group, CITIC Press focuses on business and economics, social sciences, literature and children's books, with common categories covering social sciences, finance, literature, Eastern philosophy and literary appreciation. Its library holds 91 titles, including Yuval Noah Harari's Sapiens trilogy, Thomas Piketty's Capital in the Twenty-First Century, Wu Xiaobo's Thirty Years of Strife: Chinese Enterprises 1978–2008, Nelly Sachs's The Weight of Butterflies: Selected Poems of Nelly Sachs, as well as New Interpretations of the Analects and Chiang Hsun's lectures on Dream of the Red Chamber. Its authors and translators include Lin Junhong, Ba Shusong, Chen Li and Chang Fen-ling. Overall, the press introduces influential works in finance and social sciences while balancing classic translation and local appreciation in literature and Eastern philosophy, combining academic depth with accessible reading.

Contents

  1. Part One Binhai City
  2. Chapter One Heguang Middle School; Performing "Normal"; Expulsion 1; What Is Love
  3. Chapter Two Domestic Violence; Withdrawal from School; Turning the Tables; You Have No Idea What I'm Saying
  4. Chapter Three ICU Bed 21; Light and Heavy; Isolation; Expulsion 2
  5. Chapter Four Screw You, I'll Succeed; Single Sofa Bed; Everyone Lives by Their Strengths
  6. Chapter Five Two Girls; Tearing Down the Door; Closed Door; The Sick Are Suffering on Our Behalf
  7. Chapter Six Don't Blow Out That Light
  8. Part Two The Capital
  9. Chapter Seven Signs of Collapse; Collapse
  10. Chapter Eight Seeing a Doctor; Anything Is Fine; Grouping Classes; Waking from a Great Dream
  11. Chapter Nine We Look Down on Him; Marking the Boat to Find the Sword; Trauma
  12. Part Three Dan County
  13. Chapter Ten Conflict; I Don't Want to Be Hospitalized; I Don't Know; Game Skins
  14. Chapter Eleven What's the Point of School; A Day at Quanzhong; Enclave; She Doesn't Believe Me
  15. Chapter Twelve Nobody Likes Him; Wanting to Cry When I Say It; Argument; Poverty
  16. Chapter Thirteen School Refusal; Rupture; Missing Out
  17. Part Four Time...
  18. Chapter Fourteen Dan County; The Capital; Binhai City
  19. Afterword
  20. Acknowledgments

FAQ

《要有光》和梁鸿的“梁庄三部曲”有什么关系?
两者都是梁鸿的非虚构作品,但题材不同。“梁庄三部曲”写的是河南乡村与进城打工者的命运;《要有光》把目光转向城市与县城中因情绪问题休学、失学的青少年,是她沉淀五年后的新作,写作方法上延续了田野调查与口述记录的路子。
这本书是教育方法指导书吗?
不是。它是一部长篇非虚构纪实作品,重心在记录孩子、父母、教师与医生的真实声音,并提出追问,而非给出育儿步骤或诊疗方案。若需要具体方法,可配合专业的家庭教育或心理类书籍阅读。
书中的敏敏、雅雅、吴用是真实人物吗?
书中人物来自作者三年间的实地采访,为保护当事人隐私,姓名等信息经过了化名处理。故事基于真实访谈、日记、书信与病案材料整理而成。
这本书获得过哪些奖项?
据出版方与媒体报道,本书获第二十一届文津图书奖、央视2025年度好书,并入选豆瓣年度图书(纪实类)、深圳读书月年度十大好书、《收获》文学榜非虚构榜等多个榜单。
适合孩子自己读吗?
初高中生可以读,书中有许多同龄人的声音,能带来“我不是一个人”的感受。但书中涉及抑郁、自伤等沉重内容,建议家长先读,必要时与孩子一起讨论。

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About the author

梁鸿 Author

Liang Hong is represented in this Chinese book database by three works, spanning such fields as social fiction, classic works, and medicine, which shows the range of the author's writing subjects. The representative works include Erosion, I Don't Want to Be Absent from Any Tragedy or Comedy in This World, and A Study on the Equity of Maternal and Child Health Services in China. The first two lean toward social fiction and classic works, focusing on the relationship between people and their real-life circumstances; the latter turns to medicine and public health, discussing equity in maternal and child health services. According to the available materials, Liang Hong's nationality, dates of birth and death, educational background, and personal experience are not clearly recorded, and public information is limited. A fuller understanding of the author and the works therefore awaits more reliable information; for now, only the works and categories in the database can outline the general contours of the author's writing.

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