Three Poems on the Hard Road cover

Three Poems on the Hard Road

Rating 4.8
Word count
6.1K words
Chapters
48

Tags

Summary

"Hard Is the Road, Three Poems" is a set of poems by the great Tang poet Li Bai. The three poems express the poet's feelings after encountering difficulties on the political road. The surging and falling emotions, the leaps of thought, and the lofty momentum give the work a unique artistic charm and make it a celebrated masterpiece praised by later generations. The whole set is rich in undulating meaning and varied in movement.

Editor's review

Li Bai's "Hard Is the Road, Three Poems" uses the form of a three-poem sequence to raise layer upon layer the depression, indignation, and stubborn refusal to sink after a setback in official career. The emotions swing violently: now drawing a sword and looking around in bewilderment, now hanging a cloud sail straight across the sea. The leaps of thought and lofty momentum create strong tension—the typical manner of Li Bai's song-style verse. This 2024 Bashu Publishing House edition records the full sequence, letting readers grasp the emotional progression across the three poems rather than reading only the famous lines. Reading it, one can feel both the atmosphere of High Tang literati seeking achievement and the individual's spiritual struggle before real obstacles. It suits repeated pondering at one's desk, and especially suits reading aloud to experience the musicality of alternating long and short lines and rising and falling rhythm. For readers who want to understand Li Bai deeply rather than stop at the label "Poet Immortal," this small volume offers a focused and complete entry point.

Who it's for

A good fit for

  • Tang poetry lovers who want to read Li Bai's full sequence rather than remember only famous lines
  • Chinese learners needing recitation material and wanting to feel the rise and fall of song-style rhythm
  • History enthusiasts interested in the official-career mentality and inner world of High Tang literati
  • Chinese teachers using it as a core text for lesson preparation or a classical poetry reading unit

Not a good fit for

  • Beginners expecting detailed annotations, vernacular translation, and line-by-line appreciation
  • Readers who want only light entertainment and do not wish to savor classical poetic language

Reading tips

  1. Read the three poems through first, mark the turns of emotion, then go back and compare the layers of emotional progression among them.
  2. Choose one poem and read it aloud, noting the rhythmic changes and surges of momentum created by alternating long and short lines.
  3. After reading, write in your own words the poet's psychological changes before difficulty; do not aim for a standard answer.
  4. Consult brief materials on the High Tang literati's pursuit of office to help understand the poem's real-world reference.

About the publisher

Bashu Publishing House China · Founded in 1983

Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.

Contents

  1. 版权信息
  2. 【上古之什补亡训传十三章?持斧一章】顾况
  3. 【上古之什补亡训传十三章?十月之郊一章】顾况
  4. 【上古之什补亡训传十三章?燕于巢一章】顾况
  5. 【上古之什补亡训传十三章?苏方一章】顾况
  6. 【上古之什补亡训传十三章?陵霜之华一章】顾况
  7. 【上古之什补亡训传十三章?囝一章】顾况
  8. 【上古之什补亡训传十三章?我行自东一章】顾况
  9. 【上古之什补亡训传十三章?采蜡一章】顾况
  10. 【弃妇词】顾况
  11. 【游子吟】顾况
  12. 【拟古三首(第一首一作长安古意)】顾况
  13. 【伤子】顾况
  14. 【春游曲二首】顾况
  15. 【从军行二首】顾况
  16. 【塞上曲】顾况
  17. 【弋阳溪中望仙人城】顾况
  18. 【严公钓台作】顾况
  19. 【萧寺偃松】顾况
  20. 【独游青龙寺】顾况
  21. 【初秋莲塘归】顾况
  22. 【从江西至彭蠡入浙西淮南界道中寄齐相公】顾况
  23. 【寄上兵部韩侍郎奉呈李户部、卢刑部、杜三侍郎】顾况
  24. 【长安窦明府后亭】顾况
  25. 【谢王郎中见赠琴鹤】顾况
  26. 【和翰林吴舍人兄弟西斋】顾况
  27. 【望初月简于吏部】顾况
  28. 【上湖至破山赠文周萧元植】顾况
  29. 【酬信州刘侍郎兄】顾况
  30. 【奉酬刘侍郎】顾况
  31. 【酬本部韦左司】顾况
  32. 【酬房杭州】顾况
  33. 【酬漳州张九使君】顾况
  34. 【在滁苦雨归桃花崦伤亲友略尽】顾况
  35. 【苦雨(一本题下有思归桃花崦五字)】顾况
  36. 【赠别崔十三长官】顾况
  37. 【哭从兄苌】顾况
  38. 【华山西冈游赠隐玄叟】顾况
  39. 【归阳萧寺有丁行者能修无生忍担水施僧况归命稽首作诗】顾况
  40. 【大茅岭东新居忆亡子从真】顾况
  41. 【乌啼曲二首】顾况
  42. 【幽居弄】顾况
  43. 【公子行】顾况
  44. 【古离别】顾况
  45. 【长安道】顾况
  46. 【龙宫操】顾况
  47. 【梁广画花歌】顾况
  48. 【送别日晚歌】顾况

FAQ

What is the difference between reading only the famous lines and reading all three poems?
Reading only the famous lines easily reduces Li Bai to a single bold phrase. Only by reading the three together can one see the process from depression and hesitation through self-consolation to renewed resolve; the emotion is fluid, and the power of the famous lines also comes from what precedes and follows them.
Can I read it without a classical Chinese foundation?
You can, but it is best to use a reliable annotated edition first to clear up wording difficulties. This edition focuses on presenting the full sequence; if the wording is unfamiliar, look up the allusions and difficult words first, then move on to recitation and appreciation.
Why should the three poems be read together?
The three develop around the same theme, with emotion advancing layer by layer; pulling out one alone weakens the overall sense of undulation. Reading them together better shows how the poet, through repeated struggle, achieves spiritual self-renewal.

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About the author

Li Bai Author · China

Li Bai, the leading figure of Tang-dynasty Romantic poetry, styled Taibai and known as the Green Lotus Lay Buddhist, was later honored as the "Poet Immortal." His ancestral home was Chengji in Longxi, and he lived in Shu as a youth before leaving at twenty-five to travel widely. In the early Tianbao era he was summoned to the capital as a Hanlin Attendant and later sent away with a gift of gold. During the An Lushan Rebellion he was implicated for joining the staff of Prince Li Lin of Yong, sentenced to exile in Yelang, and pardoned en route; in his later years he drifted through the southeast and died in Dangtu in the first year of Baoying. This library holds thirty-nine of his works, including the "Hard Is the Road" series and the two-volume complete works. His poetry is bold, free, and extraordinarily imaginative, often voicing the hardships of travel and reflections on life. He is paired with Du Fu as "Li and Du," and his collection has come down to us as the Li Taibai Collection.

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