Late Coming and Going
Tags
Summary
His eyes were so beautiful, so beautiful that I seemed to see in them the sun, moon, and stars, the mountains and rivers, the long river and the setting sun, the shallow grass hiding horses' hooves, and a small me in white, standing on tiptoe, covering his mouth.
I will not tell anyone, because of what he said—that his eyes had always held only me—my heart beat so fast it almost leaped out of my body.
That was the most beautiful words of love I had ever heard in my life.
Editor's review
Who it's for
A good fit for
- Readers who enjoy delicate emotional writing and short-form narrative
- Literary readers who prefer conveying emotion through scenes and dialogue rather than exposition
- Those who want a tender, thrilling story to read at night
Not a good fit for
- Readers who need a complete world and complex plot for support
- Readers uninterested in direct declarations of love and sweet atmospheres
- Readers expecting long-form development and a large cast of characters
Reading tips
- Pay attention to the recurring moon imagery; notice how the emotion shifts each time it appears
- Read the palace-excursion, mouth-covering passage twice slowly, and feel how the details of gesture carry emotion
- After finishing, return to the hazy moon-gazing opening to feel the alignment of memory and reality
About the publisher
Jiangsu Phoenix Literature and Art Publishing House focuses on literary publishing while also covering the humanities, social sciences, and books on art and daily life. Its approximately 1,535 titles in the database span social novels, world history, design, science fiction, classic works, and film and television: they include modern Chinese literary classics by Lu Xun such as A Madman's Diary: The Complete Short Stories of Lu Xun, Call to Arms, Four Generations Under One Roof, and Teahouse, as well as foreign literary memoirs like Stefan Zweig's The World of Yesterday. In science fiction it offers Asimov's Galactic Empire series, while in architecture and art it publishes Liu Dunzhen's Classical Gardens of Suzhou and design titles from Phoenix Space. Its authors are concentrated among classic writers such as Lu Xun, Zweig, and Asimov, with translators including Liang Xijiang, Zhong Haonan, and Ye Lihua. Its overall character is built on classic works while embracing genre fiction and visual culture. Public information is limited, and this introduction is based on the titles in the database.
Contents
- 版权信息
- 行止晚1
- 番外1 康宁
- 番外2 长姐
- 番外3 章景行
- 番外4 章景清
- 不念
- 尾声
- 不念 番外1
- 不念 番外2
- 年年岁岁无今朝
- 尾声
- 年年岁岁无今朝 番外
FAQ
Is the story long, and is the plot complex?
Is that declaration of love important in the book?
Is the style similar to the author's other book, 《长辞》?
Comments
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About the author
Zhi Er is an author about whom limited public information is available. To date, nine works can be confirmed under this name, including Chang Ci, After the Cabbage Spirit Descends the Mountain, Xing Zhi Wan, Gu Meng, Wang Yue, Eighty Thousand Springs, My Emperor Setting Is That He Loves Her, and Xu Xu Tu Zhi. Judging from the categories in the database, her writing spans time-travel alternate worlds, otherworldly continents, youth literature, and modern romance, showing a range that moves between historical fantasy and realistic emotional themes. Her titles often carry a classical flavor and a light imaginative touch, as with "Chang Ci," "Wang Yue," and "Eighty Thousand Springs," suggesting a tendency toward emotional atmosphere and character relationships; titles such as "After the Cabbage Spirit Descends the Mountain" and "My Emperor Setting Is That He Loves Her" reveal a lighter, humorous side with playful genre premises. Because her dates of birth and death, nationality, and English name are not recorded, little can be said about her life, and readers must come to know her mainly through her works.