Eighty Thousand Springs
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Summary
Mutual love is a rare thing in this world, and Shen Yunyi is a girl who is favored.
She has a young man who, on spring days, shakes down a whole tree of blossoms and leaves for her; the wind rustles, and petals fall again and again to the ground.
They were together from an age before memory began, bickering for more than a decade without becoming a couple—it is fate without the destiny.
But one must always look forward: at the darkness of the world, at the wickedness of human hearts, at the storms battering the old country and the hardship of the people.
What grows in the depths of the inner chambers is not only dodder flowers and caged sparrows, but also young eagles and the kun-peng, rising ninety thousand li, churning the vast sea.
Qi Yan loves a girl; they have known each other for many years.
She is clever and resilient, teaching him to make peace with the past and to love himself. In her eyes there is a shimmering autumn pool, rivaling the sunset clouds and the wildflowers in full bloom.
The girl's heart belongs to another.
A life never favored by heaven—could there come a day when he got what he wished for?
He says: on a journey through mountains and rivers, meeting you is already a blessing.
The girl fights alongside him against foreign tribes, abolishes old systems, removes traitors, quells internal troubles, and establishes the court's order.
But it turns out the girl is his one chance encounter he can never attain.
He seeks her, and cannot have her.
Editor's review
Who it's for
A good fit for
- Readers who enjoy tearjerker ancient romance and the devoted emperor-empress dynamic
- Readers following Zhi Er's previous works and seeking a similar reading experience
- Readers who prefer lyrical prose and emphasis on character emotion
- Readers interested in the growth of inner-chamber women and national responsibility
Not a good fit for
- Readers who prefer fast pacing, strong plot, and tightly logical intrigue
- Readers who avoid angst and want light, sweet stories
- Readers with low tolerance for dense lyricism and recurring imagery
Reading tips
- Read the first few chapters to get familiar with Shen Yunyi and Qi Yan's youthful past before entering the main storyline; the emotional turns will be clearer.
- Separate the emotional line from the national line (fighting foreign tribes, abolishing old systems, etc.) to better understand the characters' choices.
- Slow down through dense lyrical passages and note how imagery such as blossoms, leaves, and sunset clouds corresponds to the characters' states of mind.
- After finishing the main story, revisit the early scenes of the two together to appreciate the foreshadowing of "a chance encounter one can never attain."
Contents
- 版权信息
- 第一章
- 第二章
- 第三章
- 第四章
- 第五章
- 第六章
- 第七章
- 第八章
- 第九章
- 第十章
- 第十一章
- 第十二章
- 第十三章
- 第十四章
- 第十五章
- 第十六章
- 第十七章
- 第十八章
- 第十九章
- 第二十章
- 第二十一章
- 番外一 终不似少年游
- 番外二 一枕槐安·上
- 番外二 一枕槐安·下
- 番外三 水风空落眼前花
- 番外四 河清海晏
FAQ
Does this book have a tragic ending?
Can I read this without having read Zhi Er's previous works?
What is the relationship between the male and female leads?
Is it suitable to read as a court-intrigue novel?
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About the author
Zhi Er is an author about whom limited public information is available. To date, nine works can be confirmed under this name, including Chang Ci, After the Cabbage Spirit Descends the Mountain, Xing Zhi Wan, Gu Meng, Wang Yue, Eighty Thousand Springs, My Emperor Setting Is That He Loves Her, and Xu Xu Tu Zhi. Judging from the categories in the database, her writing spans time-travel alternate worlds, otherworldly continents, youth literature, and modern romance, showing a range that moves between historical fantasy and realistic emotional themes. Her titles often carry a classical flavor and a light imaginative touch, as with "Chang Ci," "Wang Yue," and "Eighty Thousand Springs," suggesting a tendency toward emotional atmosphere and character relationships; titles such as "After the Cabbage Spirit Descends the Mountain" and "My Emperor Setting Is That He Loves Her" reveal a lighter, humorous side with playful genre premises. Because her dates of birth and death, nationality, and English name are not recorded, little can be said about her life, and readers must come to know her mainly through her works.
