The Book of Faces
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢台湾当代文学、想认识骆以军的读者
- 偏好短篇、随手翻读、通勤阅读的人
- 对城市观察与市井人物速写感兴趣的读者
- 写作爱好者,可从中学习如何把日常写成故事
Not a good fit for
- 期待传统线性情节、完整人物弧光的读者
- 不喜欢密集长句、意象繁复文风的读者
- 只想读轻松生活散文、不接受魔幻笔法的人
Reading tips
- 不必按顺序通读,可每天挑一两篇,像读城市笔记一样慢慢积累。
- 注意作者的叙述视角与语言节奏,句子往往一句话就切换场景,读慢些更有味。
- 读完可对照自己城市里相似的脸孔与场景,练习观察与记录。
- 两卷可分阶段读:先读《砸碎的时光》,再进入《种树的男人》较柔的调子。
About the publisher
Guangxi Normal University Press is a publisher known for literature, foreign literature and history titles. Its 1,175 books in the database show a solid accumulation in classics and prose collections, including foreign literary works such as Les Fleurs du mal: Annotated Poems of Baudelaire, Snow Country, Dubliners and The Wild Palms, as well as modern prose compilations like The Complete Prose of Zhou Zuoren. History and philosophy also hold a notable share, with titles such as Running Dogs: Clerks and Runners in Qing County Yamen and The History and Thought of the Taiping Heavenly Kingdom reflecting attention to Qing local administration and modern history. In art literature there is the 16-volume Ten Bamboo Studio Painting and Calligraphy Manual. Its author resources include foreign writers Charles Baudelaire and Yasunari Kawabata, translators and annotators Liu Nanqi and Zou Bo, and scholars such as Zhong Shuhe, Bradly W. Reed and You Chenjun. As public information is limited, this characterization is based only on the books in the database, which together present a profile balancing Chinese and foreign literary classics with academic works in the humanities and social sciences.
Contents
- Imaginist · Works by Luo Yijun
FAQ
《脸之书》是小说还是散文?
这本书和“脸书”社交网站有关吗?
没读过骆以军其他作品能读吗?
这本书一共几册?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Luo Yijun is a Chinese-language fiction writer. The library currently holds two of his works, Kuang Chaoren and Story Convenience Store. Publicly available information about his nationality, dates of birth and death, education and writing career is limited, so no inferences are made here. That his works are classified as social fiction suggests that his writing pays attention to social reality and the human condition, with narratives unfolding between everyday life and imagination and marked by strong storytelling and readability. Kuang Chaoren uses its title character to explore contemporary human nature, while Story Convenience Store presents fragments and observations of life in the form of short stories. Though the two works differ in subject and scale, together they show his continuing interest in social issues through fictional narrative.