The Affirming Flame cover

The Affirming Flame

Rating 4.2
Chapters
3
ISBN
9787575304832

Tags

Summary

Three novellas, three stages of women's lives, one shared question: how to live yourself into an affirming flame amid daily negation and erosion. Guo Shuang is no armchair storyteller. "Pig in the Pen" grew out of a real news story she heard in 2016—a teenage girl who wanted to support her idol was stopped by her family. The story later won first prize in the Chinese World Film Novel Award and made her realize for the first time that she could support herself by writing. "Bougainvillea" is her long mourning for lost things: the residential compound, cash transactions in the wet market, relationships that went beyond the superficial. In "Burning the Painted Skin," she turns her pen on writing itself, showing how two women writers become each other's candlelight on a night of blackout.

Ge Fei praised her work as "deep, grounded in everyday life, and solid," with "a genuine understanding of ordinary people's lives"; Zhang Xinying said her narrative "moves forward through the act of overcoming resistance," leaving marks where words and the lived world rub and interlock. Guo Shuang's prose is not light, but it is sturdy; what she writes is not cheap redemption but the process of a wound forming a scab.

If you care about the inexplicable rift between mothers and daughters, about how a woman recognizes herself in the torrent of her times, this book deserves to be read slowly.

Editor's review

三个中篇,三个年龄段的女性,一个共同的问题:如何在被否定、被消磨的日常里,把自己活成一支肯定的火。 郭爽不是坐在书斋里编故事的人。《拱猪》源自她2016年听到的一则真实新闻——一个十几岁的女孩想为偶像应援却被家人阻拦。这篇小说后来拿下华文世界电影小说奖首奖,也让她第一次确认自己可以靠写作养活自己。《九重葛》则写她对逝去之物的漫长哀悼:家属院、菜市场里的现金交易、人与人之间不流于表面的交往。到了《烧画皮》,她把笔伸向写作本身,写两个女作家在停电的夜里如何互为烛光。 格非评价她的作品“有深度、烟火气、扎实感”,“真的对普通人的生活有某种体察”;张新颖说她的叙述是“在克服阻力的运动中前行”,留下文字与生活世界摩擦咬合的印痕。郭爽的文字不轻快,但结实;她写的不是廉价救赎,而是伤口结痂的过程。 如果你关心母女之间那道说不清的裂缝,关心一个女性如何在时代洪流里辨认自己,这本书值得慢慢读。

Who it's for

A good fit for

  • 喜欢中国当代中篇小说、注重语言质感的读者
  • 对母女关系、女性成长与代际议题有兴趣的读者
  • 正在写作或想了解写作者生活的文学爱好者
  • 读过郭爽《月球》《我愿意学习发抖》的读者

Not a good fit for

  • 偏好强情节、快节奏类型小说的读者
  • 希望读到轻松治愈散文的读者
  • 只对长篇叙事有兴趣的读者

Reading tips

  1. 三个中篇可按顺序读:先《拱猪》感受少女视角,再《九重葛》看时间尺度,最后《烧画皮》体会元叙事。
  2. 读《九重葛》时留意植物意象与家属院空间描写,它们是理解全书结构的关键。
  3. 可结合奥登诗作《在战时》中“一支肯定的火焰”一节对读,更能把握书名的来源与用意。

About the publisher

Yilin Press China · Founded in 1988

Yilin Press focuses mainly on translated foreign literature. Its current catalogue of 318 titles covers common categories such as mystery and detective fiction, foreign literature, world classics, biography, and social novels. Representative books include The Complete Sherlock Holmes 2: The Adventures of Sherlock Holmes, Pride and Prejudice, To the Lighthouse, The Great Gatsby, The Grapes of Wrath, and Lives of the Artists: Michelangelo, often presented in bilingual or English-language editions that serve both original-text reading and language learning. Its author resources include foreign writers such as Arthur Conan Doyle, Jane Austen, Virginia Woolf, and Romain Rolland, as well as translators including Li Jiazhen, Gao Fen, and Ma Ye. The catalogue also includes Chinese works such as Li Jieren's Ripples Across Stagnant Water. The press shows a concentrated publishing strength in foreign classics and bilingual readers; given limited public information, this overview is based only on catalogue data.

Contents

  1. Bougainvillea
  2. Arch the Pig
  3. Burning the Painted Skin

FAQ

《肯定的火》是长篇小说还是短篇集?
它是中篇小说集,收入郭爽的《拱猪》《九重葛》《烧画皮》三个中篇,三篇各自独立,但主题上彼此呼应,都围绕女性成长与代际关系展开。
这本书获得过什么奖项?
其中《拱猪》获2017年“华文世界电影小说奖”首奖,《九重葛》获第七届“西湖·中国新锐文学奖”,两篇均为在本集之前已发表并获奖的作品。
书名“肯定的火”出自哪里?
出自诗人W.H.奥登的诗句,大意是愿被否定与绝望困扰的我,也能呈现“一支肯定的火焰”。郭爽借它指在人生暗夜中仍选择点亮的那簇微光。
作者郭爽还写过哪些书?
郭爽1984年生于贵州,此前出版有《月球》《我愿意学习发抖》《正午时踏进光焰》,并曾担任电影《草木人间》编剧。

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About the author

郭爽 Author

Public information about Guo Shuang is limited; all that is currently known is that three works appear under this name, spanning two directions: historical reading and applied psychology. Among them, Global Hegemony and the Belief in Progress: Europe from 1850 to 1914 is a historical title focusing on Europe's hegemonic order and intellectual convictions from the mid-nineteenth to the early twentieth century. Seagulls Don't Care That Much and College Student Mental Health Education (Micro-course Edition) lean toward psychology and personal growth, the latter aimed at university readers in a micro-course format. The range of these subjects suggests that Guo Shuang does not stay within a single category, moving between historical narrative and psychological application—attending both to the broad sweep of historical development and to individual psychology and educational issues. Constrained by the available material, further details of biography, writing career, and stylistic characteristics cannot be elaborated; readers may turn to the works themselves to understand this author's approach.

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