The Torch in My Ear cover

The Torch in My Ear

Rating 4.0
Word count
278K words
Chapters
40
Series
The Torch in My Ear
ISBN
9787020153602

Tags

Summary

The Torch in My Ear is the second volume of the autobiography trilogy of Elias Canetti, the German-language writer and winner of the 1981 Nobel Prize in Literature. The original German title is Die Fackel im Ohr, alluding to Die Fackel (The Torch), the journal edited by the Viennese satirist Karl Kraus; it continues the thread of The Tongue Set Free and covers the decade from 1921 to 1931, set mainly in Frankfurt, Vienna, and Berlin. Canetti's mother takes the adolescent Canetti from Zurich to Frankfurt, forcing him to confront the inflation, hunger, strikes, and social turmoil of post-World War I Germany; in a Charlotte boarding house he encounters all sorts of people and experiences a violent shock to the self for the first time. After graduating from secondary school, he enters the University of Vienna to study chemistry according to his family's arrangements and receives his doctorate in 1929, yet always regards literature and the observation of people as his true vocation. In Vienna he moves between cafes and private gatherings, befriends writers such as Hermann Broch and Robert Musil, and through listening and recording forms the starting point for his later works Auto-da-Fé and Crowds and Power; in Berlin he visits Brecht's apartment and meets Babel, Hart, and others. The book also records how he meets, falls in love with, and marries Veza. With a precision that is almost cruel, Canetti recalls the people around him and reconstructs the atmosphere of intellectual life in Central Europe in the 1920s and 1930s. The book is regarded as one of the important German-language autobiographies of the twentieth century.

Editor's review

诺奖授奖词称卡内蒂的作品具有「广阔的视野、丰富的思想和艺术力量」,而他的自传正是这些特质的源头。读《耳中火炬》,你会看到一位世界级作家尚未成名时的样子:一个被母亲强行规划人生、在化学实验室与文学沙龙之间摇摆的青年;他在战后通货膨胀的德国学会观察人群,在维也纳的咖啡馆里学会倾听,在柏林学会分辨天才与表演。书中写布莱希特、巴别尔、布洛赫、克劳斯,落笔毫不留情,却也因此格外真实;写母亲的专断与自己的怯懦、傲慢与觉醒,同样没有粉饰。这本回忆录并非只服务文学研究者:它也是一份关于二十世纪二三十年代中欧城市生活的实录,通货膨胀、排犹气氛与思想圈的躁动,都融在私人经验里。人民文学版沿用陈良梅、王莹的成熟译本,是中文读者通读卡内蒂自传三部曲最便利的选择。

Who it's for

A good fit for

  • 喜欢诺贝尔文学奖作家传记与回忆录的读者
  • 对二十世纪维也纳、柏林文化圈与德语文学有兴趣的人
  • 正在读《获救之舌》,愿意顺着读完整套三部曲的读者
  • 关注作家成长、求学与自我认同主题的普通读者

Not a good fit for

  • 期待强烈情节冲突或快节奏叙事的读者
  • 想先读卡内蒂小说《迷惘》,而非作者传记的读者
  • 对中欧人名与历史背景完全陌生、又不愿查资料的读者

Reading tips

  1. 建议先读第一部《获救之舌》,再读本书,最后接《眼睛游戏》,三部曲可相互照应。
  2. 阅读时随手记下频繁出现的人名(布莱希特、克劳斯、布洛赫等),稍作背景检索会顺畅很多。
  3. 不必追求速度,本书由大量短章组成,每天读两三章,更适合体会卡内蒂冷静而锋利的笔法。

About the publisher

People's Literature Publishing House China · Founded in 1951

People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.

Contents

  1. Part One: Inflation and Fainting Fits, Frankfurt (1921–1924)
  2. The Charlotte Boarding House
  3. A Distinguished Visitor
  4. Provocation
  5. The Portrait
  6. A Fool's Confession
  7. The Fainting Fit
  8. Gilgamesh and Aristophanes
  9. Part Two: Storm and Compulsion, Vienna (1924–1925)
  10. Living with My Brother
  11. Karl Kraus and Veza
  12. The Buddhist
  13. The Last Danube Trip / Important Information
  14. The Orator
  15. Crowded Beyond Endurance
  16. The Gift
  17. Samson Blinded
  18. Early Achievements of Understanding
  19. Ancestors
  20. Outbreak
  21. Self-Justification
  22. Part Three: The School of Listening, Vienna (1926–1928)
  23. The Refuge
  24. The Dove of Peace
  25. Frau Weinreb and the Executioner
  26. Barkenroth
  27. The Rival
  28. The Red-Haired Mormon
  29. The School of Listening
  30. Inventing a Girlfriend
  31. A Glimpse of Steinhof
  32. The Death Mask
  33. July Fifteenth
  34. The Letter in the Tree
  35. Part Four: Names Come Thick and Fast, Berlin (1928)
  36. The Two Brothers
  37. Brecht
  38. Ecce Homo
  39. Isaac Babel
  40. Ludwig Hardt's Transformation

FAQ

这本书是卡内蒂自传的第一部吗?
不是。它是自传三部曲的第二部,前一部是《获救之舌》,写童年与少年时期;后一部是《眼睛游戏》,写成年与创作时期。本书时间跨度为1921年至1931年,主要回忆法兰克福、维也纳和柏林的求学与交往经历。
没读过《获救之舌》能直接读这本吗?
可以。本书本身叙事相对独立,从卡内蒂被母亲带离苏黎世写起。但先读第一部能更好理解他与母亲的紧张关系、语言与身份的纠葛,读起来会更连贯。
「耳中火炬」这个书名是什么意思?
德文原名Die Fackel im Ohr,其中Fackel(火炬)也是维也纳作家卡尔·克劳斯自办杂志的名称。书名既指听觉中被点燃的清醒,也暗示克劳斯对青年卡内蒂的影响,书中专有一章写克劳斯与薇莎。
这版和2006年新星版有什么区别?
两者译者相同,均为陈良梅、王莹。人民文学出版社2020年版属「卡内蒂作品集」,收入「99读书人」书系,装帧与编排更新,并附有统一的作者简介与系列说明,内容主体一致。

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About the author

Elias Canetti is an important twentieth-century German-language writer and thinker. Public information is limited, and the details of his life cannot be fully reconstructed, yet the three works collected here reveal the central concerns of his writing. His representative work Crowds and Power examines, from an interdisciplinary perspective, the complex relationship between group psychology and the workings of power, combining the analytical depth of social psychology with a literary mode of expression; The Human Province: Canetti's Notebooks 1942–1985 records in notebook form his observations and reflections on human nature, history, and thought over several decades, concise in fragment and rich in insight. His writing often interweaves abstract concepts with concrete feeling, in a condensed and introspective style that rewards careful reading. These works create a distinctive tension between philosophical essay and literary writing, and continue to attract readers concerned with crowds, power, and the individual's situation.

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