Tags
Summary
Editor's review
Who it's for
A good fit for
- 想初次接触古希腊悲剧、又担心篇幅太长的读者
- 对女性主义与经典文本改写感兴趣的读者
- 对古希腊神话中阿尔戈英雄传说线索好奇的读者
- 戏剧、编剧与表演专业需要阅读经典剧本的学生
Not a good fit for
- 期待轻松阅读、回避暴力与家庭悲剧情节的读者
- 希望只买《美狄亚》单行本、不要合刊本的读者
- 需要逐句古希腊文对照或大量专业校勘资料的古典学研究者
Reading tips
- 先读译本序,了解底本与场次划分,再进入正文,可减少对人名与地名的隔膜。
- 按「开场—进场歌—场次—合唱歌—退场」的结构读,注意歌队唱词如何回应剧情。
- 读到美狄亚的第三次长篇独白时放慢速度,这里是全剧心理转向的关键。
- 可与欧里庇得斯《特洛亚妇女》连读,感受作者对战争与女性处境的一致关怀。
About the publisher
People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.
Contents
- Translator's Preface
- Medea
- The Trojan Women
FAQ
这本是中译本吗?译者是谁?
这本书只有《美狄亚》一个剧本吗?
没有古希腊文学基础能读吗?
《美狄亚》适合中学生阅读吗?
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About the author
Euripides, one of the three great tragedians of ancient Greece, was born around 480 BCE on Salamis and died in 406 BCE in Macedonia. He wrote more than ninety plays, of which eighteen or nineteen survive, including Medea, Hippolytus, The Trojan Women, and The Bacchae. This library holds twenty-one of his works, among them the eighteen-volume illustrated Wenjing Classics edition of his tragedies and individual plays such as Medea, The Bacchae, Iphigenia among the Taurians, Hecuba, Hippolytus, Alcestis, and Iphigenia at Aulis. Drawing on myth and legend, his plays are known for profound psychological portrayal and social criticism, depicting inner conflict and the dilemmas of fate with particular subtlety. He has been called "the philosopher of the stage" and has deeply influenced later European drama. Because public information on the details of his life is limited, no further biographical detail is given here.