Portraits of Beauties cover

Portraits of Beauties

Rating 3.8
Word count
189 words
Chapters
40
ISBN
9787521717730

Tags

Summary

Portraits of Beauties is a collection of essays on classical lifestyle aesthetics by Meng Hui, a researcher and writer on traditional Chinese material culture, published by CITIC Press Group in April 2021 and running about 189,000 characters. Having long immersed herself in the study of ancient clothing, cosmetics, objects, and daily life, Meng Hui focuses here on ancient women, starting from the small details of their daily lives to discuss how "beauty" was constructed, perceived, and ritualized. The book is divided into seven sections—Rivalry in Beauty, Tokens of Love, Festivals, Adornment, Dress, Daily Life, and Refined Pleasures—each made up of several short pieces. On one hand, the author mines details from transmitted texts, poetry, notes, and fiction; on the other, she compares excavated artifacts, ancient paintings, and objects to reconstruct the real appearance of ancient women's makeup, hairstyles, clothing, ornaments, incense burning, flower arranging, and seasonal customs. The details range from stories of rivalry in beauty amid wind-scattered flowers and tinkling jade pendants, to the Liuxian skirt, carved high-soled shoes, jade linked rings, rouge tears, embroidered sachets, moth-shaped lanterns, pearl-talisman pouches, plum-blossom makeup, step-shake hairpins, and true-lover's knots, and on to veil hats, mandarin-duck shoes, gold-threaded garments, neck rings, Zhaojun collars, glass screens, and gold-banded pillows—all grounded in concrete, tangible objects and events. Meng Hui's approach does not aim at grand general histories; instead, she starts from a single object, a passage of poetry, or an old anecdote, reading out the ancients' devotion to ritual and how women omitted from official history managed their own spiritual space in daily life. The book includes color photographs of artifacts, text and image illuminating each other, so that the "portraits of beauties" are both images drawn by the ancients and a way of life one can almost touch.

Editor's review

“美人”二字,很容易被写成空泛的辞藻堆砌。孟晖的可贵之处,是把美人从画轴上请下来,让她们重新站进具体的起居、节令与器物之中。一朵闹蛾、一枚香囊、一双鸳鸯鞋,都是理解古代女性如何经营生活的入口。 本书的看点有三。一是材料扎实:作者长期做物质文化研究,写服饰、妆容、器物皆有文献与文物两方面的支撑,不作臆测之谈。二是视角细腻:她关心的不是帝王将相的功业,而是女子如何在一方帷幔、一杯香茗、一场元宵灯会里为自己争得几分自在。三是文字清雅好读:每篇篇幅不长,可随手翻开一页读下去,又能在细节里读出厚重的历史层次。 书中配有大量文物图版,与文字彼此注解,“图”既是插图,也是通往古人生活的一扇门。对于喜欢《潘金莲的发型》《花间十六声》这类作品的读者,本书是同一条考据脉络上的一次舒展;对于刚开始接触古典生活的读者,它也是一册温和而耐读的入门书。

Who it's for

A good fit for

  • 对中国古代服饰、妆容、器物感兴趣的传统文化读者
  • 喜欢随笔体、可零散阅读的生活美学读者
  • 写作、设计、汉服与古典造型从业者的素材参考者
  • 读过孟晖《潘金莲的发型》等作品、想继续追读的读者

Not a good fit for

  • 期待完整断代服饰史或学术专著的严肃研究者
  • 偏好强情节、快节奏叙事的通俗小说读者
  • 希望获得具体穿搭、美妆实操教程的实用型读者

Reading tips

  1. 不必按顺序通读,可以按“斗妍”“红妆”“服饰”等主题挑感兴趣的一辑先读。
  2. 读到器物名称时对照书中的文物图片看一遍,会比单看文字更有画面感。
  3. 可与《中国妆束:大唐女儿行》等图文书并读,互为参照。
  4. 准备一支笔,随手记下文中引用的诗文与笔记出处,便于延伸阅读。

About the publisher

CITIC Press China · Founded in 1988

Founded in 1988 and affiliated with China CITIC Group, CITIC Press focuses on business and economics, social sciences, literature and children's books, with common categories covering social sciences, finance, literature, Eastern philosophy and literary appreciation. Its library holds 91 titles, including Yuval Noah Harari's Sapiens trilogy, Thomas Piketty's Capital in the Twenty-First Century, Wu Xiaobo's Thirty Years of Strife: Chinese Enterprises 1978–2008, Nelly Sachs's The Weight of Butterflies: Selected Poems of Nelly Sachs, as well as New Interpretations of the Analects and Chiang Hsun's lectures on Dream of the Red Chamber. Its authors and translators include Lin Junhong, Ba Shusong, Chen Li and Chang Fen-ling. Overall, the press introduces influential works in finance and social sciences while balancing classic translation and local appreciation in literature and Eastern philosophy, combining academic depth with accessible reading.

Contents

  1. Beauty in Combat
  2. A Duel Between Scattered Petals, Bees, and Butterflies
  3. Yingying and the Jade Pendant
  4. Palace Intrigue Gives Rise to the Fairy Skirt
  5. Openwork Soles, Lotus at Every Step
  6. Love's Message
  7. The Jade Link, Love Unending
  8. Tender Words and Fragrant Letters Speak Deep Feeling
  9. Rouged Tears Bear Deep Love
  10. Candlelight, Brows, and the Price of Passion
  11. The Beauty's Fragrance Haunts the Emperor's Thoughts
  12. Mistaking a Sachet for a Perfume Pouch—Whose Shame?
  13. Gu Taiqing and the Fragrant Bracelet
  14. Festivals
  15. Moth Lanterns and Light Balls at the Lantern Festival
  16. Wu Yuening's Lantern Festival
  17. Bead Talisman Pouches of the Song Dynasty's Dragon Boat Festival
  18. Bone-Waking Gauze and Hibiscus Cloth
  19. Needle-Threading Contests on Qixi
  20. The Jasmine Boat on Qixi
  21. A Little Gourd for the New Year, Plum Blossom Makeup to Greet It
  22. Time Follows the Tinkling Steps of the Jade Hairpin
  23. The Lovers' Knot
  24. Mo Qiongshu and Cicada-Wing Hair
  25. Wu Zetian and the Folding Screen
  26. Endless Elegance: The Fragrant Hill Statuette
  27. The Splendor of the High Tang: The Consort's Bath
  28. Adornment
  29. Dress and Ornament
  30. Even a Sash Can Be Alluring
  31. The Dowager's Veiled Hat
  32. Mandarin-Duck Shoes Beneath the Skirt
  33. Exotic Gems That Witnessed a Golden Age
  34. Robes Draped with Pearl Chains
  35. Feiyan's Golden Robe
  36. Bohemian Hairpins and Dai's Ornaments
  37. Baochai's Neck Ring
  38. The Zhaojun Hood
  39. Du Shiniang's Portable Strongbox
  40. Daily Life

FAQ

《美人图》是小说吗?
不是。它是孟晖的古典生活美学随笔集,由中信出版集团2021年出版,讨论古代女性的妆容、服饰、器物与生活情趣,七辑短篇连缀而成,并非虚构故事。
这本书和网络小说《美人图》是同一本吗?
不是。市面上题为《美人图》的书不止一种,例如合欢教主《盛世狂歌》卷三的武侠小说、歌怨的灵异网络小说。本条目对应的是孟晖著、中信出版集团2021年版的随笔集,书号9787521717730。
需要具备古代服饰史基础才能读吗?
不必。作者以短篇随笔的方式从具体器物和诗词入手,语言平易;有基础者可以读出考据的分量,入门读者也能从图片与故事中获得乐趣。
书中的文物图片多吗?
本书配有彩色文物图版,与文字内容相互印证,属于图文并重的编排方式,适合对照阅读,具体篇数与版次有关。

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About the author

孟晖 Author

Public information about Meng Hui is limited; all that is currently known is that one work is listed under the author's name in the history-reading category, namely Dragon and Foreign Devils: A Swedish Geologist's View of China. Judging from the title and the category, the book is a work of history writing that uses a Swedish geologist's observations as a thread to present the social landscape and everyday realities of modern China. The sources do not specify what exact role Meng Hui played in this work, and the author's education, profession and research interests cannot be confirmed, so it would be inappropriate to speculate further about the author's life. What can be noted from the available information is the book's thematic orientation: it recounts Chinese history through the eyes of a foreign observer, combining documentary value with readability, and should appeal to readers interested in modern China and the history of Sino-foreign exchange.

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