Fact and Fiction
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢王安忆《长恨歌》《考工记》等作品的读者
- 对中国当代文学中的先锋实验叙事感兴趣的读者
- 对家族史、寻根写作与身份认同议题感兴趣的人
- 中文系学生与现当代文学研究者
Not a good fit for
- 期待连贯情节和强烈故事性的通俗小说读者
- 不习惯后设叙述、碎片化结构与议论穿插的读者
Reading tips
- 先读“序”与“跋”,建立对全书双线结构的整体感知
- 把纵向的家族线当作一部散文体史诗来读,不必强求史实准确
- 横向的上海线索可对照王安忆的散文与访谈一起读,理解其自传底色
- 遇到作者跳出来谈写作方法的段落,不妨放慢速度,那正是本书的“关节”
About the publisher
People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.
Contents
- Preface
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Postscript
FAQ
《纪实与虚构》是小说还是自传?
书名里的“纪实”和“虚构”分别指什么?
这本书和《长恨歌》相比好读吗?
书中的家族追溯有史料依据吗?
Comments
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About the author
Wang Anyi is a contemporary Chinese woman writer born on March 6, 1954, in Nanjing, Jiangsu. Her ancestral home is Tong'an, Fujian, and she grew up in Shanghai. She once worked as an editor at Children's Era, later became a professional writer and chair of the Shanghai Writers Association, and is a professor in the Department of Chinese Language and Literature at Fudan University. Her representative works include The Song of Everlasting Sorrow, Xiaobaozhuang, Fact and Fiction, and Tianxiang, among which The Song of Everlasting Sorrow won the fifth Mao Dun Literature Prize. Her writing spans social fiction, classic works, essays, and literary appreciation, and also includes travel observations from Germany and reflections on reading and writing. Her works often focus on urban life and individual destiny, with meticulous prose and unhurried narration, exerting a profound influence on contemporary Chinese literature.