Fact and Fiction cover

Fact and Fiction

Rating 4.0
Word count
340K words
Chapters
12
Series
166 Chaonei Humanities Library · Contemporary Chinese Novels
ISBN
9787020093564

Tags

Summary

Fact and Fiction is a novel Wang Anyi wrote in 1992, first published by People's Literature Publishing House in 1993, and one of her most experimental works. The book unfolds two threads in alternation through a structure of "cross-narration": one is "fictional history," a vertical bloodline traced from the narrator's mother's surname and family legends back through the ancient grasslands of Mobei, the Rouran of the Northern Wei, the Yuan dynasty, and the soil of eastern Zhejiang, pursuing her lineage generation by generation in a heroic tone that resembles a personal family epic; the other is "fictional society," a horizontal web of life relations, as the narrator returns to the Shanghai she inhabits and writes of longtang lanes, neighbors, school, her years sent down to the countryside, and her writing life, of how a family that moved to Shanghai from elsewhere became "outsiders" in the city, and of childhood loneliness, a tense mother-daughter relationship, and the fine texture of daily life. The two threads interweave and mirror each other: the vertical family story is like a tree, while the horizontal social relations ripple outward like water. Across these two "fictions" the narrator continually dismantles and explains herself, fusing metafictional self-reflection with realistic technique. She ultimately finds that constructing a satisfying family narrative for herself can better accommodate loneliness than verifying historical truth. The work bears clear autobiographical qualities and an archaeological curiosity, and is regarded as an important milestone in Wang Anyi's writing of Shanghai—and of Shanghai's "writing" of Wang Anyi.

Editor's review

在《长恨歌》之前,王安忆已经写出了这部胆量极大的作品。她把小说拆成两股:一股往上溯,追母亲姓氏的来路,从草原部落的传说一路追到浙东乡土,写得像史诗;另一股落回地面,写上海弄堂里一个说普通话的女孩怎样被当作“外来户”,写母女之间的紧张、日常的孤独与写作的犹疑。两条线交错推进,纵向如树,横向如水,形式上极漂亮,情绪上却始终是冷的、克制的。读者会看到大量后设式的自我剖白——作者一边讲家族故事,一边告诉你这个故事是“虚构”的。这种写法在九十年代初的中国小说里相当罕见。若你想知道《长恨歌》那种绵密写实的笔触从何而来,若你对“我们从哪里来”这样的问题天生敏感,这本书值得一读。

Who it's for

A good fit for

  • 喜欢王安忆《长恨歌》《考工记》等作品的读者
  • 对中国当代文学中的先锋实验叙事感兴趣的读者
  • 对家族史、寻根写作与身份认同议题感兴趣的人
  • 中文系学生与现当代文学研究者

Not a good fit for

  • 期待连贯情节和强烈故事性的通俗小说读者
  • 不习惯后设叙述、碎片化结构与议论穿插的读者

Reading tips

  1. 先读“序”与“跋”,建立对全书双线结构的整体感知
  2. 把纵向的家族线当作一部散文体史诗来读,不必强求史实准确
  3. 横向的上海线索可对照王安忆的散文与访谈一起读,理解其自传底色
  4. 遇到作者跳出来谈写作方法的段落,不妨放慢速度,那正是本书的“关节”

About the publisher

People's Literature Publishing House China · Founded in 1951

People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.

Contents

  1. Preface
  2. Chapter One
  3. Chapter Two
  4. Chapter Three
  5. Chapter Four
  6. Chapter Five
  7. Chapter Six
  8. Chapter Seven
  9. Chapter Eight
  10. Chapter Nine
  11. Chapter Ten
  12. Postscript

FAQ

《纪实与虚构》是小说还是自传?
它是一部带有强烈自传色彩的长篇小说。书中大量取材于王安忆的家庭与个人经历,包括母亲茹志鹃的家族传说和她在上海、插队时期的生活,但作者明确以“虚构”的方式组织结构,并不断在文本中提示叙述的人为性,因此不宜当作纪实材料来读。
书名里的“纪实”和“虚构”分别指什么?
“纪实”大致对应横向的、当下的社会关系与日常生活书写,“虚构”大致对应纵向的、追溯家族血缘的历史想象。二者交叉叙述、互为镜像,共同构成作者为自己确定位置的方式。
这本书和《长恨歌》相比好读吗?
《纪实与虚构》的结构更复杂,议论与自省更多,情节性明显弱于《长恨歌》,阅读门槛更高。建议先读《长恨歌》,再回头看这部更早的实验之作,会更能体会王安忆笔法的来路。
书中的家族追溯有史料依据吗?
书中关于柔然、北魏、元代及浙东茹姓的叙述多为想象性的推演与拼贴,带有考古学式的趣味,并非严格的史学考证。作者本意不在复原家族真史,而在借此重建自我与世界的关系。

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About the author

Wang Anyi Author · Chinese · 1954

Wang Anyi is a contemporary Chinese woman writer born on March 6, 1954, in Nanjing, Jiangsu. Her ancestral home is Tong'an, Fujian, and she grew up in Shanghai. She once worked as an editor at Children's Era, later became a professional writer and chair of the Shanghai Writers Association, and is a professor in the Department of Chinese Language and Literature at Fudan University. Her representative works include The Song of Everlasting Sorrow, Xiaobaozhuang, Fact and Fiction, and Tianxiang, among which The Song of Everlasting Sorrow won the fifth Mao Dun Literature Prize. Her writing spans social fiction, classic works, essays, and literary appreciation, and also includes travel observations from Germany and reflections on reading and writing. Her works often focus on urban life and individual destiny, with meticulous prose and unhurried narration, exerting a profound influence on contemporary Chinese literature.

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