The Flute and the Sword: Love and Vengeance
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers new to Ximen Ding's wuxia who want a single volume to get a quick sense of his style
- Wuxia readers who enjoy character turns like rising after defeat or trading a sword for another weapon
- Readers who prefer a main line of sect crisis and heroes banding together, and enjoy a sense of the jianghu's larger picture
- Commuters or bedtime readers who read in fragments and need clear, easy-to-follow plot threads
Not a good fit for
- Readers who already own the complete edition of the same story and don't plan to collect it twice
- Readers sensitive to plot driven by romantic misunderstandings who would rather see a pure good-versus-evil showdown
- Readers expecting standalone short pieces with each chapter self-contained may find the main line too long
Reading tips
- Read the opening battle between good and evil and the demons' cliff leap closely first—later character motivations grow from here.
- Treat Qin Junyan's destruction of his sword through to his return with the xiao as the book's turning point; read before and after against each other to trace his change of heart.
- When you reach the United Alliance coercing the heroes, jot down each party's stance—it helps make sense of the later choices to band together.
- If you want to sample it, read the lost duel and the mysterious stranger's teaching first, then decide whether to read the whole thing.
About the publisher
Universal Publishing House is a comprehensive publishing institution headquartered in the United Kingdom. It focuses on publishing Chinese-language books, primarily for overseas Chinese authors, and its range covers literary genres such as wuxia novels, mystery and suspense, and social fiction, as well as law, art, and essays. Its catalogue currently contains about 220 titles, with representative works including Ximen Ding's complete Yidao Yunyan and the Shanmao Wangsen series, along with Burden of Proof in Medical Damage Liability Disputes in the Civil Code Era and Aesthetics, Calligraphy, and Miscellaneous Notes. Other representative authors include Tuo Mingsheng, Cao Lihua, Qian Baohuai, Zi Fei, Chen Yading, Ou Zhaoping, and Cang Er. Public information is limited; based on the books in the catalogue, its publishing direction leans toward genre fiction, humanities and social sciences, legal practice, and popular art books, and it offers authors one-stop publishing services including editing, typesetting, and distribution.
Contents
- 第一回恶邪魔卷土重来
- 第二回三少侠潜身告急
- 第三回分道扬镳告凶讯
- 第四回昆仲帮夜遭围袭
- 第五回扬帆东海遇贼船
- 第六回海湾岸畔学箫技
- 第七回三剑老勤授剑术
- 第八回统一盟席卷武林
- 第九回情场失意自断剑
- 第十回昆仲帮苦战惨败
- 第十一回改变初衷另拜师
- 第十二回武当少林被消灭
- 第十三回箫声琴音相和谐
- 第十四回人间仙子芳心许
- 第十五回千帆帮聚义偷袭
- 第十六回武林双秀胜魔头
FAQ
How does this single volume relate to the complete edition of the same story?
Why does Qin Junyan destroy his own sword after losing?
Does the mysterious stranger giving him a manual and teaching him the xiao feel too coincidental?
Is the ending happy? Is the trio's romance resolved?
Comments
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About the author
Xi Mendin, whose real name is Wang Yu, was born in Quanzhou, Fujian, in 1949 and moved to Hong Kong with his mother in 1959. He is one of the important representatives of Hong Kong wuxia fiction. In 1980, he submitted "Troubles in a Small Town" to the magazine Wuxia World, formally entering the wuxia literary scene. He has since published more than ninety works, mainly wuxia novels with some forays into otherworldly fantasy. His representative "Double Eagle Divine Constables" series spans thirty volumes, and works such as "Cloud Swallow with a Leaning Saber" and "Tears of Heroes" are also widely read. Along with Huang Ying and Long Chengfeng, he is known as one of the "Three Musketeers of Hong Kong's Wuxia World," and has exerted a certain influence on the transmission of Hong Kong wuxia literature and the popular reading market. Besides Xi Mendin, he has also written under pen names such as Gao Jianting and Nangong Lie, showing a diverse range of writing.