The Seventh Day
Tags
Summary
Editor's review
Who it's for
A good fit for
- 读过《活着》《许三观卖血记》,想了解余华后期创作的读者
- 关注当代中国社会现实题材小说的读者
- 对亡灵叙事、荒诞派手法感兴趣的文学爱好者
- 需要在课堂或读书会上讨论当代中文长篇的师生
Not a good fit for
- 期待轻松阅读、想避开死亡与苦难题材的读者
- 偏好情节精巧、叙事结构复杂烧脑小说的读者
- 对新闻式直白语言接受度较低、偏爱精致文体的读者
Reading tips
- 先留意“第一天”里殡仪馆的细节,那是全书荒诞与现实对照的缩影
- 把七章当作七次守灵来读,每读完一天稍作停顿,梳理当天出现的亡魂
- 可结合余华关于“我写下的是我们的生活”的访谈来理解其创作意图
- 读完后回看“死无葬身之地”的段落,体会它与前面现实描写的反差
About the publisher
New Star Press focuses on classic works, mystery and detective fiction, science fiction, history, foreign literature and art, and its 602 titles in the library show a balance between popular reading and humanistic depth. Representative books include The Complete Works of Shakespeare: Illustrated Collector's Edition, And Then There Were None, Murder on the Orient Express, The Player of Games, Local Government in Qing China, A Good Man Is Hard to Find and A Collection of Fine Ukiyo-e Prints, spanning classic literature, detective fiction, science fiction, local history and visual art. Its authors and contributors include William Shakespeare, Agatha Christie and Iain M. Banks, as well as translators such as Zhu Shenghao and Su Fuzhong and illustrators such as John Gilbert and George Cruikshank. Known for the detective series Midnight Library and for social-science and humanities titles, the press emphasizes edition design and reading experience; public information is limited, so this profile highlights the publishing features reflected in the library's books.
Contents
- Day One
- Day Two
- Day Three
- Day Four
- Day Five
- Day Six
- Day Seven
FAQ
这本书和《活着》相比,风格有什么不同?
“第七天”这个书名有什么含义?
没读过余华其他作品,可以直接读这本吗?
这本书的豆瓣评分为什么不算高?
Comments
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About the author
Yu Hua, born in Hangzhou, Zhejiang Province, in 1960, with ancestral roots in Gaotang, Shandong, is a contemporary Chinese writer and a representative figure of the avant-garde fiction movement. He began publishing fiction in 1983. His work spans novels, novellas and short stories, and prose essays. The library holds eleven of his titles, including a five-volume collection of novellas and short stories, Leaving Home at Eighteen, The Mistake by the River, Woman's Victory, and the essay collection I Only Know What Man Is. His fiction often focuses on ordinary people struggling under the pressures of reality and history; the narration is calm and restrained, the language spare, and he frequently reveals human resilience and warmth between the absurd and the everyday. His essays draw on personal experience to discuss literature, life and observation in a plain, reflective style. His major works include To Live, Chronicle of a Blood Merchant, Cries in the Drizzle, Brothers, The Seventh Day and Wen City. His writing has been translated into more than twenty languages, and he has received Italy's Grinzane Cavour Prize and the French Ordre des Arts et des Lettres.