Notes on Notes
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢古典笔记、文史掌故,但文言阅读有门槛的读者
- 偏爱短篇随笔、可碎片化阅读的上班族与通勤读者
- 对世情人心、社会现象有观察兴趣的杂文爱好者
- 希望带孩子接触传统文化的家长与中学语文教师
Not a good fit for
- 期待严格学术考据、版本校勘的古典文学研究者
- 偏好长篇连贯叙事、完整情节结构的读者
- 希望读到系统中国古代笔记史教材的读者
Reading tips
- 不必按卷序通读,可从感兴趣的篇目随手翻起,一篇一事,读后回味片刻效果更佳。
- 读到所引古籍原文时,不妨先自行揣摩其意味,再看作者的现代解读,体会古今对照的妙处。
- 可作为古典笔记的“入口书”,遇到书中反复出现的《万历野获编》《酉阳杂俎》等,再去找原书翻读。
- 准备一支笔,把触动自己的段落或与当下新闻呼应的例子记下,积累成自己的“笔记之笔记”。
About the publisher
Guangxi Normal University Press is a publisher known for literature, foreign literature and history titles. Its 1,175 books in the database show a solid accumulation in classics and prose collections, including foreign literary works such as Les Fleurs du mal: Annotated Poems of Baudelaire, Snow Country, Dubliners and The Wild Palms, as well as modern prose compilations like The Complete Prose of Zhou Zuoren. History and philosophy also hold a notable share, with titles such as Running Dogs: Clerks and Runners in Qing County Yamen and The History and Thought of the Taiping Heavenly Kingdom reflecting attention to Qing local administration and modern history. In art literature there is the 16-volume Ten Bamboo Studio Painting and Calligraphy Manual. Its author resources include foreign writers Charles Baudelaire and Yasunari Kawabata, translators and annotators Liu Nanqi and Zou Bo, and scholars such as Zhong Shuhe, Bradly W. Reed and You Chenjun. As public information is limited, this characterization is based only on the books in the database, which together present a profile balancing Chinese and foreign literary classics with academic works in the humanities and social sciences.
FAQ
书名《笔记的笔记》是什么意思?
这本书和2017年的版本是同一本吗?
没有文言文基础能读懂吗?
全书一共多少卷、收录多少篇?
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About the author
Lu Chunxiang is a Chinese-language author whose work spans a fairly varied range of subjects. Publicly available information is limited, and details such as his nationality and dates of birth and death cannot be confirmed at present. Three of his works are held in the collection: the biography Tian Di Fang Weng: A Biography of Lu You, the formally experimental Bing Le De Zi Mu, and the essay collection Shui Bian De Xiu Ci. These works suggest that he has engaged both in biographical writing centered on historical figures and in essays and miscellaneous prose, while also experimenting with form in a flexible and unconventional style. His works are commonly classified under general biography, classic works, and essays and miscellaneous writings. Tian Di Fang Weng: A Biography of Lu You centers on the life of the Southern Song poet Lu You, while Shui Bian De Xiu Ci and Bing Le De Zi Mu further display his essayistic approach and linguistic playfulness. Because verifiable public information is limited, a full picture of his writing and literary influence remains to be further explored.