Before the Beginning of Spring cover

Before the Beginning of Spring

Rating 4.2
Word count
100K words
Chapters
28

Tags

Summary

Before the Beginning of Spring collects more than twenty essays by Zhou Zuoren, most written between August 1944 and January 1945. They include serious essays on literature; pieces on rain, on the sending-off of the Kitchen God, and on the beauty of washi paper; and reminiscences of departed friends. The serious essays trace things to their roots, the memorial pieces regard life and death with equanimity, and the essays on things settle into leisurely ease.

Editor's review

Before the Beginning of Spring gathers more than twenty essays Zhou Zuoren wrote between August 1944 and January 1945, falling roughly into three kinds: serious essays on literature; leisurely pieces on things—rain, the sending-off of the Kitchen God, the beauty of washi paper; and reminiscent works in memory of departed friends. The serious essays trace things to their roots, revealing his learning and restrained prose; the memorial pieces regard life and death with equanimity, their feeling held in check yet lingering; the essays on things settle into leisurely ease, finding interest and measure in everyday minutiae. The book is modest in length yet offers a concentrated view of the typical character of Zhou's later prose: knowledge, delight, and reflections on life interwoven, the tone plain and the meaning enduring. It suits slow reading on a quiet afternoon or before sleep, one piece at a time, with no need to hurry; readers interested in Zhou's prose style, the history of modern Chinese prose, or the literary condition of writers in the final years of the War of Resistance can sense here the restraint and complex mood of his writing.

Who it's for

A good fit for

  • Readers who admire Zhou Zuoren's prose and want a systematic sense of his later style
  • Researchers interested in the history of modern Chinese prose and the literary condition of writers in the final years of the War of Resistance
  • General literary readers who prefer familiar essays and slow, attentive reading
  • Readers who want to experience the union of intellect and delight through short pieces

Not a good fit for

  • Readers who prefer tightly plotted, strongly narrative works
  • Those with little interest in the context of Republican-era literati who want only light, entertaining reading
  • Readers expecting a systematic biography or a full collation of historical sources

Reading tips

  1. Read by category: begin with the leisurely essays on things, then the serious essays and the memorial pieces.
  2. Pause after each piece and note one or two sentences that struck you most, building a feel for Zhou's style.
  3. Read the memorial pieces against the background of 1944–1945 to sense the complex mood behind their equanimity toward life and death.
  4. Don't read it all at once; take one or two pieces a day and keep a steady pace, so the plain style does not grow tedious.

About the publisher

Xianzhi Xianxing is a book imprint used by Beijing Mingtianyuanhang Cultural Transmission Co., Ltd. (Beijing Mingtian Culture) rather than an independently established publishing house. Under the name "Beijing Mingtian Culture (Xianzhi Xianxing)" it publishes general-interest titles, with an emphasis on psychology and self-help, social-science general knowledge, and traditional culture. Public information is limited; the titles in our catalogue point mainly to essays and miscellaneous writings, Eastern philosophy, folk literature, and classic works. Representative books include Zhou Zuoren's Lu Xun's Old Home, Bitter Tea Essays, Bitter Bamboo Miscellany, Wind and Rain Talks, and Talks by Candlelight, Sun Yirang's Mozi Jiangu, and Gan Bao's Sou Shen Ji. Its authors are chiefly modern scholars such as Zhou Zuoren and Sun Yirang and collators of classical texts such as Gan Bao, reflecting a sustained interest in traditional classics and essay collections. E-books are the main form of distribution.

Contents

  1. 版权信息
  2. 关于教子法
  3. 关于宽容
  4. 关于测字
  5. 关于送灶
  6. 雨的感想
  7. 医师礼赞
  8. 男人与女人
  9. 女人的文章
  10. 女人的禁忌
  11. 蚯蚓
  12. 萤火
  13. 记杜逢辰君的事
  14. 明治文学之追忆
  15. 广阳杂记
  16. 杨大瓢日记
  17. 寄龛四志
  18. 笑赞
  19. 大乘的启蒙书
  20. 杂文的路
  21. 国语文的三类
  22. 文学史的教训
  23. 十堂笔谈
  24. 苦茶庵打油诗
  25. 文坛之外
  26. 立春以前
  27. 几篇题跋
  28. 后记

FAQ

Roughly when were the essays in this book written?
According to the sources, most were written between August 1944 and January 1945—more than twenty pieces in all, including serious essays on literature, pieces on rain, on the sending-off of the Kitchen God, and on the beauty of washi paper, and reminiscences of departed friends.
I haven't read any other works by Zhou Zuoren. Can I start with this book?
Yes. This is a collection of short essays, each independent and not reliant on context. But Zhou's prose is plain and understated, so newcomers should slow down: read the pieces on things and in memory of people first, then move on to the serious essays on literature.
Is this book suitable for use as research material?
This is a collection of essays, not a systematic treatise or a compilation of historical sources. Researchers can use it as a primary text for understanding Zhou's later style and mood, but should not expect a complete theoretical framework or historical textual criticism.

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About the author

Zhou Zuoren Author · China · 1885–1967

Zhou Zuoren (1885–1967) was a native of Shaoxing, Zhejiang, and the younger brother of Lu Xun. A modern Chinese essayist, literary theorist and translator, he was a representative figure of the New Culture Movement. He taught at Peking University and took part in editing New Youth and Yusi. His essay collections include My Own Garden, Writings on a Rainy Day and Recollections of Zhitang, written in a plain, calm style that finds interest and insight in everyday matters. He long translated Japanese and Greek literature, notably The Pillow Book, the tragedies of Euripides and the comedies of Aristophanes. His essays, folk-literature studies and translations have had a lasting influence on modern Chinese writing and the reception of foreign literature.

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