On Weighing Talent
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers of Chinese intellectual history who want to read a single chapter of Balanced Discourses closely and understand Wang Chong’s view of talent
- Students of literature and history researching the Han selection system and the relationship between Ru scholars and clerical officials
- General readers interested in criteria for evaluating ability and the relationship between theory and practice
Not a good fit for
- Beginner readers hoping for vernacular stories or light popular introductions
- Researchers expecting a complete, fully annotated edition of Balanced Discourses
- Readers impatient with Han thought and classical argumentation
Reading tips
- First read the original through once, marking key sentences that compare Ru scholars and clerical officials, then review Wang Chong’s layers of argument.
- Read alongside basic material on the Han recommendation system and the relationship between Ru scholars and clerical officials to understand the chapter’s practical point.
- After reading, compare Wang Chong’s criteria with contemporary talent evaluation and write down your own judgment.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 卷十二
FAQ
What does “Cheng Cai” mean in the chapter title?
Whom do Ru scholars and clerical officials refer to in Wang Chong’s text?
Is a stand-alone chapter suitable for readers with no background in Balanced Discourses?
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About the author
Wang Chong (27–c. 97), courtesy name Zhongren, was a native of Shangyu in Kuaiji (present-day Shaoxing, Zhejiang). A thinker, literary critic, and atheist of the Eastern Han, he entered the Imperial Academy in Luoyang in his youth and studied under Ban Biao; later he left office, stayed at home, and devoted himself to writing. His representative work, the eighty-five-chapter Lunheng (Balanced Inquiries), criticizes Chenwei superstition and the theory of interactions between Heaven and humanity, advocates a naturalist theory of qi, and stands as an important representative of Han-dynasty materialist thought. Wang Chong valued evidence and analysis in his writing, often developing arguments through questions and debates in a plain but sharp style. The collection holds sixty-nine of his works, including such pieces as Shizhi pian, Wenkong pian, Ziran pian, Daoxu pian, Duizuo pian, and Hanwen pian, covering philosophy, social criticism, and literary appreciation. He championed independent thinking and opposed blind submission to authority, exerting a lasting influence on later thought and literary criticism.