Block Book
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Summary
Editor's review
Who it's for
A good fit for
- 喜欢实验性叙事、不依赖强情节的文学读者。
- 欣赏现代汉语质感、愿意逐句慢读的散文与小说爱好者。
- 时间零碎、需要可随时拿起放下读物的通勤读者。
- 想了解中国当代青年作家写作面貌的文学研究者与编辑。
Not a good fit for
- 期待完整故事线、明确人物与结局的传统小说读者。
- 偏好节奏紧凑、情节反转的类型文学读者。
Reading tips
- 不必按页码顺序读，可先随手翻几则短章，感受语言节奏再决定阅读方式。
- 准备一支笔或便签，记录触动你的短章编号，读完后按自己的逻辑重新排列。
- 一次读十到二十则即可，间隔着读比一口气读完更能体会碎片之间的呼吸。
- 读完后可对照赵松的《你们去荒野》《抚顺故事集》，理解他笔下的城市与人的连续主题。
About the publisher
Founded in 1988 and affiliated with China CITIC Group, CITIC Press focuses on business and economics, social sciences, literature and children's books, with common categories covering social sciences, finance, literature, Eastern philosophy and literary appreciation. Its library holds 91 titles, including Yuval Noah Harari's Sapiens trilogy, Thomas Piketty's Capital in the Twenty-First Century, Wu Xiaobo's Thirty Years of Strife: Chinese Enterprises 1978–2008, Nelly Sachs's The Weight of Butterflies: Selected Poems of Nelly Sachs, as well as New Interpretations of the Analects and Chiang Hsun's lectures on Dream of the Red Chamber. Its authors and translators include Lin Junhong, Ba Shusong, Chen Li and Chang Fen-ling. Overall, the press introduces influential works in finance and social sciences while balancing classic translation and local appreciation in literature and Eastern philosophy, combining academic depth with accessible reading.
FAQ
《积木书》是长篇小说还是短篇集？
这本书为什么没有目录？
2024年新版和旧版有什么区别？
需要按顺序从头读到尾吗？
Comments
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About the author
Zhao Song is an author about whom little public information is available. The library currently holds only one work by this author, a history title called Yin (Concealment). Since details such as nationality, dates of birth and death, and an English name cannot be confirmed, only the known work can be briefly described here. Yin is classified as a history book, indicating that Zhao Song's writing deals with historical subject matter and may approach historical figures, events, or cultural phenomena related to the idea of concealment through narrative or organized exposition. The title Yin itself suggests hiding, withdrawal, and remaining unshown, perhaps pointing to aspects of history that have been overlooked or obscured, though the specific approach and scope cannot be inferred from the limited material. On the available evidence, Zhao Song's body of work is not yet enough to form a complete picture, and readers wishing to understand the style and influence would need to consult the actual content of Yin.
