My Cousin Rachel cover

My Cousin Rachel

Rating 4.0
ISBN
9787549636006

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Summary

My Cousin Rachel is a novel by the British author Daphne du Maurier, published in 1951 and widely regarded by critics as one of her finest works after Rebecca. The story is narrated in the first person by Philip, a young heir to a Cornish estate. At the age of twenty-four, he learns that his cousin Ambrose—who had lived with him for years and whose health was always frail—has died suddenly in Italy, leaving behind a substantial inheritance, several letters in a chaotic hand, and his recent bride, Rachel, an Italian. Philip is initially hostile, suspecting Rachel of scheming to seize the family fortune, and vows to seek justice for his cousin. Yet when this beautiful, composed, and well-spoken cousin arrives at the estate, his defenses crumble little by little in her presence. He willingly surrenders his fortune, his trust, and his heart, even turning against everyone who tries to warn him. Readers see everything through his ardent, obsessive eyes, and so, like him, cannot distinguish fact from his own imaginings. Set against the landscapes and customs of the Cornish coast, the novel interweaves a brooding Gothic atmosphere with meticulous psychological portraiture, exploring infatuation, possessiveness, jealousy, and dependence in love. The author never gives a definitive answer as to whether Rachel is guilty, and the closing question—“Did she or didn’t she?”—has become a familiar expression of suspense among British readers. This edition is translated by Zhang Chaobin and appears in the Daphne du Maurier Works series and the Dookey Suspense Library.

Editor's review

很多人先认识《蝴蝶梦》,再回头读《浮生梦》,结果往往被后者更深地缠住。《浮生梦》是杜穆里埃的成熟之作:她没有用幽灵和古堡吓人,而是让读者住进一个年轻人的头脑里,跟着他的爱、猜疑和自负一步步走向失控。全书最厉害的地方在于叙事视角——菲利普说什么,我们就信什么,可越往后读,越会发现他的判断未必可靠,那种“我可能一直被带着走”的后怕感,是这本书真正的恐怖来源。 金庸曾说,相比《蝴蝶梦》,他更偏爱《浮生梦》;E.M.福斯特则称赞杜穆里埃打破了通俗小说与纯文学的界限。她写爱情不甜腻,写悬疑也不靠反转炫技,而是把占有欲写得既纯真又残忍。本书曾两度被搬上银幕,2017年由罗杰·米歇尔执导、蕾切尔·薇兹主演。张超斌的译文流畅干净,适合一口气读完,也值得读第二遍——第二遍你会看到一个完全不同的菲利普。

Who it's for

A good fit for

  • 喜欢《蝴蝶梦》、偏爱哥特气氛与英伦庄园背景的读者
  • 对心理悬疑、不可靠叙述感兴趣的推理与犯罪小说读者
  • 想读一部关于爱、占有欲与人性的经典爱情小说的读者
  • 希望从通俗故事进入英国现代文学精品的入门读者

Not a good fit for

  • 期待快节奏强情节、频繁反转的爽文型悬疑读者
  • 更偏好轻松温暖、结局明确的治愈系故事的读者
  • 对第一人称冗长内心独白缺乏耐心的读者

Reading tips

  1. 先不要把瑞秋当“凶手”或“无辜者”,跟着菲利普的眼睛读第一遍,保留判断。
  2. 留意信件的措辞、遗嘱与财产安排等细节,它们是解开谜团的关键线索。
  3. 读完后可对照1952年或2017年电影版,看看改编如何取舍原著中的模糊性。
  4. 若时间有限,可先读《蝴蝶梦》再读本书,能更清楚地看到作者风格的成熟轨迹。

About the publisher

Shanghai Wenhui Publishing House China · Founded in 1985

Shanghai Wenhui Publishing House focuses on foreign literature, science fiction, and quality fiction. Its catalogue of 218 titles spans literature, mystery and detective fiction, and social novels. Representative books include Middlemarch, The Grapes of Wrath, Snow Country, and The Complete Short Stories of Arthur C. Clarke, as well as Gu Long's Happy Heroes and Remarks on Lyrics in the World. In translation, translators such as Chen Jinhui, Chen Zongchen, Huang Yuesheng, and Qin Peng work alongside authors including George Eliot, John Steinbeck, Yasunari Kawabata, and Arthur C. Clarke, giving the press a profile that balances literary classics and genre fiction. Public information on its other publishing areas is limited.

FAQ

《浮生梦》和《蝴蝶梦》是同一本书吗?
不是。《蝴蝶梦》原名为 Rebecca,是杜穆里埃1938年的成名作;《浮生梦》原名为 My Cousin Rachel,发表于1951年,被视为她创作成熟期的代表作。两书气氛相近,但人物、情节完全不同。
这本书的结局到底是谁害死了堂兄?
作者刻意没有给出确切答案。全书以菲利普的第一人称叙述展开,他的判断本身就可能失真,结尾留下的“Did she or didn’t she?”正是这部作品的魅力所在,读者需要自己拼合线索。
市面上的中文译本有好几种,怎么选?
目前较常见的是花山文艺出版社2016年姜秋霞译本和文汇出版社2021年张超斌译本(读客文化出品,ISBN 9787549636006)。两者都完整,只是译笔风格不同,可根据购买渠道和版本装帧选择。
这本书适合当作推理小说读吗?
它更接近心理悬疑而非本格推理。没有侦探、没有严密诡计,重点在于叙述者的主观认知如何扭曲事实。如果喜欢“不可靠叙述者”类作品,会读得非常过瘾。
读之前需要先了解英国背景吗?
不需要。故事发生在康沃尔郡的庄园,涉及一点遗产继承与司法巡回法庭的背景,正文里都有交代,不影响阅读。

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About the author

Daphne du Maurier is a writer who has drawn considerable attention in the field of foreign literature and enjoys a steady readership among Chinese-language readers. The library currently holds one work by her, The Collected Works of Daphne du Maurier (8 volumes), which shows that her writing reaches Chinese readers in the form of a multi-volume collection. Because public information is limited, her nationality, dates of birth and death, full biography, and writing career cannot be described in detail at present. Judging from the size of the existing collection, however, her writing is sustained and coherent, and is well suited to concentrated reading as a series. Her works are classified as foreign literature, which usually implies attention to character portrayal, atmosphere, and narrative tension—qualities that match the way her collection is often presented as a whole. For readers who wish to understand this author systematically, this eight-volume collection can serve as the main entry point into her literary world.

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