City of Illusion cover

City of Illusion

Rating 3.6
Word count
203K words
Chapters
36
Series
Xin Yiwu's Works (Collector's Edition)
ISBN
9787539943565

Tags

Summary

City of Illusion marks Xin Yiwu's turn from campus youth fiction to urban marriage and romance, subtitled "The Post-Youth Era." It was first published by Jiangsu Literature and Art Publishing House in 2011 and reissued in 2014 under the title Re-Youth. The protagonist, Zhao Xunxun, is twenty-eight and, having had a unsettled childhood, lacks a sense of security; she makes "stability" the ultimate goal of her life. She marries Xie Pingning, whom she met through a matchmaker. Their marriage lacks passion but gives her the sense of order she wants: she sets aside a "nest egg for having nothing," stockpiles emergency supplies at home, and even photocopies her documents in advance. She firmly believes that as long as she does not stir things up, life will go on blandly as it is. The calm is torn open by two forces at once. One is her husband's long-unseen distant aunt Shao Jiaquan—a young, fashionable woman who once had a history with Xie Pingning. The other is Chi Cheng, who appears alongside Shao Jiaquan and, by generational reckoning, should be called "uncle-in-law." This man, three years younger than Zhao Xunxun, shows her from the moment he picks her up at the airport an enthusiasm impossible to tell apart from goodwill or calculation, borrowing money and following her and deliberately drawing close, step by step pushing her life into disorder. The novel's suspense lies in Chi Cheng's true motive: he returns bearing both love and hatred, using an almost maddening scheme to leave Zhao Xunxun with no way out, because her only way out is in his arms. When cracks appear in the fortress of her marriage, Zhao Xunxun must choose between the "safe but stagnant besieged city" and a "dangerous but vital love." The work continues Xin Yiwu's delicate psychological portraiture and sharp, witty dialogue, exploring security, the nature of marriage, and self-rebuilding in the post-youth era.

Editor's review

如果你读过《致我们终将逝去的青春》,会觉得辛夷坞写青春写得好;但《浮世浮城》写的是青春散场之后的事——婚姻、房子、工资卡,以及一个人为了“安稳”二字能把自己压缩到多小。 这本书是辛夷坞第一次正面写都市婚恋,评论家白烨称它“小中见大,平中有奇”,认为它让作者从类型小说的营垒里成功突围。它不靠情节猎奇取胜,而是把赵旬旬这样一个“未雨绸缪到近乎强迫症”的普通女人剖开给人看:她囤物资、存私房、复印证件,看似精于自保,实则是被不安全感追着跑了一辈子。 池澄这个角色也值得一读。他是辛夷坞笔下最阴险、最有城府的人物之一,接近女主的动机贯穿全书,是一个需要读者陪他熬到最后的悬念。全书对白凌厉诙谐,主角的心酸常常被一句刻薄话抵消,读起来不至于太沉。 如果你正处在婚恋的十字路口,或者只是想知道“把日子过成死水”到底算不算一种遗憾,《浮世浮城》给出了一个不温柔但诚实的答案。

Who it's for

A good fit for

  • 读过《致我们终将逝去的青春》、想继续追辛夷坞作品的读者
  • 对都市婚恋、中年情感困境题材感兴趣的成年读者
  • 喜欢细腻心理描写与犀利对白的女性向文学作品读者
  • 正在思考“安稳”与“激情”如何取舍的二十五至四十岁读者

Not a good fit for

  • 偏好强情节、快节奏悬疑或玄幻故事的读者
  • 希望读到纯甜美、无背叛情节言情故事的读者
  • 初中以下、对婚姻主题尚缺生活经验的少年读者

Reading tips

  1. 先把池澄的动机当作悬念读,留意他在前几章每次“顺手”的举动,作者埋线很细。
  2. 赵旬旬的囤积与留后路是全书题眼,读时可对照自己对待不安全感的处理方式。
  3. 若对结局意难平,可找到2014年更名再版的《再青春》,那一版有新增番外。
  4. 全书三十六章宜分段读,中段矛盾集中爆发处不要跳过争吵与对白,那是最能见人性的部分。

About the publisher

Jiangsu Phoenix Literature and Art Publishing House focuses on literary publishing while also covering the humanities, social sciences, and books on art and daily life. Its approximately 1,535 titles in the database span social novels, world history, design, science fiction, classic works, and film and television: they include modern Chinese literary classics by Lu Xun such as A Madman's Diary: The Complete Short Stories of Lu Xun, Call to Arms, Four Generations Under One Roof, and Teahouse, as well as foreign literary memoirs like Stefan Zweig's The World of Yesterday. In science fiction it offers Asimov's Galactic Empire series, while in architecture and art it publishes Liu Dunzhen's Classical Gardens of Suzhou and design titles from Phoenix Space. Its authors are concentrated among classic writers such as Lu Xun, Zweig, and Asimov, with translators including Liang Xijiang, Zhong Haonan, and Ye Lihua. Its overall character is built on classic works while embracing genre fiction and visual culture. Public information is limited, and this introduction is based on the titles in the database.

Contents

  1. Chapter 1 The Aunt and the Uncle-in-Law
  2. Chapter 2 The Flesh-Colored Train
  3. Chapter 3 We Were All Once Strangers
  4. Chapter 4 Want True Love, Not Adultery
  5. Chapter 5 The Bear and the Rabbit
  6. Chapter 6 The Second Female Lead's Endgame
  7. Chapter 7 Nothing Belongs to Me
  8. Chapter 8 Happiness Has Nothing to Do with Anything
  9. Chapter 9 Borrowing Money Is Like Undressing
  10. Chapter 10 Love Is the Grave of Marriage
  11. Chapter 11 Catching Adultery
  12. Chapter 12 The Utterly Collapsed City
  13. Chapter 13 Too Little and Too Much
  14. Chapter 14 The One Who Stays for Life
  15. Chapter 15 Money Is Sensible
  16. Chapter 16 Under Someone's Roof, One Must Bow
  17. Chapter 17 A Sunken Boat, a Thousand Sails Passing
  18. Chapter 18 The One Who Stays to Quarrel Is the One Who Loves You
  19. Chapter 19 Everyone Has Secrets
  20. Chapter 20 When the Bedrock Becomes a Mudslide
  21. Chapter 21 The Door to Him
  22. Chapter 22 Only This Scene Never Happened
  23. Chapter 23 When the Veil Becomes a Rag
  24. Chapter 24 A High-Stakes Gamble in the Fog
  25. Chapter 25 The Dusk He Described
  26. Chapter 26 The Sail Falls, the Boat Sinks
  27. Chapter 27 A Dream on the Cliff
  28. Chapter 28 Memory Like Waking
  29. Chapter 29 The Madness of the Cautious
  30. Chapter 30 No Road Back
  31. Chapter 31 The Clown and the Scarecrow
  32. Chapter 32 Dependence with No Other Choice
  33. Chapter 33 The Seduction of a Bowl of Water
  34. Chapter 34 Two People's Sleep Talk
  35. Chapter 35 If You Can't Get Drunk, You Can't Wake Up
  36. Chapter 36 Searching in the Floating City

FAQ

《浮世浮城》和《再青春》是同一本书吗?
是。这本书2011年4月由江苏文艺出版社以《浮世浮城》为名首次出版,副题“后青春时代”;2014年由百花洲文艺出版社再版时更名为《再青春》,并新增了独家番外。两版主体故事相同,ISBN分别为9787539943565与9787550008946。
这本书是辛夷坞的校园青春小说吗?
不是。辛夷坞此前以《致我们终将逝去的青春》等校园青春题材闻名,本书是她首次正面转向都市婚恋题材,被作者称为“后青春时代”的情感力作,写的是婚姻围城内外的现实处境,而非校园恋情。
没读过辛夷坞其他作品,直接读这本会有障碍吗?
基本不会。本书人物与作者其他小说偶有关联,会出现个别旧作人物,但不影响理解主线。故事围绕赵旬旬、池澄、谢凭宁、邵佳荃展开,是相对独立的一部。
书中的结尾是开放式吗?
并非完全悬置。全书最后一章为“浮城中寻找”,收束了主要情感线索与池澄动机的揭晓,但部分读者认为节奏前缓后急、结尾收得偏快,属于评价分歧较集中的地方。

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About the author

Xin Yiwu Author · China · 1981

Xin Yiwu, whose original name is Jiang Chunling, was born in Guilin, Guangxi, in 1981 and graduated from Guangxi Normal College in 2004. She is a contemporary Chinese woman writer whose pen name comes from a poem by the Tang dynasty poet Wang Wei. She writes mainly modern romance, and her representative works include So Young, Standing Still, and Xu Wo Xiang Ni Kan, several of which have been adapted for film and television. She is regarded as a representative author of “warm-scar youth” literature, focusing on the emotions and growth of young urban people with delicate prose, and has considerable influence among readers of youth romance. This library holds her work Xu Wo Xiang Ni Kan: Illustrated Commemorative Edition (3 volumes). Public information about her other personal experiences is limited, so no further details are given here.

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