Fa Yan (Complete Text, Full Annotation, Full Translation)
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Summary
Editor's review
Who it's for
A good fit for
- 对汉代思想史、儒学史感兴趣,想读原始文献的读者
- 读过《论语》一类的语录体著作,愿意再读一部汉代仿作的人
- 中文系、哲学系学生,需要一部校注可靠、译文通顺的课业用书
- 想收藏中华书局“全本全注全译”丛书的普通读者
Not a good fit for
- 希望读到轻松故事或现代散文的休闲型读者
- 已有《法言》专门研究本、需要深度义理辨析的专业研究者
- 刚开始接触文言文、连基本常用虚词尚不熟悉的中小学生
Reading tips
- 先读前言,了解扬雄生平、成书背景与本书的整理底本,再看正文。
- 每卷题解可先浏览,但不必强求贯穿逻辑,因各条语录之间本就未必连贯。
- 读时先硬读原文一遍,再看注释,最后核对译文,避免直接依赖白话。
- 可与《论语》对读,注意扬雄如何借用、改写孔子及弟子的言论与评价。
- 十三卷不必一次读完,按卷推进,每卷读毕回看圈点批注,更易留下印象。
About the publisher
Zhonghua Book Company is a publisher known for collating ancient texts and academic publishing, with its output centered on Eastern philosophy, culture, classic works, art, and historical reading. Its library contains 532 titles, including Chen Shou's Records of the Three Kingdoms, Guo Qingfan's Collected Commentaries on Zhuangzi, the four-volume Chinese Literature: Four Great Classical Novels, and the two-volume Table of Seal and Clerical Script Forms from Qin, Han, Wei, and Jin. These titles span historical classics, commentaries on the philosophers, classical novels, and philological reference works. Representative authors include Chen Shou, Guo Qingfan, Wu Cheng'en, Shi Nai'an, Cao Xueqin, Luo Guanzhong, Xu Wenwu, and the Hanyu Dazidian character-form group, reflecting a focus on primary sources and scholarly editors. Its publishing character lies in combining authoritative editions and annotated texts with both accessible classics and specialized research. Public information on its fuller catalog is limited; this note describes only the directions evident in the library's holdings.
Contents
- Complete Text, Full Annotation, Full Translation Series of Chinese Classics
FAQ
这本书是扬雄的原著还是后人注释本?
没有古文基础能读吗?
这个版本依据什么底本整理?
《法言》和《论语》是什么关系?
全书篇幅大吗?适合多久读完?
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About the author
Yang Xiong was a prominent scholar and rhapsody writer of the Western Han dynasty. Publicly available information on his birth and death dates, native place, and early life is limited, and details of his biography often depend on later records. The library holds four of his works, spanning classics, Eastern philosophy, and social sciences, including the "Collected Masterpieces of the Four Great Han Rhapsody Writers," "Yuan Qian," and "Yangzi Fayan (unannotated edition)." Yang Xiong excelled in both rhapsody and philosophical writing: his fu compositions are grand in scope and finely elaborated, representing the typical style of the Han grand rhapsody, while works such as the Fayan emulate the classics to expound Confucian learning and the principles of human affairs in concise, severe prose, reflecting a turn from rhapsody toward scholarly reflection. His language is archaic and terse, fond of emulating antiquity yet forming a style of his own, and he influenced later literature and thought. Owing to limited historical sources, this introduction summarizes his creative profile based only on the library's holdings and commonly accepted knowledge, without speculating about his life.