This is the second novel by the American writer Karen Thompson Walker, originally published in English as The Dreamers. The Chinese edition was brought in by Dook Culture, translated by Li Yaxin, and included in the "Dook Science Fiction Library." The story takes place in a Southern California college town called Santa Lora: not long after the fall semester begins, a college freshman goes out one night, falls asleep, and never wakes up the next day. Her roommate Mei at first thinks she is just sleeping off a hangover, until late at night she finds her still lying in exactly the same position. At the hospital, doctors can find no cause—she looks as if she is simply "sleeping normally," yet brain imaging shows her brain activity is more intense than any ever recorded. The "sleeping sickness" soon spreads through the town, first to the girls on the same dorm floor, then to the hospital, the library, the neighborhood. It spreads the way everyday intimacy does: breathing the same air, touching, being in the same room. Within three weeks, hundreds have fallen asleep, their heartbeats gradually slowing and their vital signs fading. Quarantine is imposed, schools close, the library is turned into a temporary ward, and the military moves in to seal off the town. The novel uses a third-person omniscient perspective, moving in turn into the situations of several groups of characters: the quiet, introverted Mei; a guarded single father and his two young daughters; a young professor couple who have just moved there with a newborn; a neuropsychiatrist who comes from out of town; a biology professor whose partner lies ill in a nursing home; and a girl who discovers only in sleep that she is pregnant. They must hold their daily lives together amid fear and loss, and wait for the sleepers to give them an answer. And when the first patients wake, the real confusion begins: the life lived in the dream is equally real, long, and complete, and those who wake must decide which is their reality.
很少有小说把“睡觉”这件最寻常的事,写成如此令人后背发凉的场景。沃克为了这本书做了整整五年睡眠研究,她把一个问题推到极端:如果睡眠不再是可以自主结束的休息,而是一种会传染、会带走你的病,我们该如何面对夜晚? 它的高明之处在于不靠怪物与爆炸,而靠“日常的异样”——邻居家无人遛的狗、整天烧着的水壶、无人浇水的草坪里流了一天的水。读者会忽然意识到,文明之所以稳固,只因为大多数人明天能准时醒来。这层领悟让阅读体验既紧张又安静。 多组人物的群像结构让故事同时具备悬疑的推进与散文的质感:每一章几乎都以悬念收尾,却又不时停在小镇某个孤独的角落,写失去、写守护、写新生儿与将死之人的对照。出版后它登上《纽约时报》书评读者选择奖,并被多家欧美媒体列入年度关注书单。 如果你在找一部“好读但有后劲”的幻想小说,或是想换个角度理解疫情时代那种被隔离、被等待、被无数个夜晚拖住的心情,这本值得读。读完之后,你会更认真地想一想,昨晚那个梦究竟去了哪里。
Shanghai Wenhui Publishing House focuses on foreign literature, science fiction, and quality fiction. Its catalogue of 218 titles spans literature, mystery and detective fiction, and social novels. Representative books include Middlemarch, The Grapes of Wrath, Snow Country, and The Complete Short Stories of Arthur C. Clarke, as well as Gu Long's Happy Heroes and Remarks on Lyrics in the World. In translation, translators such as Chen Jinhui, Chen Zongchen, Huang Yuesheng, and Qin Peng work alongside authors including George Eliot, John Steinbeck, Yasunari Kawabata, and Arthur C. Clarke, giving the press a profile that balances literary classics and genre fiction. Public information on its other publishing areas is limited.