Willow Branch Lyrics cover

Willow Branch Lyrics

Rating 4.0
Word count
3.8K words
Chapters
50

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Summary

Yangliu zhi (Willow Branch Song) is the title of a Tang court entertainment-bureau tune; Tang music included a "Yangliu zhi ci." This tune and its modal notation were first recorded in Mao Xianshu's Tianci mingjie (Explanations of Song-Tune Titles). The yuefu se-mode suite includes the "Zhe yangliu xing" (Breaking the Willow), the yuefu hengchui suite includes the "Zhe yangliu geci" and "Zhe yangliu," and the qingshang suite includes the "Yuejie zhe yangliu ge"; this tune takes an old tune title and creates a new melody from it, and is mostly used to write on willow branches.

Editor's review

Bai Juyi's "Yangliu zhi ci" is a new composition on an old yuefu title under a Tang court entertainment-bureau tune name. According to the source material, this tune derives from the yuefu se-mode "Zhe yangliu xing," the hengchui "Zhe yangliu geci," and the qingshang "Yuejie zhe yangliu ge"; the old tune title was retained while a new melody was created, and it was mostly used to write on willow branches. This book is printed by Shanghai Jinzhang Shuju, 2024 edition, and is suited to readers interested in Tang yuefu, the origins of song tunes, and Bai Juyi's poetry. When reading, it can be understood within the evolution of Tang court entertainment-bureau tunes and old yuefu titles, taking care to distinguish the history of the tune name from the content of the individual poems. The book's梳理 of explanations of song-tune titles offers some reference value for research on the formation of the "Yangliu zhi" tune. It is suitable as extended reading for lovers of classical poetry, researchers of Tang literature, and beginners in the study of song tunes, and can also be read alongside Bai Juyi's other poems on objects to appreciate the practice of writing new melodies to old titles in the Tang.

Who it's for

A good fit for

  • Lovers of classical literature interested in Bai Juyi's poetry and Tang yuefu
  • Beginners in the study of song tunes researching Tang court entertainment-bureau tunes and the origins of tune titles
  • Researchers of Tang literature who need to understand the evolution of the old title "Yangliu zhi" into a new tune
  • General readers who enjoy poems on objects and wish to broaden their reading

Not a good fit for

  • Readers seeking a systematic understanding of Bai Juyi's life and the full range of his writing
  • Readers who read only modern vernacular poetry and are not interested in explanations of classical tune titles
  • Beginners who need detailed annotation and line-by-line translation

Reading tips

  1. First read the source material's account of the evolution of the old yuefu title and the court entertainment-bureau tune name before turning to the poems, so as not to confuse the tune name with the content.
  2. Read alongside Bai Juyi's other poems on willows or on objects to appreciate the differences in how the same poet handles different subjects.
  3. Consult reference works on Tang yuefu or on explanations of song-tune titles for entries related to "Yangliu zhi" to deepen understanding.
  4. As you read, jot down the clues in the tune name's evolution and make a brief table for later research or review.

About the publisher

Jinzhang Book Company (Jinzhang Shuju) China · Founded in 1901

Jinzhang Book Company (Jinzhang Shuju) was a private publishing and distribution house in Shanghai during the late Qing and early Republican periods, issuing traditional works by lithographic printing. Judging from the 1,194 titles in the collection, its publishing focused on classical poetry, Eastern philosophy, historical reading, traditional Chinese medical texts, and canonical works, along with books on literary appreciation. Representative titles include the poetry and prose collections of Du Fu and Ouyang Xiu; historical works such as the Book of Han and Zizhi Tongjian; classical texts such as the Book of Documents and Mencius; and specialized and literary classics such as Treatise on Cold Damage and Li Sao. Its author resources cover major figures across the ages, including Du Fu, Ban Gu, Sima Guang, Zhang Zhongjing, Qu Yuan, Ouyang Xiu, and Tang Shenwei, reflecting the house's characteristic reliance on traditional scholarship and medical literature while serving general readers. Public information on its early history and operational details is limited, so no conjecture is offered here.

Contents

  1. 版权信息
  2. 【大堤曲】李善夷
  3. 卷563_27【金灯】卢溵
  4. 卷563_28【和李尚书命妓饯崔侍御】卢溵
  5. 卷563_29【对酒】赵牧
  6. 卷563_30【南歌子词三首】裴諴
  7. 卷563_31【新添声杨柳枝词】裴諴
  8. 卷五百六十四
  9. 卷564_1【夏杪登越王楼临涪江望雪山寄朝中知友】于兴宗
  10. 卷564_2【东阳涵碧亭(《金华志》:兴宗宝历初令东阳创此亭)】于兴宗
  11. 卷564_3【奉酬绵州中丞以江山小图远垂赐及兼寄诗】李朋
  12. 卷564_4【奉酬于中丞登越王楼见寄之什】杨牢
  13. 卷564_5【赠舍弟】杨牢
  14. 卷564_6【句】杨牢
  15. 卷564_7【和绵州于中丞登越王楼见寄(时为同州刺史)】李续
  16. 卷564_8【和绵州于中丞登越王楼作】李汶儒
  17. 卷564_9【和于中丞夏杪登越王楼望雪山见寄】田章
  18. 卷564_10【和绵州于中丞登越王楼作】薛蒙
  19. 卷564_11【和绵州于中丞登越王楼作】李邺
  20. 卷564_12【和绵州于中丞登越王楼作二首(时为校书郎)】于瑰
  21. 卷564_13【和于中丞登越王楼】王严
  22. 卷564_14【题越王楼寄献中丞使君】刘暌
  23. 卷564_15【秋日登越王楼献于中丞】李渥
  24. 卷564_16【洋州于中丞顷牧左绵题诗越王楼上朝贤继和辄课四韵】刘璐
  25. 卷564_17【和于中丞登越王楼作】卢栯
  26. 卷564_18【飞鸿响远音】李体仁
  27. 卷五百六十五
  28. 卷565_1【春愁】韩琮
  29. 卷565_2【牡丹(一作咏牡丹未开者)】韩琮
  30. 卷565_3【兴平县野中得落星石移置县斋】韩琮
  31. 卷565_4【题商山店】韩琮
  32. 卷565_5【风】韩琮
  33. 卷565_6【云】韩琮
  34. 卷565_7【露】韩琮
  35. 卷565_8【霞】韩琮
  36. 卷565_9【颍亭】韩琮
  37. 卷565_10【咏马】韩琮
  38. 卷565_11【题圭峰下长孙家林亭】韩琮
  39. 卷565_12【牡丹】韩琮
  40. 卷565_13【雨】韩琮
  41. 卷565_14【京西即事】韩琮
  42. 卷565_15【公子行】韩琮
  43. 卷565_16【秋晚信州推院亲友或责无书,即事寄答】韩琮
  44. 卷565_17【晚春江晴寄友人(一作晚春别)】韩琮
  45. 卷565_18【凉州词】韩琮
  46. 卷565_19【暮春浐水送别(一作暮春送客)】韩琮
  47. 卷565_20【骆谷晚望】韩琮
  48. 卷565_21【二月二日游洛源】韩琮
  49. 卷565_22【柳(一作和白乐天诏取永丰柳植上苑,时为东都留守)】韩琮
  50. 卷565_23【杨柳枝】韩琮

FAQ

Is "Yangliu zhi ci" a ci or a poem?
According to the source material, "Yangliu zhi" is the title of a Tang court entertainment-bureau tune; this melody takes an old tune title and creates a new melody from it, and is mostly used to write on willow branches. It has the character both of an old yuefu title and of a new Tang tune, and should not be simply forced into the modern categories of "ci" or "shi"; when reading, one should attend to the tune name's origins and the context of composition.
Is this book suitable for studying Bai Juyi's overall poetic style?
This book focuses on the single tune title "Yangliu zhi ci" and related explanations of tune titles; it is not a complete collection of Bai Juyi's poetry or a general study of his style. To study Bai Juyi's overall style, use a complete collection or selection as the main source, and treat this book as a topical supplement on poems on objects and on new tunes written to old yuefu titles.
Can I read this book without any foundation in the study of song tunes?
Yes, but the source material involves terms such as the yuefu se-mode, hengchui, and qingshang suites and the Tianci mingjie, which beginners may find unfamiliar. It is advisable first to acquire some basic knowledge of Tang court entertainment-bureau tunes and old yuefu titles, or to consult reference works for relevant entries, before beginning to read.

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About the author

Bai Juyi Author · Chinese

Bai Juyi (772–846), courtesy name Letian and styled Xiangshan Jushi, was born in Xinzheng, Henan, with ancestral roots in Taiyuan. A leading Tang dynasty realist poet, he championed the New Yuefu movement together with Yuan Zhen, and the two were known as "Yuan-Bai"; he is also paired with Liu Yuxi as "Liu-Bai." Bai Juyi served as a Hanlin academician and Left Remonstrator, among other posts. His wide-ranging work includes satirical poems on the hardships of ordinary people and long narrative and lyrical songs. Masterpieces such as "Song of Everlasting Sorrow," "Song of the Pipa," and "The Charcoal Seller" are noted for their plain, natural language and sincere feeling, and have exerted a lasting influence on later poetry. His Bai Shi Changqing Collection survives, and this library holds 77 of his works, including poems, prose collections, and verse groups such as Poems from Qin and Spring by the Xunyang River, commonly classed under ancient poetry, classic works, and inspirational growth.

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