The Doomsday Book
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢时间旅行与历史考据型科幻的读者
- 对中世纪社会史、黑死病题材感兴趣的读者
- 喜欢双线叙事、群像刻画的文学型科幻读者
- 读过《灯火管制》《警报解除》,想补齐系列起点的读者
Not a good fit for
- 偏好硬科幻设定和科技细节推演的读者
- 期待快节奏动作、强反转的读者
- 对疾病、死亡描写容易不适的读者
Reading tips
- 建议按时间线轮流阅读两条叙事线,留意两场瘟疫之间的对照。
- 读到中世纪的生活细节时不妨放慢速度,这些细节正是本书的价值所在。
- 若先读过《灯火管制》《警报解除》,可把本书当作整个系列的世界观起点。
- 阅读时留意“末日之书”的书名含义:它既指古代土地清册,也指绮芙琳的记录。
About the publisher
Founded in 1988 and affiliated with China CITIC Group, CITIC Press focuses on business and economics, social sciences, literature and children's books, with common categories covering social sciences, finance, literature, Eastern philosophy and literary appreciation. Its library holds 91 titles, including Yuval Noah Harari's Sapiens trilogy, Thomas Piketty's Capital in the Twenty-First Century, Wu Xiaobo's Thirty Years of Strife: Chinese Enterprises 1978–2008, Nelly Sachs's The Weight of Butterflies: Selected Poems of Nelly Sachs, as well as New Interpretations of the Analects and Chiang Hsun's lectures on Dream of the Red Chamber. Its authors and translators include Lin Junhong, Ba Shusong, Chen Li and Chang Fen-ling. Overall, the press introduces influential works in finance and social sciences while balancing classic translation and local appreciation in literature and Eastern philosophy, combining academic depth with accessible reading.
Contents
- Acknowledgments
- Volume 1
- Volume 2
- Volume 3
FAQ
这本书是系列中的第几部?
中文版有哪几个版本?
没有读过系列前作可以读吗?
这本书属于硬科幻吗?
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About the author
Connie Willis is an author of foreign literature known for her creative writing, and the only one of her works currently available in the Chinese-language book market is The Fire and the Long Sky (Liehuo Changkong). Public information about her nationality, dates of birth and death, educational background, and writing career is quite limited, making it difficult to reconstruct a full picture of her life. Judging from the category of foreign literature to which The Fire and the Long Sky belongs, her writing roughly falls within the tradition of full-length fiction, and her work has reached Chinese readers through translation. For an author whose works have so far been introduced only sparsely, readers would do better to start from the text itself and appreciate its narrative rhythm, character portrayal, and texture of language, rather than rushing to make an overall judgment about her writing. As more translations appear, her profile may become clearer; for now, treating The Fire and the Long Sky as a starting point for getting to know her is a sensible approach that also allows readers to form their own impressions from limited material.