The Doomsday Book cover

The Doomsday Book

Rating 3.8
Word count
422K words
Chapters
4
Series
Oxford Time Travel
ISBN
9787521722413

Tags

Summary

The story is set in 2054 at Oxford University, where historians can travel through time to observe history firsthand. History student Kivrin finally gains permission to join the research project she has long dreamed of: going back to medieval England to record the lives of ordinary people up close, comparing her record to a "Doomsday Book." The journey seems to go smoothly, but as soon as Kivrin arrives in the past she develops a high fever and falls into delirium; when she wakes, she finds herself in a world completely different from what she expected. In 2054 Oxford, the technician who set her time coordinates suddenly falls ill, and a mysterious plague that even modern medicine cannot identify spreads across the campus; the entire city is quarantined and external communications are cut off. Her mentor, Mr. Dunworthy, firmly believes Kivrin is trapped in a dangerous past; while trying to rescue her in a nearly paralyzed modern city, he also faces tests of his own health and duty. The novel advances through dual narratives: one follows Kivrin struggling to survive in the medieval countryside and trying to recover her return coordinates, the other tells of the chaos and humanity in modern Oxford under the plague. The two timelines are ultimately linked by the same question: in the face of shared disaster, how do people protect one another and hold on to hope? This is the first book in the Oxford Time Travel series and won the Hugo, Nebula, and Locus Awards for Best Novel.

Editor's review

《末日之书》是康妮·威利斯最负盛名的作品之一。1992 年出版后,它先后拿下雨果奖、星云奖和轨迹奖最佳长篇,被公认为时间旅行题材的经典之作。 本书特别之处在于,它没有把笔墨花在炫技式的科技想象上,而是将“穿越”当作一面镜子:一边是中世纪黑死病阴影下的村庄,一边是被不明瘟疫笼罩的近未来牛津,两个时代的人同样在疾病、恐惧与信息失灵中挣扎。威利斯用近乎考据般的细节还原中世纪生活的质地,又用大量日常、琐碎甚至滑稽的对话,把灾难写得既真实又温暖。 对于喜欢《末日逼近》《瘟疫年纪事》这类作品的人,本书另外提供了女性历史学家的视角与温柔坚韧的人物群像。它不是快节奏的“爆米花”科幻,却是一部在读完很久之后,依然会让人想起那些敲钟、救治与守候场景的小说。

Who it's for

A good fit for

  • 喜欢时间旅行与历史考据型科幻的读者
  • 对中世纪社会史、黑死病题材感兴趣的读者
  • 喜欢双线叙事、群像刻画的文学型科幻读者
  • 读过《灯火管制》《警报解除》,想补齐系列起点的读者

Not a good fit for

  • 偏好硬科幻设定和科技细节推演的读者
  • 期待快节奏动作、强反转的读者
  • 对疾病、死亡描写容易不适的读者

Reading tips

  1. 建议按时间线轮流阅读两条叙事线,留意两场瘟疫之间的对照。
  2. 读到中世纪的生活细节时不妨放慢速度,这些细节正是本书的价值所在。
  3. 若先读过《灯火管制》《警报解除》,可把本书当作整个系列的世界观起点。
  4. 阅读时留意“末日之书”的书名含义:它既指古代土地清册,也指绮芙琳的记录。

About the publisher

CITIC Press China · Founded in 1988

Founded in 1988 and affiliated with China CITIC Group, CITIC Press focuses on business and economics, social sciences, literature and children's books, with common categories covering social sciences, finance, literature, Eastern philosophy and literary appreciation. Its library holds 91 titles, including Yuval Noah Harari's Sapiens trilogy, Thomas Piketty's Capital in the Twenty-First Century, Wu Xiaobo's Thirty Years of Strife: Chinese Enterprises 1978–2008, Nelly Sachs's The Weight of Butterflies: Selected Poems of Nelly Sachs, as well as New Interpretations of the Analects and Chiang Hsun's lectures on Dream of the Red Chamber. Its authors and translators include Lin Junhong, Ba Shusong, Chen Li and Chang Fen-ling. Overall, the press introduces influential works in finance and social sciences while balancing classic translation and local appreciation in literature and Eastern philosophy, combining academic depth with accessible reading.

Contents

  1. Acknowledgments
  2. Volume 1
  3. Volume 2
  4. Volume 3

FAQ

这本书是系列中的第几部?
本书是“牛津时间旅行”系列的第一部,系列其他作品包括《灯火管制》《警报解除》以及《更别提狗》等。中文版由中信出版集团以“牛津时间旅行”丛书名义出版。
中文版有哪几个版本?
较常见的有两个:2009 年中国妇女出版社杨蓓译本(ISBN 9787802037885),以及 2021 年中信出版集团张希译本(ISBN 9787521722413)。本条目按流传较广的中信版著录。
没有读过系列前作可以读吗?
可以。本书是该系列的第一部,世界观和主要人物都在此书中首次建立,完全可以作为入门读物单独阅读。
这本书属于硬科幻吗?
不属于典型硬科幻。时间机器只是叙事装置,重点在中世纪生活细节、人物群像,以及灾难中的人性。偏好技术推演的读者可能会觉得节奏偏慢。

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About the author

Connie Willis is an author of foreign literature known for her creative writing, and the only one of her works currently available in the Chinese-language book market is The Fire and the Long Sky (Liehuo Changkong). Public information about her nationality, dates of birth and death, educational background, and writing career is quite limited, making it difficult to reconstruct a full picture of her life. Judging from the category of foreign literature to which The Fire and the Long Sky belongs, her writing roughly falls within the tradition of full-length fiction, and her work has reached Chinese readers through translation. For an author whose works have so far been introduced only sparsely, readers would do better to start from the text itself and appreciate its narrative rhythm, character portrayal, and texture of language, rather than rushing to make an overall judgment about her writing. As more translations appear, her profile may become clearer; for now, treating The Fire and the Long Sky as a starting point for getting to know her is a sensible approach that also allows readers to form their own impressions from limited material.

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