The Late Qing Trilogy (9-Volume Set)
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Summary
Editor's review
Who it's for
A good fit for
- 对晚清史、湘军与洋务运动有兴趣的历史爱好者
- 喜欢《大明王朝1566》一类严肃历史小说的读者
- 希望从人物命运理解近代中国转型的普通读者
- 关注官场运作、组织治理与处世智慧的职场读者
- 需要一套可长期慢读的大部头藏书的家庭书房
Not a good fit for
- 期待快节奏、强反转网络小说式阅读体验的读者
- 希望读到轻薄入门通史或图文速览的初学者
- 对近百万字长篇幅缺乏耐心、只想读单本传记的读者
Reading tips
- 建议按《曾国藩》→《张之洞》→《杨度》的顺序读,时间线与人物关系更顺。
- 每读完一册可回头翻翻该人物年表或相关史料,区分小说笔法与史实边界。
- 不必追求速度,每天二三十页,配合晚清大事年表做简单笔记收获更大。
- 三部曲之间可穿插阅读,对照三人在同一事件(如戊戌、东南互保)中的不同立场。
About the publisher
Guangdong People's Publishing House is a comprehensive publisher whose list spans Eastern philosophy, philosophical works, history, foreign literature, documentary literature and classical literature. Its holdings include 255 titles, with representative books such as Wang Yangming's Instructions for Practical Living, Plato's Republic, Jiang Tingfu's Modern Chinese History, Natsume Soseki's I Am a Cat, Albert Camus's The Stranger, Nazi Germany and the Philosophers: A Man's Exile, The Winter of Literature: Artists under Hitler's Rule in 1933, and the five-volume Three Words and Two Slaps. Its authors and translators include Wang Yangming, Plato, Jiang Tingfu, Natsume Soseki, Albert Camus, Ding Wei, Xu Jianxiong and Li Yumin. The publisher balances philosophical classics, historical works and translated foreign literature, with attention to both classical and documentary literature. Public information is limited, so this introduction focuses on the publishing directions reflected in its catalog.
FAQ
《晚清三部曲》具体是哪三本书?
这套书是小说还是史实传记?
和赵焰的《晚清三部曲》是同一套吗?
没有读过晚清史,能直接读吗?
这个版本和早年的单行本有何不同?
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About the author
Tang Haoming (born 1946) is a native of Hengyang, Hunan, and a contemporary writer and editor at Yuelu Press. He has long been engaged in organizing Hunan's local documents and led the compilation of The Complete Works of Zeng Guofan, through which he gained a deep familiarity with late Qing historical sources. Beyond this editorial work, he turned to writing full-length historical novels, producing Zeng Guofan, Yang Du, and Zhang Zhidong, the last published in three volumes. He has also written a series of commentaries on Zeng Guofan and a reading of his diaries, touching on literary appreciation and prose miscellany; his works are often classified as documentary literature and historical reading. Grounded in historical sources, his writing is steady in tone and attentive to how individuals fare and choose amid sweeping change, and he has exerted wide influence both in historical fiction and in Zeng Guofan studies.