Silence Comes Late cover

Silence Comes Late

Rating 4.0
Word count
230K words
Chapters
22
Series
Wenzhi LAB
ISBN
9787550001442

Tags

Summary

Silence Comes Late is the first novel by journalist Li Haipeng, published by Baihuazhou Literature and Art Press in 2011. The novel follows the protagonist Xia Chong from age 4 to 31, spanning 1976 to 2008, and is set mainly in "Round Stone City," modeled on the author's hometown of Shenyang. Xia Chong is a person unusually sensitive to tragedy: in his parents, his best friend from adolescence, and the many ordinary people around him, he sees a great deal of misfortune that is taken for granted and therefore never examined. He himself is not a central figure of his era; his actions are often governed by boundless inner wandering and a detachment that keeps him from joining anyone's camp. The "silence" of the title comes from three periods in which Xia Chong refuses to speak to people—kindergarten, the first year of high school, and at thirty-one, traveling alone in western Sichuan. The novel begins with the third silence and unfolds in reverse chronology; the narrative alternates between first and third person and uses a sonata-like structure in which several secondary threads wind around the main line. The recurring image of "the dragon and the cicada" is the key to the work: the era and the nation are vast, powerful, and ambitious like a dragon, while the individual is detached, small, and unable to find calm like a cicada. There is also an unfinished love story: the heroine Qi Min, young, intelligent, and more composed, leaves a touch of warmth in the somber narrative. On the eve of the 2008 Beijing Olympics, Xia Chong, now a lawyer, looks back on the road he has traveled and, in a silence that comes late, completes his understanding of himself and his era.

Editor's review

李海鹏是多年从事特稿写作的记者,曾任职《南方周末》,他的随笔集《佛祖在一号线》已经显示出一手精确、讲究的文字功夫。《晚来寂静》是他的第一部长篇小说,把那份职业性的观察力,转而对准了一个人的内部经验。 这不是一部靠强情节推动的小说。作者特意采用奏鸣曲式的写法,让主线之外的多条线索彼此缠绕,节奏迂缓,时有偶然的动机演变成主题;读来有时候会有滞重感,但也会因此获得更丰富的张力。他写的是人物的内在经验,而不是外在命运,所以比起“故事讲了什么”,更值得留意的是“一个人怎样感受自己的时代”。 “龙与蝉”是全书的中心隐喻:国家与时代如龙般浩大、强力,个体则如蝉般微小、疏离,只在一分寂静里发声。对于关心中国当代小说写法、也对1976年之后社会变迁中的个体心灵有兴趣的读者,这本书提供了一个相当独特的角度。它并不轻快,但它很耐心,读完往往会有一种“从深湖浮上水面”的缓慢余味。

Who it's for

A good fit for

  • 喜欢文字讲究、节奏从容的文学性长篇小说的读者
  • 对1976—2008年中国社会变迁中的个体经验感兴趣的读者
  • 读过李海鹏《佛祖在一号线》,想看他转向虚构写作的读者
  • 偏爱内向型成长叙事、能接受不以情节取胜的读者

Not a good fit for

  • 期待紧凑情节、强冲突和快节奏故事的读者
  • 希望读到轻松明快或治愈系文字的读者
  • 对东北城市生活与时代背景描写缺乏兴趣的读者

Reading tips

  1. 先读自序与开篇,抓住“三次寂静”的倒叙框架,再顺着各部推进
  2. 留意“龙与蝉”这一核心隐喻,最后一章《龙与蝉》可作为全书理解的落点
  3. 不必急于追情节,把它当作一部关于内在经验的成长记录来读
  4. 读到滞缓处可稍作停顿,作者刻意经营的节奏本身也是内容的一部分

About the publisher

Baihuazhou Literature and Art Publishing House is a professional literature and art publisher. Judging from the books in the database, its publishing focus is on foreign literature, world classics, prose and miscellaneous writings, and classic works, while also covering literary appreciation and cultural reading. Representative titles include The Painter of Modern Life, Jane Eyre, Six Chapters of a Floating Life, The Moon and Sixpence, Selected Prose of Ji Xianlin, A Sportsman's Sketches, and Collected Prose of Famous Masters, involving Chinese and foreign authors such as Charles Baudelaire, Charlotte Brontë, Shen Fu, and W. Somerset Maugham, as well as translators including Guo Hong'an, Chen Jinhui, Jing Xing, and Jiao Haili. Overall, the press emphasizes the introduction of classic texts and the compilation of prose works, presenting a publishing profile centered on literary reading and cultural accumulation. As public information is limited, other aspects are not elaborated here.

Contents

  1. Preface: A Bright Moon Through a Century of Hearts
  2. Part One Chapter One: Vast Are the Clouds and Mountains, Broad the Rivers
  3. Part One Chapter Two: Round Stone City
  4. Part Two Chapter One: A Tragic Grain in a Tragic Barn
  5. Part Two Chapter Two: The Luckiest Region in the Universe
  6. Part Two Chapter Three: A Guinea Pig Like a Squash Ball
  7. Part Two Chapter Four: Axia Abing Awang Jinmei
  8. Part Two Chapter Five: Jingle Bells
  9. Part Two Chapter Six: The Water Tower
  10. Part Three Chapter One: Spring Snow, Nietzsche, Locust Blossoms
  11. Part Three Chapter Two: Politics Is Always Politics
  12. Part Three Chapter Three: The Beans Burst Their Skins Laughing
  13. Part Three Chapter Four: How Long Must We Sing This Song
  14. Part Three Chapter Five: Different from the Other Evenks
  15. Part Three Chapter Six: Goodbye
  16. Part Four Chapter One: Then I Will Go Far Away
  17. Part Four Chapter Two: The Monkey of History Offers No Apology
  18. Part Four Chapter Three: Year One of the Market Utopia
  19. Part Four Chapter Four: The Fluorescent Cold Drink Shop
  20. Part Four Chapter Five: The Joy in Life, the Sorrow in Life
  21. Part Five Chapter One: The World of Yesterday
  22. Part Five Chapter Two: The Dragon and the Cicada

FAQ

这本书讲的是一个什么故事?
小说写主人公夏冲从4岁到31岁的经历与见闻,时间跨度为1976年至2008年,故事发生在一座以沈阳为原型的“圆石城”,围绕他的家庭、少年时代最好的朋友、一段未竟的爱情以及他三次拒绝说话的“寂静”时期展开。
“晚来寂静”这个书名是什么意思?
书名指夏冲三度拒绝与人说话的时期,分别是幼儿园、高一和三十一岁独自在川西旅行时。小说从第三次寂静写起,再以倒叙展开,结尾落在黄昏时分的一分寂静上。
这本书是李海鹏的真实自传吗?
不是。作者明确把它作为长篇小说出版,是虚构作品;不过主人公的敏感气质、家乡背景与时代经验确实带有作者自身生活的影子,因此不少读者读来会有自传的印象。
需要读过李海鹏的随笔才能读这本吗?
不需要。两者体裁与写法不同,直接从这部长篇入手完全可以,随笔集《佛祖在一号线》只是了解他文字风格的另一个入口。
书的篇幅和阅读难度如何?
全书约421页、23万字,文字精确而讲究,但叙事迂缓、线索交错,属于中等偏上难度的文学阅读,适合有耐心、愿意慢读的读者。

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About the author

李海鹏 Author

Li Haipeng is an author about whom little public information is available; details such as his biography, nationality, and dates of birth and death have not been clearly recorded. According to the library's holdings, he has only one work, The Arabs in Conquest and Revolution: From 1516 to the Present, which falls under world history and focuses on the historical changes in the Arab region from the sixteenth century to the present, told through the two threads of conquest and revolution. This suggests that Li Haipeng's writing interests lie in the history of the Middle East and the Arab world, with a preference for broad, long-term surveys across eras, aimed at Chinese readers who wish to understand the region's historical development systematically. Because related introductions are scarce, his academic background and writing style are difficult to assess; readers may rely mainly on this work, paying attention to its narrative structure and handling of historical sources, and watch for further translations or writings.

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