Our Generation cover

Our Generation

Rating 4.6
Word count
92K words
Chapters
134
ISBN
9787541161056

Tags

Summary

This is a "portrait collection of cultural and artistic figures of the new era." With his camera, Xiao Quan documented group portraits of frontline cultural and artistic workers in the 1980s and 1990s. The more than one hundred figures in the book were all born in the 1950s and 1960s and came of age in the 1980s and 1990s—children born after the founding of New China. Raised under the red flag, they lived through times of turmoil, but over the following two or three decades they began to grow freely in fields such as poetry, film, literature, music, and art, gradually converging into a mighty river of culture and art. Breaking through obstacles in less than favorable circumstances, they opened a door for China to change history.

In the 1990s, Jiang Wen, Gong Li, Dou Wei, Cui Jian, Sanmao, Zhang Yimou, Jia Pingwa, Chen Kaige, Yang Liping, Yu Hua, Wang Anyi, Chen Danqing, the Tang Dynasty band... before Xiao Quan's lens they revealed their true selves—quiet, flamboyant, anguished, or contemplative. Through his work We, This Generation, Xiao Quan presents all these rare glimpses of truth before our eyes.

Editor's review

This is a group portrait record centered on images. In the 1980s and 1990s, Xiao Quan turned his lens on more than a hundred cultural and artistic workers born in the 1950s and 1960s who came of age in the 1980s and 1990s, including Jiang Wen, Gong Li, Dou Wei, Cui Jian, Sanmao, Zhang Yimou, Jia Pingwa, Chen Kaige, Yang Liping, Yu Hua, Wang Anyi, Chen Danqing, and the Tang Dynasty band. Its value lies not in providing complete biographies or criticism of works but in preserving faces and states of being from a specific period: before the lens, the figures appear quiet, flamboyant, or contemplative, revealing a side of their true selves. For readers who experienced the cultural scene of that era, the book readily evokes memory; for later generations, it offers a path into the cultural and artistic scene of the new era through portraits of people. It need not be read in order; flipping to any page, first observing the expressions of the figures and then reading the accompanying text, better reveals the interplay between image and word. It is suited as a visual entry point to the cultural group portrait of that era, not as a systematic cultural history.

Who it's for

A good fit for

  • Readers interested in the Chinese cultural and artistic scene of the 1980s and 1990s
  • Those who enjoy portrait photography and image records and value visual authenticity
  • Readers who lived through that era and hope to evoke memories through images
  • Those who want a preliminary understanding of that generation of cultural workers through group portraits

Not a good fit for

  • Readers expecting systematic cultural history or complete biographies
  • Readers who want extensive analysis of works rather than images and states of being
  • Readers with little interest in cultural figures of the 1980s and 1990s

Reading tips

  1. No need to read in page order; start with familiar figures, then follow the thread to adjacent pages.
  2. For each photograph, first note the figure's expression and setting, then read the accompanying text to appreciate the interplay of image and word.
  3. Group the figures in the book by field—poetry, film, literature, music, art—to form your own network of portraits.
  4. After finishing, return to the photographs with works from that era you know well to understand the relationship between the figures and their time.

About the publisher

Sichuan Literature and Art Publishing House is a professional literary and art publishing institution. It mainly publishes books on contemporary and modern literature, foreign literature, poetry and prose, music and art, and literary theory. Judging from the books in the database, the house places considerable emphasis on classic works and foreign literature. Representative titles include Lu Xun's Call to Arms and Dawn Blossoms Plucked at Dusk, Lao She's Camel Xiangzi, Xiao Hong's The Story of Hulan River, J.R.R. Tolkien's The Hobbit, William Shakespeare's Hamlet, and Hermann Hesse's Siddhartha. Its translator resources include Deng Jiawan, Shi Zhongge, Du Yunci, and Zhu Shenghao. Common categories include social fiction, classic works, foreign literature, world classics, literary appreciation, and classical poetry, reflecting a publishing profile that balances Chinese and foreign literary classics with literary appreciation.

Contents

  1. 版权信息
  2. 肖全的摄影:历史的语境与肖像
  3. 我的师父:马克·吕布
  4. 历史的肖像
  5. 北岛 顾城
  6. 张枣
  7. 崔健
  8. 翟永明
  9. 魏光庆
  10. 何立伟
  11. 残雪
  12. 张培力
  13. 耿建翌
  14. 叶兆言
  15. 苏童
  16. 管策
  17. 王寅 陆忆敏
  18. 史铁生
  19. 栗宪庭 高名潞
  20. 曾年
  21. 西川
  22. 李保田
  23. 贾平凹
  24. 吕澎
  25. 王广义
  26. 杨丽萍
  27. 陈侗
  28. 张海儿
  29. 朱大可
  30. 吴亮
  31. 范景中
  32. 刘小东 喻红
  33. 王朔
  34. 马原
  35. 格非
  36. 戴锦华
  37. 扎西达娃
  38. 陈凯歌
  39. 张元
  40. 刘恒
  41. 余华
  42. 吴文光
  43. 蔚华
  44. 张晓刚
  45. 沈小彤
  46. 柏桦
  47. 钟鸣
  48. 何多苓
  49. 欧阳江河
  50. 何训田 朱哲琴
  51. 韩磊
  52. 岛子
  53. 李媚 刘香成
  54. 安哥 侯登科
  55. 贺延光
  56. 黄锐
  57. 肖楠 虞进
  58. 芒克
  59. 丁方
  60. 孔长安
  61. 郭路生
  62. 牟森
  63. 方力钧
  64. 刘炜
  65. 梁和平
  66. 冯国栋
  67. 何勇
  68. 王劲松
  69. 窦唯
  70. 张承志
  71. 王友身
  72. 李少红 曾念平
  73. 邵飞
  74. 新刻度小组
  75. 刘震云
  76. 王勇
  77. 唐朝乐队
  78. 孙甘露
  79. 陈村
  80. 王安忆
  81. 罗中立
  82. 谭盾
  83. 侯咏
  84. 韩少功
  85. 吕乐
  86. 张艺谋
  87. 巩俐
  88. 田壮壮
  89. 李晓
  90. 张献
  91. 温普林
  92. 尹吉男
  93. 胡雪桦
  94. 姜文
  95. 陈冲
  96. 陈丹青
  97. 李小山
  98. 夏小万
  99. 赵野
  100. 万夏
  101. 曾梵志
  102. 陈东东
  103. 尚扬
  104. 唐亚萍
  105. 周春芽
  106. 毛焰
  107. 尹光中
  108. 易英
  109. 刘家琨
  110. 叶永青
  111. 毛旭辉
  112. 三毛
  113. 易知难
  114. 王序
  115. 历史的语境
  116. 诗歌
  117. 美术
  118. 摇滚
  119. 舞蹈
  120. 电影
  121. 中国走向改革开放
  122. 文献资料
  123. 01 《象罔》与《我们这一代》
  124. 02 《我们这一代》早期手工样书
  125. 03 《我们这一代》的拍摄计划
  126. 04 大师的礼物
  127. 05 时代的信件
  128. 06 一些实物收藏
  129. 07 一些未入选正片的照片
  130. 08 照相纸盒子
  131. 09 车票及其他票据
  132. 10 一些胶卷
  133. 出版说明
  134. 附:肖全笔记本

FAQ

Is this book a photography collection or a biography collection?
It is primarily a collection of images—a portrait collection of cultural and artistic figures of the new era—not complete biographies. It contains photographs of over a hundred cultural and artistic workers with accompanying text, focusing on presenting their true states before the lens. To learn more about a particular figure's life and works, you would need to consult biographies or collections separately.
Will it be difficult to read without familiarity with the cultural scene of the 1980s and 1990s?
Not particularly. The figures are mostly well-known workers in poetry, film, literature, music, and art; even without familiarity with specific works, you can enter through the expressions and settings in the photographs. Start with figures you have heard of, then gradually expand to other fields—the threshold will be lower.
What period do the photographs mainly document?
They mainly document group portraits of frontline cultural and artistic workers in the 1980s and 1990s. The figures were mostly born in the 1950s and 1960s and came of age in the 1980s and 1990s; the photographs show them in that period. For readers who lived through it, the images readily evoke memory; for later generations, they offer a path into the cultural scene of the time through portraits.

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About the author

肖全 Author

Xiao Quan is an author of Chinese photography books, about whom limited public information is available. Judging from the four works included here, his writing centers on photography and collective memory. His representative work, This Generation of Ours, records the faces of his contemporaries through images, while China's Past 100 Years: 20th Anniversary Edition of Black Lens and the Black Lens 20th Anniversary series turn the camera on ordinary people from 1919 to 2020, showing how small figures are placed within great historical eras. Black Lens: Humanity's Past 100 Years II continues this approach. Overall, he favors combining photographs and text to preserve slices of history, with a documentary and retrospective quality that attends to the intersection of individual lives and historical change.

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