We cover

We

Rating 3.8
Word count
117K words
Chapters
30
ISBN
9787532773862

Tags

Summary

We is written in the form of notes: thirty records (forty in the standard version) addressed to future readers by D-503, a mathematician and the designer of the spaceship Integral, describing life in the twenty-sixth-century One State. In this realm, enclosed by glass walls and ruled by the Benefactor, citizens have no names, only numbers; every activity is precisely ordered by the Table of Hours, with rising, meals, walks, and sleep completed at the same second; emotion, imagination, and poetry are regarded as an illness requiring treatment, and the individual exists only as a member of the whole. D-503 is at first a model adherent of this order, but he changes after meeting the female number I-330. She leads him through the world beyond the Green Wall and makes him feel for the first time the existence of a "soul" and the terrifying lure of freedom. As he writes, justifying himself all the while, the tone of the diary slides from cool engineering report toward contradiction, trembling, and loss of control. The novel wraps a great debate about freedom and happiness, reason and human nature, the individual and the collective in the language of numbers, functions, and geometry, and its ending is cold and disturbing. Written in 1920 and first published in England in 1924, the book was long banned in the Soviet Union and only officially published there in 1988. It is regarded as the founding work of dystopian literature and, together with Huxley's Brave New World and Orwell's Nineteen Eighty-Four, is known as one of the "three great dystopias"; its transparent glass dwellings, numbered names, and unified schedules deeply influenced later science fiction and political allegory.

Editor's review

如果说《一九八四》写的是恐怖如何压下来,《我们》写的则是人怎样心甘情愿地把自由交出去。扎米亚京是造船工程师出身,他用数学家的笔调写小说:每个人都成了一个编号,幸福被换算成可管理的数值,连爱情与性都被排进时刻表。读起来像一份冰冷而精确的工程说明书,越往后越让人后背发凉。 这本书写于1920年,比《美丽新世界》早十二年,比《一九八四》早二十多年,是反乌托邦谱系真正的源头。它在苏联被禁六十余年,作者本人也不得不离开故土,客死巴黎。这样的命运使它不只是文学作品,也是一份历史证词。 上海译文“译文经典”版由陈超翻译,全篇保留笔记体分节,语言干净,适合第一次接触此书的读者。书中的玻璃房、编号、戒律表等设定,今天读来依然锋利,你会在此后无数影视与科幻作品里看到它们的影子。

Who it's for

A good fit for

  • 喜欢反乌托邦文学、想从源头读起的读者
  • 对科幻设定与政治寓言都感兴趣的读者
  • 读过《一九八四》《美丽新世界》,想补齐三部曲的读者
  • 留意极权社会、集体主义与个体自由议题的学生与研究者

Not a good fit for

  • 希望读到情节明快、人物丰满传统小说的读者
  • 对日记体、象征性叙述和大量数学隐喻缺乏耐心的读者
  • 期待硬核科技细节与宏大科幻场景的读者

Reading tips

  1. 可先读“记录一”至“记录五”,熟悉这个世界的规则与语调,再往下进入冲突。
  2. 注意主角日记语气的细微变化,那是他内心防线松动的痕迹。
  3. 读完不妨把《美丽新世界》《一九八四》接上,比较三种不同的控制方式。
  4. 书中数学与几何意象较多,遇到不懂处不必停,先顺着读,意象会自行呼应。

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. Record 1 A Declaration · The Wisest of Lines · An Epic
  2. Record 2 Ballet · A Harmonious Square · X
  3. Record 3 A Jacket · A Wall · The Table of Hours
  4. Record 4 The Wild Man and the Barometer · Epilepsy · If
  5. Record 5 The Square · The Ruler of the World · A Pleasant and Useful Function
  6. Record 6 An Accident · The Accursed "Obviously" · Twenty-Four Hours
  7. Record 7 An Eyelash · Taylor · Henbane and Lily of the Valley
  8. Record 8 The Root of an Irrational Number · R-13 · A Triangle
  9. Record 9 The Liturgy · The Iamb · A Hand of Iron
  10. Record 10 A Letter · A Membrane · My Hairy Self
  11. Record 11 No, I Cannot ... · Skip These Lines
  12. Record 12 The Limits of Infinity · An Angel · Reflections on Poetry
  13. Record 13 Fog · "Thou" · An Utterly Absurd Affair
  14. Record 14 "Mine" · The Impossible · A Cold Floor
  15. Record 15 The Bell of Gas · A Sea of Glass · I Shall Be Burned Forever
  16. Record 16 Yellow · A Two-Dimensional Shadow · An Incurable Soul
  17. Record 17 Through the Glass · I Died · The Corridor
  18. Record 18 A Maze of Logic · A Wound and a Plaster · Never Again
  19. Record 19 An Infinitesimal of the Third Order · A Gloomy Glance · Over the Parapet
  20. Record 20 A Discharge · The Material of Ideas · The Cliff of Zero
  21. Record 21 The Author's Duty · A Swollen Block of Ice · The Hardest Love
  22. Record 22 Frozen Waves · All Is Perfect · I Am a Microbe
  23. Record 23 A Flower · The Dissolution of a Crystal · If Only ...
  24. Record 24 The Limit of a Function · Easter · Erase Everything
  25. Record 25 Descent from Heaven · The Greatest Catastrophe in History · The End of the Known
  26. Record 26 The World Still Exists · A Rash · Forty-One Degrees Celsius
  27. Record 27 There Is No Table of Contents—There Cannot Be
  28. Record 28 Two Women · Entropy and Energy · The Opaque Parts of the Body
  29. Record 29 A Thread Across the Face · Sprouting · An Awkward Contraction
  30. Record 30 The Last Number · Galileo's Error · Would It Not Be Better So?

FAQ

《我们》和《一九八四》有关系吗?
有间接的影响关系。奥威尔读过扎米亚京,评论家普遍认为《我们》在玻璃监视、编号命名、集体崇拜等设定上为后来的反乌托邦小说提供了范式,但两书的情节与主题侧重并不相同。
这本书在苏联为什么被禁?
小说1920年写就,描绘的“大一统国”被认为影射苏联体制与集体主义理想,因此长期无法在国内出版。1924年英译本率先问世,俄文完整版在境外出版,苏联境内直到1988年才正式刊行。
这本是什么体裁,读起来难吗?
它是第一人称笔记体小说,由主角按“记录”编号写下见闻。语言并不艰深,但叙事跳跃、象征密集,节奏不像通俗小说那样平顺,需要一点耐心。
中文有好几个译本,选哪个好?
目前流通较广的有陈超译(上海译文“译文经典”)、白桦熊译(上海译文“独木舟译丛”)和范国恩译(译林出版社)等。版本差异主要在注释与附录,读者可按需选择,不必纠结。

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About the author

Yevgeny Zamyatin was a Russian writer whose biographical details are relatively limited in publicly available sources, yet he occupies a significant place in the lineage of dystopian literature. Four of his works are included in this catalog, among them the novel We, as well as a "Dystopian Novel Trilogy" collection placing it alongside 1984 and Brave New World, and a three-volume "Dystopian Trilogy" set. These works are generally classified under foreign literature and world classics. Set in a highly rationalized future society, We explores the tension between individual freedom and collective order, with a cold, symbolically charged narrative. Zamyatin's style is concise and restrained, using a science-fiction framework to reflect on social systems, and his writing has had an inspiring influence on later dystopian fiction.

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