Love Letter
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who want to read famous figures' private letters and feel genuine emotional expression
- People who need love letters or love poems as material for writing, reading aloud, or inscriptions
- Light readers who enjoy short anthologies and habitual dipping in
- Readers interested in the diversity of love expression and willing to compare different genres
Not a good fit for
- Readers expecting systematic theories of love or psychological analysis
- Those who prefer long, continuous narratives and are unused to fragmented selections
- Pragmatic readers with little patience for the letter genre and lyrical prose
Reading tips
- No need to read in order; turn to one piece a day and note in the margin the lines that move you.
- Read famous figures' letters alongside ordinary internet users' works to feel how identity and context change expression.
- When you find a piece you like, read it aloud once to feel the difference in oral rhythm that the letter form creates.
- Keep a commonplace book and sort excerpts by "courtship, farewell, vows, daily life" for later use.
About the publisher
Zhejiang Literature and Art Publishing House is a Chinese publisher specializing in literary publishing. Judging from the 808 titles in the database, its publishing areas cover world classics, foreign literature, social novels, folk literature and classic works, as well as modern and contemporary literature and prose. Representative titles include foreign literary translations such as Anna Karenina, The Temple of the Golden Pavilion, In Praise of Shadows and The Complete Tragedies and Comedies of Shakespeare, alongside classic works by Lao She and Lu Xun such as Camel Xiangzi, Teahouse and Wandering. Its authors and translators include Leo Tolstoy, Cao Ying, Lao She, Yukio Mishima, Jun'ichirō Tanizaki and Zhu Shenghao. The press emphasizes the translation and introduction of classic texts and the compilation of native literary works, giving equal weight to Chinese and foreign literature. Owing to limited public information, its specific series and editorial policies are not elaborated here.
Contents
- 版权信息
- 萑苇易折,磐石难动/沈从文致张兆和
- 在做你丈夫之前,我唯一的权利就是守卫你/维克多·雨果致阿黛尔·富歇
- 月光/海桑
- 我不愿意成为拆散你们的根源/林徽因致徐志摩
- 有些问题恐怕我答不出/鲁迅致许广平
- 夏与春/叶芝
- 我的爱是可以牺牲一切的/郁达夫致王映霞
- 给我一点点友谊,我就有理由活下去/夏绿蒂·勃朗特致康斯坦丁·埃热
- 把你的名字写成歌词/王小坏致72路公交车上的那个女孩
- 还清了债,买了一身衣服,在前程似锦的早上醒来/宋小君致三十岁的姑娘
- 你一天到晚在干些什么呢?/拿破仑致约瑟芬
- 我在珠穆朗玛峰向你表白/付圣强
- 海鸥绕着桅樯,像是依恋不舍/瞿秋白致杨之华
- 如果你累了,你就慢些,我再快些/刘墨闻致未来的爱人
- 我想和你一起生活/叔离
- 可我还是想要对你讲出一个蹩脚的开场白/肖科
- 你要是嫁给我,就得牺牲这衣裳/老舍致胡絜青
- 我只要你稍微有点欢喜我,就已心满意足了/朱生豪致宋清如
- 我想睡觉,和你一起/萧伯纳致爱兰·黛尔
- 错错错 莫莫莫/陆游致唐琬
- 难难难 瞒瞒瞒/唐琬致陆游
- 一朵雪莲,为何开在天堂?/小狐三问致安子
- 趁空气尚好,阳光免费,世界和平/尹沽城致荣荣
- 总算两个灵魂如琴弦似的互相调谐过/萧红致萧军
- 请你不要卖弄风情,过于俗气/普希金致冈察洛娃
- 千万次地吻你/马克思致燕妮
- 我越是沉湎于幸福,我的命运就会越可怕/燕妮致马克思
- 男儿重意气,何用钱刀为/卓文君致司马相如
- 我怎么敢念你的名字/大阿紫
- 一个字一个字念给你听/罗飞致未来的你
- 我必定用我的爱把你救出来/小林多喜二致田口泷子
- 以后的路我陪你走/专三千
- 我从你的眼睛里寻找我的命运/卡夫卡致密伦娜
- 爱是甘草,这苦的世界有了它就好上口了/徐志摩致陆小曼
- 我愿意从此跟你往高处飞,往明处走/陆小曼致徐志摩
- 榆树下是我们告别的地方/暑假
- 万一阿尔卑斯山和大海把我们隔离开来/拜伦致桂乔丽伯爵夫人
- 您一定会听到和感到我所写的是什么/柴可夫斯基致梅克夫人
- 你究竟喜欢我什么呢/高尔基致卡嘉
- 当你老了/叶芝致茉德·贡
- 我在这里十分寂寞/亨利八世致安布林
- 我不怕死,只要我俩死在一起/闻一多致高孝贞
- 爱是这世上唯一戒不掉的东西/一壶乌龙茶
- 十年后,我喜欢你喜欢得像一只流浪猫/沄希
- 我未说出口的你都知道/汤圆
- 萍水/吴了
- 如果可以回到从前/穆独致初恋姑娘
- 你比夏日更美丽也更温婉/莎士比亚
- 感卿深情,敬卿大体——花月尺牍四封/徐枕亚
- 真正的爱情永远会像新婚床上那样热烈/毕尔格致爱丽丝·汉恩
- 为了你死,为了你生/高君宇致石评梅
- 为了你,我什么风险都愿冒/伏尔泰致奥林坡·杜诺耶
- 你认识我时我是孩子,但今天我已成为男子汉了/缪塞致乔治·桑
- 我愿意/戴文子
- 十月的风留在十月底,见面的人留在见面里/町夏
- 希望有一天我能带你到这儿来/邓何河
- 你还是个对未来无忧无虑的孩子/诺贝尔致莎菲娅
- 您愿不愿意做我的妻子/托尔斯泰致索菲亚
- 我的霓君,我的小皇帝/朱湘致霓君
- “不完美”才是完美/你好文森特
- 绝没有另外一个人能够占据我这颗心/贝多芬致不朽的爱人
- 但是你没有/一位美国妇女致丈夫
- 吾灵尚依依旁汝也/林觉民致妻子陈意映
- 冥冥之中有魔鬼夹在我们中间/爱因斯坦致玛加丽塔
- 人类的福利梦和我们的科学梦/皮埃尔·居里致玛丽
- 这是我给你的最后的信了/陈觉致赵云霄
- 译者
FAQ
Are all the love letters in this book by famous people?
Do I need to read it from beginning to end in order?
Is this book suitable for learning to write love letters?
What kinds of emotion do the love letters in the book involve?
Comments
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About the author
Guomai is a byline mainly associated with book planning and publishing; public information is limited, and its identity and personal background cannot yet be confirmed. Judging from the twenty works held in the collection, Guomai's editing and planning span several fields: popular science for general readers, literary anthologies, and adaptations of classics. In popular science, the volumes of the Scientists Who Changed the World series cover astronomy, physics, biology, medicine, and mathematics, introducing scientific knowledge through figures and discoveries. On traditional culture, the comic adaptation of The Thirty-Six Stratagems retells ancient strategy in words and images. Literary titles include anthologies such as Short Classics by Nobel Masters and Great Chinese Short Stories, alongside world classics and modern poetry. Overall, Guomai's publications lean toward knowledge popularization and classic reading, with diverse subjects and an emphasis on readability and presentation for ordinary readers.