Chapter on Strange Vacuity
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Han dynasty thought and the critical spirit of the Lunheng
- Readers hoping to gain training in critical thinking through reading Chinese classics
- Students in philosophy and intellectual history
- Members of book clubs who enjoy argumentative classical Chinese texts
Not a good fit for
- Beginners with no foundation in classical Chinese who are unwilling to consult annotations
- People who only want narrative stories and lack interest in argumentative essays
- Readers expecting a systematic and complete understanding of the whole Lunheng
Reading tips
- First understand Wang Chong's basic position of "condemning the empty and false," then grasp the targets of argument section by section.
- While reading, mark the specific claims the author refutes and sort out the logic of his rebuttals.
- Compare with other selections from Chinese classics to appreciate the rational-skeptical side of Han dynasty thought.
- After reading, try to retell the core argument in your own words to test your understanding.
Contents
- 版权信息
- 异虚篇第十八
- 正文
FAQ
What is the place of "On Emptiness and Falsehood" in the Lunheng?
Do I need to read the entire Lunheng before reading this chapter?
What can this chapter's argumentative method teach us today?
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About the author
Wang Chong (27–c. 97), courtesy name Zhongren, was a native of Shangyu in Kuaiji (present-day Shaoxing, Zhejiang). A thinker, literary critic, and atheist of the Eastern Han, he entered the Imperial Academy in Luoyang in his youth and studied under Ban Biao; later he left office, stayed at home, and devoted himself to writing. His representative work, the eighty-five-chapter Lunheng (Balanced Inquiries), criticizes Chenwei superstition and the theory of interactions between Heaven and humanity, advocates a naturalist theory of qi, and stands as an important representative of Han-dynasty materialist thought. Wang Chong valued evidence and analysis in his writing, often developing arguments through questions and debates in a plain but sharp style. The collection holds sixty-nine of his works, including such pieces as Shizhi pian, Wenkong pian, Ziran pian, Daoxu pian, Duizuo pian, and Hanwen pian, covering philosophy, social criticism, and literary appreciation. He championed independent thinking and opposed blind submission to authority, exerting a lasting influence on later thought and literary criticism.