Conducting Bodies cover

Conducting Bodies

Rating 4.2
Word count
107K words
Series
Les Corps Conducteurs
ISBN
9787305193385

Tags

Summary

Conducting Bodies (Les Corps Conducteurs) is a 1971 novel by Claude Simon, a leading figure of the French New Novel and winner of the 1985 Nobel Prize in Literature. The Chinese edition, translated by Jiao Junyi and Zhang Xinmu, was published in 2018 by Nanjing University Press as part of its Watchmen·Literature series. The book has no conventional plotline and no clear beginning-middle-end resolution: the author assembles scenes set in the primeval forests of the Americas, city streets, a long meeting, the recurring erotic tension between a couple, and paintings held in galleries and museums into constantly shifting passages. The lens moves from the Renaissance all the way to Impressionism, with light and shadow changing and colors shifting in intensity, like a camera roaming freely through time and space. Simon studied painting in his youth, and he uses lines, light and shadow, color blocks, and geometric terms such as "rectangle" as narrative elements, making characters and scenes recur, vary, and echo as visual fragments, forming a structure akin to Cubist painting and cinematic montage. Reading it is more like wandering through a vast, interlocking exhibition hall; readers must set aside expectations of causal chains and feel the texture and rhythm of the details themselves. The book runs to about 100,000 Chinese characters—not long—yet it is one of Simon's most experimental and most demanding novels, regarded as an important entry point for understanding this Nobel laureate's method of "painting with words."

Editor's review

若你读过《弗兰德公路》却被那种绵密到近乎窒息的文字挡在门外,《导体》可能是个更短、也更纯粹的入口:它把情节剥离得更彻底,只留下画面、光线和重复回旋的细节。西蒙亲历西班牙内战与二战,却在小说里几乎不写战争本身,而是让现代文明的碎片——霓虹灯、纸箱、摩天楼、会议室——以“长方形”的几何形象反复浮现,成为对城市与秩序的无声质询。焦君怡与张新木的译文对长句和视觉意象处理得相当克制,保留了原文那种缓慢、压低的呼吸感;张新木多年研究法国文学与符号学,译文在术语和语调上都可靠。这本书不提供答案,甚至不提供“结局”,但它会让你重新注意人行道上的倒影、酒店大堂里老妇人的帽子、阳光下截断的腿。适合在安静的午后慢慢翻,一次两三页足矣。对习惯传统小说的人,它是一次不轻的挑战;对喜欢新小说、喜欢把阅读当成观看的人来说,它是一件值得收藏的小型艺术品。

Who it's for

A good fit for

  • 读过《弗兰德公路》《三折画》,希望继续深入克洛德·西蒙的读者
  • 喜欢新小说派、法国现代主义文学,能接受非线性叙事的读者
  • 对“文学与绘画”“文字如何蒙太奇”这类跨媒介写作感兴趣的读者
  • 想用较短篇幅认识一位诺奖作家的文学爱好者

Not a good fit for

  • 依赖完整情节与明确结局来获得阅读快感的小说读者
  • 对长句、细节铺陈耐心有限、希望快速读完一本书的人

Reading tips

  1. 不要试图梳理情节线索,把书当作一座可以漫步的画廊,顺着画面走。
  2. 遇到反复出现的物件与场景(倒影、长方形、雨、帽子)时做个记号,体会它们的变奏。
  3. 可以先读译后记或译者文章,了解西蒙的绘画背景与新小说主张,再回头读正文。
  4. 一次读二三页为宜,读完一章静一静,让画面在脑中沉淀,比一口气读完更有收获。

About the publisher

Nanjing University Press China · Founded in 1984

Nanjing University Press is a comprehensive university publisher known for its translations and academic works in the humanities and social sciences, covering literature, world history, biography and social issues. Judging from the books in our database, it publishes poetry classics such as the complete poems of Tomas Tranströmer in The Sorrow Gondola and the Station of Fire, world history titles including Orlando Figes's The Crimean War, biographical works such as Milan Kundera: A Writer's Life, and a personal history of Eastern Europe and the secret police in the M Translation Series. Its contributors include translators Li Li, Liu Yunhong and Xu Jun, reflecting an emphasis on translation quality and textual depth. Given limited public information, its full publishing scope and series system remain to be further supplemented.

FAQ

《导体》是一本有完整故事的小说吗?
没有。它是典型的“新小说”作品,没有传统的情节线、具名人物和结局,靠场景、画面与细节的反复变奏构成,更像一部用文字展开的视觉作品。
读这本书需要先了解新小说派吗?
不是必需,但有帮助。知道新小说派反对巴尔扎克式的情节与全知叙事,会更容易接受书中跳跃的时空和疏离的人物描写。
这个中文版是谁翻译的?
由焦君怡与张新木翻译,南京大学出版社2018年1月出版,精装,约197页、10.7万字,属“守望者·文学”丛书。
为什么书名要叫《导体》?
书名保留了法文原名 Les Corps Conducteurs。这里的“导体”并非物理学上的导电体,它与书中的身体、城市材质和现实的关系构成一种隐喻式的对照,具体可以从原文语境和译者说明中体会。
这本书适合入门克洛德·西蒙吗?
可以,但要做好心理准备。它篇幅短、结构纯粹,能快速感受西蒙的写作方式;若希望先有个故事依托,可从《弗兰德公路》或《历史》入手再回来读。

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About the author

Claude Simon is a French writer. Publicly available information about his life and career is limited in the Chinese-speaking world; what can be confirmed is that his works have been translated into Chinese and have a steady readership in the field of foreign literature. The library holds three of his works, including The Flanders Road and Histoire, as well as a piece included in the Selected Classics of World Anti-Fascist War Literature (8 volumes). These works often draw on war, history, and rural life, and their narratives do not rely on a smooth timeline but frequently move forward through dense sensory description, memory, and interwoven scenes, with a language that is intricate and highly visual. Reading Simon requires patience in following the rhythm of the narrative and piecing together characters and their era from fragmentary memories. His writing offers a distinctive reference point for Chinese readers seeking to understand how twentieth-century French literature expresses the experience of war.

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