Guest Warfare
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in ancient Chinese military books and military thought
- Managers who want to draw competitive and decision-making insights from traditional military texts
- Thematic learners who are systematically reading the chapters of Hundred Battles and Strange Strategies
Not a good fit for
- Readers expecting modern warfare cases and a practical operations manual
- Beginners with no foundation in classical Chinese reading who are unwilling to use annotations
Reading tips
- First read the original text, then compare the different handling of guest and host armies in other chapters of Hundred Battles and Strange Strategies
- While reading, pay attention to the psychological logic of “depth brings concentration” and try to connect it with your own work situation in notes
- Read this chapter alongside Harmful Warfare to grasp the logic of troop use at both the offensive and defensive ends
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 客战
FAQ
What exactly does the “guest army” in “guest warfare” refer to?
Is this military treatise suitable for modern general readers?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.