Waging War
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in pre-Qin military studies and ancient military thought
- History and literature enthusiasts who need material for close reading of a single chapter and for reading notes
- Readers engaged in strategic research or management training who want to draw inspiration from classical texts
- University students of ancient literature and history for supplementary reading
Not a good fit for
- Readers expecting battle stories and specific tactical details
- Those who only want quick success-formula aphorisms and are unwilling to read the original closely
- Beginners with no foundation in classical Chinese who do not plan to use annotations
Reading tips
- First read the original through once, mark sentences involving provisions, transport, and expenses, then return to understand them sentence by sentence.
- Read in comparison with The Initial Estimations and sort out the connection from decision to mobilization between "temple calculations" and "campaign planning."
- Prepare a sheet of paper and list the resource consumption and countermeasures mentioned in the chapter item by item to form your own structural diagram.
- After reading, write a short commentary combining real-life project preparation or resource allocation to test whether your understanding is grounded.
About the publisher
Bashu Publishing House is a publisher centered on collating and publishing classical Chinese cultural texts, with its main publishing areas covering classical literature, Eastern philosophy, ancient poetry, and educational classics. Its library currently holds 1,075 titles, including representative works such as Dream of the Red Chamber, the Preface to the Orchid Pavilion Gathering, Renjian Cihua, and Out to the Frontier, involving authors such as Cao Xueqin, Wang Xizhi, Wang Guowei, Wang Changling, Liu Xie, and Yan Yu. These reflect the publisher's focus on literary classics, poetry criticism, and philosophical readings. Its publishing character lies in working around ancient texts and canonical works, with attention to textual collation and presentation. Public information on its more detailed publishing background and series plans is limited; this introduction is based only on the library's book information.
Contents
- 版权信息
- 作战篇
FAQ
Does "zuo zhan" here mean fighting a war?
What is the relationship between this chapter and The Initial Estimations?
How should "obtain supplies from the enemy, the more the enemy is defeated the stronger one becomes" be understood?
Can this chapter be understood on its own?
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About the author
Anonymous is not a real personal name but a general Chinese designation for authors whose names are unknown, lost, or unsigned. Neither nationality nor dates of birth and death can be verified, and available public information is limited, so the works attributed to this name are the only basis for description. The collection holds 2,078 works under Anonymous, spanning medicine, classics, historical readings, ancient poetry, classical literature, and philosophy. Representative works include The Yellow Emperor's Inner Canon: Lingshu, Mencius, The Book of Documents, Nineteen Old Poems, Complete Song Ci, and The Peacock Flies Southeast. Most of these works took shape through long transmission and editing, emerging either from collective folk creation or from authors whose names were lost over time. In ancient China, the Book of Songs, the Great Learning, and many popular storybooks and plays were signed Anonymous because their authors could not be traced. Anonymous works cross the classics, histories, philosophical writings, medical texts, and poetry; their subjects are broad, and their styles vary from archaic simplicity to clear naturalness, making them important and influential sources for understanding ancient Chinese thought, medicine, and literature.