A Floating Life Among Characters cover

A Floating Life Among Characters

Rating 3.9
Word count
11K words
Chapters
7
Series
Between Characters
ISBN
9787521706291

Tags

Summary

A Floating Life Among Characters is an art picture book by architect and painter Zeng Renzhen (also known as "Yushan" or "Yushan Fankuan"), created from Chinese characters as raw material—and the first collected publication of his "Between Characters" series. The book contains 181 works, all built on the idea of "pictures within characters, characters within pictures": some take apart and reassemble the strokes and components of Chinese characters, turning their skeletons into spaces and houses you can walk into; some restore idioms and set phrases to concrete scenes of daily life; and some reinterpret famous lines from Tang poetry and Song ci through imagery. The book is divided in turn into "Characters and Characters," "Characters and Set Phrases," and "Characters and Poetry": 57 character groups, 59 set phrases, and 65 classical poems are each translated into pictures. A recurring "little figure in white" reads, meets friends, falls in love, daydreams, and dozes among the characters, enacting scenes of ordinary life familiar to everyone, with a faint breath of everyday warmth within a square inch. The author's background in architecture and garden design gives these pictures a clear sense of space: the structure of a character is treated as a courtyard you can wander and dwell in, and strokes become walls, bridges, paths, and eaves, so that the flat page acquires three-dimensional depth. The book is bound with exposed spine and thread stitching, so it lies flat for reading; it suits slow perusal as an art album, and also serves as a primer on Chinese characters and traditional culture.

Editor's review

汉字谁都会写,但很少有人想过:一个字拆开重组,可以变成一间屋子、一座庭院、一场戏。鱼山(曾仁臻)本是建筑师,长期研习中国园林与绘画,他把造园的空间思维搬到了字上——“愁”字的心部流下眼泪,“春风得意”被画成风筝牵人升空,“庄周梦蝶”用连续的画面做出形态渐变。这些巧思无需解释,看一眼便会心一笑。全书181幅画,分“字与字”“字与熟语”“字与诗词”三辑,从单字到成语再到诗词意境,层层递进,读起来像一场从字形走向诗意的漫游。白衣小人在字间读书、会友、发呆,把汉字从课本里的知识点,变成了有温度的生活现场。装帧也值得一提:裸脊锁线,可180度平摊,纸张厚实,作为画册拿在手里非常舒服。它不负责教你认字,而是让你重新“看见”自己写了半辈子的字——适合放在案头,疲惫时随手翻两页,安静地看画读字。

Who it's for

A good fit for

  • 喜欢汉字、书法与传统文化,愿意从新角度重新认识汉字的读者
  • 从事设计、插画、字体与视觉创意工作,需要灵感刺激的创作者
  • 喜欢中国园林、水墨意境与文人画趣味的艺术爱好者
  • 工作繁忙、想找一本可以随手慢翻、静心解压的画册的都市读者
  • 中小学语文老师与家长,可作为汉字与古诗词的趣味辅助读物

Not a good fit for

  • 期待系统讲解汉字源流、字理考据的读者,本书是创作而非文字学著作
  • 偏好强情节叙事漫画或长篇幅故事的读者
  • 习惯电子阅读、对纸书装帧与画质不敏感,且不愿为画册付费的读者

Reading tips

  1. 先通读一遍画作,不急着找“答案”,凭直觉感受画面里的空间与人物动作
  2. 读完画后回看对应的字、熟语或诗句,比较字形结构与画面构图之间的转译关系
  3. 读到古诗词部分时,不妨先默诵原诗,再看画家如何取景,体会“意境”如何落到空间里
  4. 作为画册宜慢读,每次翻十来页即可,配合茶、音乐或睡前时段,效果更好

About the publisher

CITIC Press China · Founded in 1988

Founded in 1988 and affiliated with China CITIC Group, CITIC Press focuses on business and economics, social sciences, literature and children's books, with common categories covering social sciences, finance, literature, Eastern philosophy and literary appreciation. Its library holds 91 titles, including Yuval Noah Harari's Sapiens trilogy, Thomas Piketty's Capital in the Twenty-First Century, Wu Xiaobo's Thirty Years of Strife: Chinese Enterprises 1978–2008, Nelly Sachs's The Weight of Butterflies: Selected Poems of Nelly Sachs, as well as New Interpretations of the Analects and Chiang Hsun's lectures on Dream of the Red Chamber. Its authors and translators include Lin Junhong, Ba Shusong, Chen Li and Chang Fen-ling. Overall, the press introduces influential works in finance and social sciences while balancing classic translation and local appreciation in literature and Eastern philosophy, combining academic depth with accessible reading.

Contents

  1. Copyright Information
  2. Preface
  3. Between Characters
  4. Characters and Idioms
  5. Characters and Poetry
  6. Afterword
  7. Yu Shan: Fan Kuan's World of "Characters"

FAQ

这本书是讲汉字知识的吗?
不是。它是艺术绘本,重点不在考据字形源流或字义演变,而是把汉字、熟语、古诗词当作创作素材,用画面重新演绎,偏重审美与想象力的启发。
没有艺术或古文字基础能看懂吗?
完全可以。作者刻意避开生僻字和艰深典故,选的多是日常汉字、常见成语和名篇名句,即使不懂绘画技法,也能从画面看出趣味。
书里的画有文字解说吗?
以画为主,配少量序言、后记与篇章说明,具体每幅画并未逐条注解。作者更希望读者自己去“解谜”,在字与画之间自行发现联系。
这版装帧有什么特别之处?
采用裸脊锁线装订,书页可以完全平摊,方便跨页欣赏画面;内页用纸较厚,作为画册翻阅手感较好。
和作者的《草间居游》《幻园》有什么区别?
《幻园》系列偏园林与山水的空间构想,《草间居游》等偏草木间的小人生活;《字间浮生》以汉字结构作为主要创作对象,是“字间”系列的首次结集。

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