What the Master Would Not Discuss cover

What the Master Would Not Discuss

Rating 4.3
Word count
87K words
Chapters
214
ISBN
9787201106854

Tags

Summary

This book is a collection of notebook tales compiled by Yuan Mei during the Qianlong and Jiaqing reigns of the Qing dynasty. It was first titled Zi Buyu, but later, upon discovering a similar title among Yuan-dynasty anecdotal works, Yuan changed it to Xin Qi Xie. The stories are drawn from folk rumors, oral accounts by relatives and friends, others' writings, contemporary life, and the author's own creations; most concern ghosts and spirits, and some recount eccentric people and strange happenings. In concise prose and a factual manner, through bizarre tales, Yuan Mei portrays the motley panorama of the world and, in an extremely humorous yet obscure way, exposes the many "evils" of ordinary life, touching on morality, institutions, religion, customs, human nature, and more. This edition is based on the Jiaqing-era Suiyuan Sanshi Zhong, collated against Zhu Chun's punctuated edition, Shen Meng and Gan Lin's punctuated edition, Biji Xiaoshuo Daguan, and Yuan Mei Quanji edited by Wang Yingzhi; it selects 205 pieces, newly punctuated and arranged. The selections are divided into six chapters—searching for spirits, recording anomalies, ghosts and specters, eccentric people, illusions, and secret tales—and are accompanied by newly created illustrations of ghosts and monsters keyed to the text.

Editor's review

Zi Buyu is a collection of zhiguai notebook fiction compiled by the Qing dynasty man of letters Yuan Mei in his later years. Its title comes from the Analects' "the Master did not speak of extraordinary things, feats of strength, disorder, or spirits," yet its contents are just the opposite, devoted entirely to gods and ghosts, spirits and monsters, and strange occurrences. This is no mere curiosity-seeking work: it is Yuan Mei's alternative observation of the world's myriad phenomena and the warmth and coldness of human feeling, from the perspective of a scholar-official. The stories are short and pithy, written in concise, vivid prose; they offer admonitions on karmic retribution and ethics, contain veiled satire on official corruption and social injustice, and abound in profound insight into the subtleties of human nature. Compared with the romantic elaboration of Liaozhai Zhiyi, Zi Buyu is plainer and more austere; its value lies in placing supernatural phenomena within the framework of daily life, blurring the boundary between reality and illusion, and enabling readers, amid their astonishment, to reflect on the logic and absurdity of the real world. As a model of notebook fiction, it is not only a precious source for studying Qing society, culture, and folk belief, but its distinctive narrative aesthetics have also had a profound influence on later literature. It is best read with a leisurely mind, savoring the worldly feeling and wit beneath its plain, spare prose.

Who it's for

A good fit for

  • Readers interested in classical Chinese zhiguai fiction and notebook literature
  • Cultural researchers seeking to understand Qing dynasty society and folk belief
  • Literature lovers who appreciate a concise, restrained, resonant classical narrative style
  • People looking for short-form reading pleasure in fragmented time

Not a good fit for

  • Readers of pure literary fiction who seek long, continuous plots and complex character relationships
  • Readers with significant difficulty reading classical Chinese who are unwilling to use translations or annotations

Reading tips

  1. It is best not to read straight through in order; browse at will and savor a few tales a day, like the ancients talking at night.
  2. When reading, pay attention to comments such as "Yuan Mei says" after the stories; these are key to understanding the author's intent.
  3. Consider the stories against Qing historical background; many strange tales are indirect reflections of real society.

About the publisher

Tianjin People's Publishing House China · Founded in 1950

Tianjin People's Publishing House publishes across such fields as classic works, foreign literature, architecture, social culture and social sciences, with 749 relevant titles in the collection. In the areas of classics and scholarship, works such as Wang Guowei's Renjian Cihua and Fei Xiaotong's From the Soil and Fertility and Reproduction reflect a sustained attention to social culture and classic texts of thought. Architectural books are represented by Liang Sicheng's Annotated Yingzao Fashi and A History of Chinese Architecture, showing an emphasis on architectural heritage and building traditions. In foreign literature, translations of Sholokhov's And Quiet Flows the Don and Tolstoy's War and Peace and The Death of Ivan Ilyich, through the work of translators such as Li Gang and Yu Dawei, form a substantial series of translated works. Overall, the press combines classic texts, scholarly works and fine translations, with a publishing character oriented toward humanistic depth and the dissemination of knowledge.

Contents

  1. 版权信息
  2. 作者简介
  3. 序
  4. 章一 搜神
  5. 钟孝廉
  6. 酆都知县
  7. 狐生员劝人修仙
  8. 煞神受枷
  9. 蒲州盐枭
  10. 地穷宫
  11. 刘刺史奇梦
  12. 雷公被绐
  13. 两神相殴
  14. 白虹精
  15. 千年仙鹤
  16. 仙鹤扛车
  17. 狐祖师
  18. 雷部三爷
  19. 偷雷锥
  20. 土地受饿
  21. 秃尾龙
  22. 九天玄女
  23. 地藏王接客
  24. 狮子大王
  25. 张大帝
  26. 羞疾
  27. 妓仙
  28. 李百年
  29. 雷祖
  30. 燧人钻火树
  31. 兔儿神
  32. 山阴风灾
  33. 子不语娘娘
  34. 指上栖龙
  35. 仙童行雨
  36. 番僧化鹤
  37. 章二 志怪
  38. 南山顽石
  39. 赵大将军刺皮脸怪
  40. 蝴蝶怪
  41. 不倒翁
  42. 罗刹鸟
  43. 鄱阳湖黑鱼精
  44. 囊囊
  45. 秦毛人
  46. 人同
  47. 赑屃精
  48. 缚山魈
  49. 老妪变狼
  50. 吴生不归
  51. 蜈蚣吐丹
  52. 石言
  53. 人熊
  54. 驱鲎
  55. 铁匣壁虎
  56. 蛇王
  57. 城门面孔
  58. 匾怪
  59. 美人鱼人面猪
  60. 花魄
  61. 狼军师
  62. 物变
  63. 四耳猫
  64. 鹏粪
  65. 獭淫
  66. 多角兽
  67. 章三 鬼魅
  68. 骷髅报仇
  69. 骷髅吹气
  70. 胡求为鬼球
  71. 鬼着衣受网
  72. 平阳令
  73. 马盼盼
  74. 妖道乞鱼
  75. 水仙殿
  76. 赌钱神号迷龙
  77. 城隍杀鬼不许为聻
  78. 陈清恪公吹气退鬼
  79. 符离楚客
  80. 洗紫河车
  81. 空心鬼
  82. 画工画僵尸
  83. 羊践前缘
  84. 义犬附魂
  85. 钉鬼脱逃
  86. 鬼乖乖
  87. 冒失鬼
  88. 医肺痈用白术
  89. 一目五先生
  90. 治鬼二妙
  91. 官癖
  92. 奇鬼眼生背上
  93. 两僵尸野合
  94. 狐仙自缢
  95. 淘气
  96. 白骨精
  97. 娄真人错捉妖
  98. 旱魃
  99. 丁大哥
  100. 鬼市
  101. 犼
  102. 旱魃有三种
  103. 银伥
  104. 文人夜有光
  105. 虎伥
  106. 掠剩鬼
  107. 魍魉
  108. 章四 奇人
  109. 大乐上人
  110. 叶老脱
  111. 三头人
  112. 摸龙阿太
  113. 道士取葫芦
  114. 鬼有三技过此鬼道乃穷
  115. 三斗汉
  116. 人虾
  117. 鸭嬖
  118. 葛道人以风洗手
  119. 纣之值殿将军
  120. 董金瓯
  121. 姚剑仙
  122. 裹足作俑之报
  123. 吕道人驱龙
  124. 盘古以前天
  125. 禹王碑吞蛇
  126. 飞僵
  127. 江秀才寄话
  128. 大胞人
  129. 卖蒜叟
  130. 借棺为车
  131. 姚端恪公遇剑仙
  132. 佟觭角
  133. 伊五
  134. 清凉老人
  135. 徐崖客
  136. 鸡脚人
  137. 猢狲酒
  138. 娄罗二道人
  139. 水精孝廉
  140. 石揆谛晖
  141. 翻洗酒坛
  142. 浮海
  143. 邢天国
  144. 浮提国
  145. 韩铁棍
  146. 章五 幻术
  147. 李通判
  148. 滇绵谷秀才半世女妆
  149. 炼丹道士
  150. 陈圣涛遇狐
  151. 猎户除狐
  152. 藏魂坛
  153. 老妪为妖
  154. 猪道人即郑鄤
  155. 高相国种须
  156. 张奇神
  157. 道士作祟自毙
  158. 鞭尸
  159. 绳拉云
  160. 烧狼筋
  161. 陆夫人
  162. 蛊
  163. 奇术
  164. 卖冬瓜人
  165. 仙人顶门无发
  166. 广西鬼师
  167. 采战之报
  168. 虾蟆蛊
  169. 返魂香
  170. 禁魇婆
  171. 虾蟆教书蚁排阵
  172. 讨亡术
  173. 狗熊写字
  174. 人化鼠行窃
  175. 唱歌犬
  176. 铁牛法
  177. 妖术二则
  178. 种蟹
  179. 章六 秘闻
  180. 张元妻
  181. 关东毛人以人为饵
  182. 天壳
  183. 雷诛营卒
  184. 旁观因果
  185. 常熟程生
  186. 大毛人攫女
  187. 九夫坟
  188. 凤凰山崩
  189. 妖梦三则
  190. 龙阵风
  191. 误尝粪
  192. 拘忌
  193. 白莲教
  194. 红毛国人吐妓
  195. 大力河
  196. 女化男
  197. 黑苗洞
  198. 人畜改常
  199. 奇骗
  200. 产公
  201. 黑霜
  202. 铜人演西厢
  203. 双花庙
  204. 风流具
  205. 偷靴
  206. 伏波滩义犬
  207. 沙弥思老虎
  208. 禅师吞蛋
  209. 狐仙惧内
  210. 多官
  211. 夜航船二则
  212. 京中新婚
  213. 蝎虎遗精
  214. 溺壶失节

FAQ

What is the difference between Zi Buyu and Liaozhai Zhiyi?
Both are representative works of Qing dynasty zhiguai fiction, but their styles differ greatly. Liaozhai consists mostly of long pieces, brilliantly written and emotionally intense, using foxes and ghosts to write of human feeling; Zi Buyu consists mostly of short notes, simply and cleanly recorded, closer in style to factual notebook entries, more satirical, and more heterogeneous in thought.
Is this book suitable for middle school students?
Middle school students with some grounding in classical Chinese can try an edition with modern translation and annotation. The stories are short and their plots strange, which can stimulate interest in reading, but some content involves ancient ideas and is best understood with a teacher's or parent's guidance regarding its historical context.
What kind of author was Yuan Mei?
Yuan Mei was a famous Qing dynasty poet, essayist, and literary critic who advocated the "theory of innate sensibility," holding that poetry and prose should express feeling directly. His official career was brief; he later lived in seclusion at Suiyuan, leading a leisurely life with a wide circle of friends. Zi Buyu was compiled in his later years from folk rumors, accounts by friends, and earlier writings, reflecting his broad interest in the myriad aspects of worldly life and his independent thinking.

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About the author

Yuan Mei Author · Chinese · 1716–1798

Yuan Mei (1716–1798), courtesy name Zicai and pseudonym Jianzhai, was a native of Qiantang, Zhejiang, and a Qing-dynasty poet, essayist, literary critic, and gastronome. A jinshi of 1739, he served as a county magistrate in Jiangning and elsewhere before retiring in midlife to Suiyuan in Nanjing. He championed the "xingling" theory of poetry, which stresses genuine feeling and individual expression, and was known together with Zhao Yi and Jiang Shiquan as one of the "Three Masters of the Qianjia Era." His works range widely: Suiyuan shihua comments on poetry, Suiyuan shidan records the art of cooking and eating, and Zi buyu collects tales of the strange. His writing is fresh and natural, and Suiyuan shidan combines practical guidance with literary value. This library holds 46 of his works, spanning poetry criticism, food writing, prose miscellanies, and classical literature.

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