The Female Shop Assistant
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Lao She's plays
- Readers studying early New China drama
- Literature lovers who want to understand shifts in Lao She's creative phases
- Those needing a play text for reading or staging reference
Not a good fit for
- General readers who only want Lao She's classic novels
- Drama readers who prefer strong conflict and complex plots
- Those not interested in early New China drama subjects
Reading tips
- Read the whole play first to grasp the character relationships, then revisit the pacing of key dialogue.
- Compare with Lao She's plays from the same period to observe changes in subject and method.
- For staging, try reading roles aloud to feel the streetwise tone of the lines.
About the publisher
Founded in August 1958 and restructured into Baihua Literature and Art Publishing House (Tianjin) Co., Ltd. in 2009, Baihua Literature and Art Publishing House is known for publishing essays and fiction, and it hosts the journals Fiction Monthly and Essays. Its 757 titles in the library span classic works, culture, folk literature, essays and miscellaneous writings, foreign literature, and general biography. They include Lao She's Camel Xiangzi, Zhu Ziqing's selected essays and Classic Essays, Fu Lei's Twenty Lectures on Masterpieces of World Art, and a Chinese translation of Ryūnosuke Akutagawa's Rashōmon, as well as cultural and performing-arts titles such as the illustrated Biography of Liang Qichao and A Dictionary of Crosstalk. Its authors include Lao She, Zhu Ziqing, Wu Qichang, Fu Lei, Xue Baokun, Gao Yucong, Wei Zhiqiang, and Ryūnosuke Akutagawa.
Contents
- 版权信息
- 序幕
- 第一幕
- 第二幕
- 第三幕
FAQ
Can I understand this play without experience reading drama?
How does this play differ from Lao She's fiction?
What should I focus on while reading?
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About the author
Lao She, born Shu Qingchun with the courtesy name Sheyu, lived from 1899 to 1966. A Manchu from Beijing, he is a major modern Chinese writer. His writing long centered on urban life in Beijing and on ordinary people at the lower levels of society. His works are mostly social novels and folk literature, and he also wrote essays and miscellaneous prose. His style is plain yet marked by irony and compassion, and he was skilled at using colloquial Beijing-flavored language to portray characters and their fates. His representative works include Camel Xiangzi, Four Generations Under One Roof, and Teahouse, which have had wide influence. In 1951 he received the title "People's Artist." The library holds 488 of his works, commonly classified under social fiction, classics, folk literature, essays and miscellaneous writings, and exam books, showing that his writing continues to circulate among readers and in teaching.