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The Realm of Illusion

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Summary

The Realm of Illusion is a long web novel by the online author Nalan Rongruo (also writing as Lao Zhuang Mohan). The title is borrowed from the "Realm of Illusion" in Dream of the Red Chamber. It takes up a rather familiar premise yet creates an extraordinary protagonist. The hero transmigrates from the present world into another realm and lands there already at the very top: wealth and power at their zenith. In his own words, his greatest wish is merely to be a "rich idler"—eating well, lazing about, doing no work, and nothing more. But this position is precisely the focus of everyone's attention, and he is exactly the kind of youth who faints at the sight of blood, fears heights, and harbors no grand ambitions. His mother suspects him; his wife treats him with courtesy while keeping her own counsel; his uncle is wary of him; his brothers resent him; his subordinates look down on him. Within, powerful ministers covet his position; without, enemy states encircle the realm; even his closest kin harbor their own schemes. The more sincere he is, the less anyone believes him. All the conspiracies, bloodshed, killings, and struggles unfold around him one by one, and he has no choice but to strive with all his might to break free of each. The story contains both the coldness of political intrigue and the ruthlessness of slaughter, as well as a hope for the light deep within human nature—time and again he shows leniency to those who harm him, preferring to leave himself open to attack rather than injure the innocent. According to publicly available information, the book was published in Taiwan by Novel Channel as an ultra-long series, serialized through Volume 27; complete serialized text also circulates online. For the exact total word count and completion status, refer to authoritative edition information; no speculation is made here.

Editor's review

穿越、称雄、权谋,这几个词放在一起,很容易让人想到千篇一律的爽文。但《太虚幻境》有意思的地方,恰恰是把这套设定反着写:主角一到异界就已经站在了顶点,不需要奋斗、不需要苦战,却也是个晕血惧高、只想混日子的人。 于是全书的张力不再来自“如何向上爬”,而是来自“如何不被这张网绞死”。母亲、妻子、叔父、兄弟、臣下,每个人都有各自的算盘,没有人相信他的真诚;他也只能带着最不英雄的体质,在一个必须心狠手辣才能存活的位置上,一次次设法脱身。作者借“虚”与“幻”两个字设下的框架——是进入游戏,还是人生本就是一场游戏——也让权谋之外多了一层追问。 书名取意于《红楼梦》,文本中的句式、气韵与历史人物的化用,也带着明显的古典底色,这在同类网文中并不多见。读它的乐趣,一半在局势翻转,一半在主角那份“我本无心争”的执拗。

Who it's for

A good fit for

  • 对异世界穿越题材感兴趣,但厌倦“从零升级打怪”套路的读者
  • 喜欢权谋斗争、家族内斗与朝堂博弈的读者
  • 偏好古典语感与《红楼梦》式笔调的读者
  • 习惯在网络平台追长篇、能接受连载体量的读者

Not a good fit for

  • 只想看热血升级、主角一路碾压的爽文读者
  • 对穿越、架空设定本身兴趣不大的读者
  • 无法接受在线连载阅读方式、只读纸质书的读者

Reading tips

  1. 先理清楚京的势力版图与主角身边的几组关系,再读前几章,人物动机更容易看懂。
  2. 留意“虚”与“幻”的框架:哪些是游戏、哪些是现实,作者常用这一点做叙事留白。
  3. 不必急着追情节翻转,书中对人性软弱与善意的描写,更适合慢读细品。
  4. 若读到中途发现版本情节前后不一,建议换用同一来源的精校版本通读,避免拼接本带来的错乱。

FAQ

这本书和《红楼梦》里的“太虚幻境”是什么关系?
只借用了名称与意境。书中多处化用《红楼梦》的句式与气韵,但它是现代网络小说,写的是穿越异界、权位争斗的故事,与《红楼梦》的内容和人物无关。
作者“纳兰容若”是清代那位词人吗?
不是。本书作者署名“纳兰容若”,其另一常用笔名为“老庄墨韩”,为当代网络小说作者,与清代词人纳兰性德(字容若)并非同一人,容易混淆,阅读时请注意区分。
这本书出版过纸质版吗?有 ISBN 吗?
据作者资料,本书曾在台湾由小说频道以超长篇形式出版至第二十七集;大陆简体纸本尚无公开可靠记录。因此本页的出版社、ISBN、出版年等信息均留空,不作填写。
全书完结了吗?总字数是多少?
公开资料显示其连载状态存在不同说法,网络流传的多为连载或整理文本,注明的字数也不一致。这些数据未经权威核实,故本页留空;建议以你所阅读的版本页面标注为准。
“知轩藏书”版的文本有什么特别?
知轩藏书以整理网络小说的精校文本著称,通常会对错字、缺章、重复段落做处理。不同来源的整理本在分卷与章节排序上或有差异,阅读时以同一版本为准即可。

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About the author

纳兰容若 Author

Nalan Rongruo was a Qing-dynasty ci poet whose name is closely associated with the graceful and restrained style of Chinese lyric poetry. Public information about his life is limited, so no conjecture is made about biographical details. Judging from the three works listed in the library, his writing centers on ci poetry, with themes often involving parting sorrow, reflections on life, and everyday moods. His language is clear and natural, his feeling sincere and understated, and he is skilled at conveying subtle psychological shifts through concise imagery. This style gives his ci a distinctive place in Qing-dynasty lyric poetry and offers later readers an entry into the抒情 tradition of classical ci. Among the library's holdings, Selected Ci of Nalan Rongruo presents the basic features of his craft, while the two biographical works on his ci pair his poems with his life, serving both literary appreciation and general knowledge. Overall, his works continue to be read today, commonly classified under classical poetry and literary appreciation, which shows that his influence lies mainly in the transmission and reception of classic ci works.

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