The Garden Party cover

The Garden Party

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ISBN
9787020054794

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Summary

This book is a selection of short stories by Katherine Mansfield (1888–1923), a British modernist woman writer born in New Zealand, translated by translator Wen Jieruo and belonging to the People's Literature Publishing House's "20th-Century Foreign Masters' Classics" series, containing 26 works including representative pieces such as "The Garden Party," "A Cup of Tea" and "The Fly." Mansfield wrote only short stories throughout her life; her career spanned barely more than a decade, yet she left behind more than eighty stories and was called "the Chekhov of the English-speaking world." She does not win readers through bizarre plots, but enters through everyday scenes such as afternoon tea, a garden party, an outing or a funeral, peeling back the subtle fluctuations of her characters' emotions layer by layer with delicate sensory description and freely shifting perspectives. The pieces are short and the syntax clean, yet often in an inadvertent moment they let readers see the cracks in life. Take "The Garden Party" as an example: the story revolves around a garden tea party being prepared—a well-off young girl, while arranging the marquee and trying on a hat, hears that a worker in the neighboring street has died in an accident, and begins to doubt whether the festivities should continue. The story thus touches on class, death and the experience of growing up, and is Mansfield's most frequently anthologized piece in English textbooks. This book gathers works from different periods of her career, allowing a fairly complete view of her exploration of the short-story form.

Editor's review

曼斯菲尔德在中国有两条阅读脉络:一条是徐志摩1920年代满怀深情译出的那几篇,带着诗人的偏爱;另一条是文洁若这样长期从事英译中的翻译家所做的系统译介。本书属于后者,选目更全,跨度更大,适合真正想读懂她的人。 她写小说像是在水面下推人。表面上没有大事发生,一位母亲在电话里应付孩子,一位老妇在街边想起已故的丈夫,几个女孩在花园里讨论把钢琴摆在哪里;可读到最后两段,情绪已经悄悄换了地方。这种写法对初学者并不「好读」,因为它不给读者抓手,需要你放慢速度,注意那些看似无关紧要的细节。 本书收录26篇,涵盖创作的不同阶段,既能看到早期略带讽刺笔法的都市速写,也能看到后期更松弛、更沉静的新西兰记忆。对写作者而言,这是一份极好的短篇技艺样本:如何用一句话完成视角漂移,如何让一个物件承担整篇的重量。

Who it's for

A good fit for

  • 喜欢短篇小说、想研究现代短篇技法的读者
  • 对英国现代主义文学与女性写作感兴趣的读者
  • 正在学写作、需要范本揣摩的创作者
  • 想了解新西兰文学源头的读者

Not a good fit for

  • 偏好强情节、快节奏长篇故事的读者
  • 期待传统「有头有尾」完整叙事的读者
  • 希望读中英双语对照本的英语学习者

Reading tips

  1. 一次只读一两篇,读完停顿片刻,回想情绪是在哪一句转折的。
  2. 先读《园会》《一杯茶》等名篇,再回溯她早期作品,能看出风格变化。
  3. 留意她笔下的物件与天气:帽饰、食物、光线常常承担叙事功能。
  4. 可配合徐志摩译本对读同几篇,体会两种译笔的差异。

About the publisher

People's Literature Publishing House China · Founded in 1951

People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.

FAQ

《园会》是一部长篇小说吗?
不是。它是曼斯菲尔德的短篇小说集,书名取自其中最有名的一篇《园会》(The Garden Party)。人民文学出版社2006年版由文洁若翻译,收录26篇作品。
这本书的英文原版是什么?
原书是 The Garden Party and Other Stories,1922年由Constable出版,共收15篇,包括《在海湾》《园会》《已故上校的女儿们》《布里尔小姐》等。
为什么说她是「英语世界的契诃夫」?
因为她同样不设奇局、不求曲折情节,而是从平凡日常里发掘人物情绪的微妙变化,笔调克制、富有诗意,评论界因此给她这一称号。
徐志摩译本和这本有什么区别?
徐志摩只选译了八篇左右,1927年以《曼殊斐尔小说集》为名出版;本书选目更全,涵盖26篇,可视为更完整的选本。

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About the author

Katherine Mansfield is a writer worth noting in the field of foreign literature, and her representative work is "Miss Brill." The library currently holds one work by her, and public information about her nationality, dates of birth and death, and English name is limited, so a more detailed account of her life is difficult to provide. From works such as "Miss Brill," one can see that she excels at depicting the everyday lives and inner worlds of ordinary people with delicate strokes, capturing subtle emotional shifts within short pieces, in a restrained and suggestive language. This style, which emphasizes psychological portrayal and momentary impressions, gives her work a distinctive place in foreign literature and offers an example for later short-story writing. Readers who wish to learn more about her may begin with her works and appreciate the understated narrative charm within them.

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