The Comrade Era
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Summary
Editor's review
As a representative writer of root-seeking literature, Han continues in this book his philosophical inquiry into the relationship between language and existence. The narrative moves between reality and allegory, possessing both historical texture and contemporary resonance. The novel's depiction of the details of collectivist life—labor, study, argument, and mutual aid—is vivid yet restrained, allowing readers a glimpse into a generation's spiritual journey and shifting fortunes. Its literary value lies not only in faithfully recording a receding period of history but also in its literary interrogation of questions that transcend the era: How can an individual preserve integrity and dignity within a vast social structure? After the passion and disillusionment of idealism, what remains?
Reading this book is demanding: it requires some historical background knowledge and a willingness to follow the author on a deep intellectual excursion. It is not a work that offers simple answers or emotional catharsis but a prism refracting the complex spectrum of human nature and the texture of society. For readers concerned with contemporary Chinese history, literature, and intellectual change, it is an important text not to be missed.
Who it's for
A good fit for
- Readers with a strong interest in contemporary Chinese history and literature of the sent-down youth
- Deep readers who enjoy speculative literature and are not satisfied with surface-level narrative
- Scholars or students studying twentieth-century Chinese social change and the mentality of intellectuals
- Literature lovers who appreciate Han Shaogong's distinctive style and philosophical exploration
Not a good fit for
- Readers seeking light entertainment or fast-paced plotting
- Readers lacking basic knowledge of the specific historical period, who may feel a gap in understanding
Reading tips
- Before reading, a brief acquaintance with the social context of China in the 1960s and 1970s will help in understanding the characters' circumstances.
- Pay attention to the symbolism and irony embedded in Han Shaogong's details; the language itself offers rich space for interpretation.
- Read alongside other works by Han Shaogong (such as Bababa and A Dictionary of Maqiao) or related historical memoirs for deeper understanding.
About the publisher
People's Literature Publishing House publishes across classical literature, foreign literature, documentary writing and folk literature, with 492 titles in its catalogue. Representative books range from the Chinese classic Romance of the Three Kingdoms to Lao She's Teahouse and Longxu Ditch in the Selected Works of Lao She, as well as translated foreign literature such as Faulkner's The Sound and the Fury, Dante's Divine Comedy and Elena Ferrante's Neapolitan Novels, alongside documentary and fictional works including Primo Levi's If This Is a Man and João Guimarães Rosa's The Devil to Pay in the Backlands. Its authors include Chinese writers such as Lao She, translators such as Shen Emeri and Li Wenjun, and foreign authors such as James Wood. Overall, the house has a strong record in editing classic works and translating foreign literature, with a publishing character that bridges Chinese and foreign writing and values textual quality.
Contents
- 版权信息
- 自 序
- 夜宿青江铺
- 战俘
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 吴四老倌
- 月兰
- 过河
- 火花亮在夜空
- 回声
- 抗旱时节
- 孙大圣开始行动
- 走资派的面相
- 不准牛鬼蛇神翻天
- 红绳子衣
- 竹妹的故事
- 掌权逸事
- 鱼鳞也不给一片
- 我恨你
- 大军压境
- 孩子与牛
- 癌
- 西望茅草地
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 八
- 九
- 十
- 十一
- 十二
- 十三
- 十四
- 十五
- 十六
- 飞过蓝天
- 风吹唢呐声
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 八
- 九
- 十
- 十一
- 近邻
- 同志时代
- 张八斗
- 潘大年
- 吴达人
- 尾声
- 谷雨茶
- 一
- 二
- 三
- 四
- 远方的树
- 一
- 二
- 三
- 四
- 五
- 六
- 七
- 八
- 九
- 十
- 十一
- 后视镜里
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About the author
Han Shaogong, born in Changsha, Hunan, in 1953 with ancestral roots in Li County, is a contemporary writer and one of the principal advocates of the "root-seeking literature" movement of the 1980s. His work spans fiction and essays, with representative titles including Dad, Dad, A Dictionary of Maqiao, South of the Mountains, North of the Water, and The Book of Day and Night. He has received the Lu Xun Literary Prize and the Newman Prize for Chinese Literature, and his works have been translated into multiple languages. His fiction often takes local language, folk memory, and rural experience as points of entry and is notable for formal experimentation, while his essays attend to social reality and cultural conditions in a calm, reflective tone. This collection holds 21 of his works, including selected writings, essay collections, and a revised edition of A Dictionary of Maqiao, reflecting his continuing exploration between fiction and nonfiction.