A Clockwork Orange
Tags
Summary
Editor's review
Who it's for
A good fit for
- 喜欢反乌托邦与思想性科幻,读过《1984》《美丽新世界》的读者
- 对自由意志、道德责任和“社会改造”议题感兴趣的人
- 想了解库布里克同名电影的原著,愿意读更完整结局的影迷
- 喜欢实验性叙述语言、能接受虚构俚语挑战的文学读者
Not a good fit for
- 对暴力、性暴力描写敏感、容易被冒犯的读者
- 只想要轻松青春成长故事或纯粹娱乐阅读的读者
- 希望读到硬科幻设定与科技推演、偏重科学细节的科幻迷
Reading tips
- 先读附在书前的《发条橙果酱》与注释,再进入正文,能更快适应“纳查奇语”的节奏。
- 不必纠结每个俚语的确切含义,跟着叙述的声音走,实在卡住再翻注释,阅读体验会顺畅很多。
- 读到第二部“改造”段落时,留意阿历克斯的“自由”如何一点一点被拿走,这是全书的思想核心。
- 读完原著后可以对照库布里克电影,重点比较结尾部分的差异,思考删去最后一章意味着什么。
About the publisher
Yilin Press focuses mainly on translated foreign literature. Its current catalogue of 318 titles covers common categories such as mystery and detective fiction, foreign literature, world classics, biography, and social novels. Representative books include The Complete Sherlock Holmes 2: The Adventures of Sherlock Holmes, Pride and Prejudice, To the Lighthouse, The Great Gatsby, The Grapes of Wrath, and Lives of the Artists: Michelangelo, often presented in bilingual or English-language editions that serve both original-text reading and language learning. Its author resources include foreign writers such as Arthur Conan Doyle, Jane Austen, Virginia Woolf, and Romain Rolland, as well as translators including Li Jiazhen, Gao Fen, and Ma Ye. The catalogue also includes Chinese works such as Li Jieren's Ripples Across Stagnant Water. The press shows a concentrated publishing strength in foreign classics and bilingual readers; given limited public information, this overview is based only on catalogue data.
Contents
- A Clockwork Orange Jam
- A Clockwork Orange
- Notes
- Afterword
- Anthony Burgess's 1961 Typescript of A Clockwork Orange (with Burgess's Handwriting)
FAQ
这本书是科幻小说吗?
为什么主角说话那么难懂?
中文版有删节吗?
适合多大年龄读?
和库布里克电影差别大吗?
Comments
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About the author
Anthony Burgess is an English writer known as a novelist and critic, whose works span such categories as biography and literary criticism. The library holds one work by him, titled Shakespeare, classified under general biography. Public information is limited, so his English name, nationality, and dates of birth and death cannot be confirmed here; only the held work is briefly described. In this book Burgess approaches Shakespeare's life and writing from a writer's perspective, combining narrative with commentary: he sketches the subject's life while discussing the artistic features of the plays and poems, with essayistic argument and personal judgment that keep the reading lively. This approach makes the biography more than a chronological record, closer to a blend of literary criticism and character study, and suitable for readers interested in Shakespeare and his age.