One-Way Reading (11–15) cover

One-Way Reading (11–15)

Rating 4.1
Word count
568K words
Chapters
124

Tags

Summary

Series introduction: Seeing the world through a new perspective and form. The voice of China's young generation of public intellectuals. A fresh and respected voice in Chinese public life. This series collects issues 11 to 15 of One-Way Street, with themes of Connection/Disconnection, The Death of Creativity, The Disappearing Writer, Sailors of the World, and Our Golden Age.

Editor's review

Issues 11 to 15 of One-Way Street are gathered in one volume, with themes ranging from "Connection/Disconnection" to "Our Golden Age," like five prisms refracting a generation of writers' sustained inquiry into public life. Edited by Wu Qi, this MOOK does not pursue thematic uniformity; instead, it lets essays, interviews, fiction, and visual texts collide, preserving the rawness of thought through stylistic interplay. Issue 11 discusses connection and disconnection between people; Issue 12 confronts the predicament of creativity; Issue 13 asks where writing itself stands through "The Disappearing Writer"; Issue 14 opens a cross-border perspective with "Sailors of the World"; and Issue 15 looks back on a generation's golden age. Reading the bound volume reveals the editor's selection logic: attention to how individual experience enters public narrative, and to how intellectuals speak at turning points of the era. It suits reading one piece in spare moments, or reading straight through as a sample of young thought.

Who it's for

A good fit for

  • Readers concerned with public issues and youth thought who want to see the observations and expressions of contemporary writers
  • Readers who enjoy mixing essays, interviews, short stories, and other forms
  • Editors, media professionals, or content creators interested in how a MOOK organizes themes and arranges forms
  • Students and young professionals who want a light way to engage with intellectual reading

Not a good fit for

  • Readers expecting complete long-form stories or strong plot-driven narratives
  • Academic readers who prefer systematic theoretical monographs and require rigorous argumentative frameworks
  • Readers who find mixed forms and open-ended topics scattered

Reading tips

  1. Read through in the order of the five themes, noting how the same issues recur and vary across different forms.
  2. After each issue, jot down the idea that struck you most in one sentence; after all five, look back at the threads.
  3. Read interviews alongside essays to observe how interviewees and writers respond differently to the same era's questions.
  4. Don't force yourself to finish in one sitting; keep it at hand and read one or two pieces at a time, leaving space to digest.

About the publisher

Guangxi Normal University Press China · Founded in 1986

Guangxi Normal University Press is a publisher known for literature, foreign literature and history titles. Its 1,175 books in the database show a solid accumulation in classics and prose collections, including foreign literary works such as Les Fleurs du mal: Annotated Poems of Baudelaire, Snow Country, Dubliners and The Wild Palms, as well as modern prose compilations like The Complete Prose of Zhou Zuoren. History and philosophy also hold a notable share, with titles such as Running Dogs: Clerks and Runners in Qing County Yamen and The History and Thought of the Taiping Heavenly Kingdom reflecting attention to Qing local administration and modern history. In art literature there is the 16-volume Ten Bamboo Studio Painting and Calligraphy Manual. Its author resources include foreign writers Charles Baudelaire and Yasunari Kawabata, translators and annotators Liu Nanqi and Zou Bo, and scholars such as Zhong Shuhe, Bradly W. Reed and You Chenjun. As public information is limited, this characterization is based only on the books in the database, which together present a profile balancing Chinese and foreign literary classics with academic works in the humanities and social sciences.

Contents

  1. 版权信息
  2. 单读11:联结.断裂
  3. 在断裂与联结之中生活
  4. 话题
  5. 数据谋杀
  6. 加德满都的夜
  7. 不设防城市
  8. 访谈
  9. 杜松子酒、电视剧与社交媒体
  10. 影像
  11. 我想告诉别人,我并不是你认为的那样
  12. 报道
  13. 试药者
  14. 小说
  15. 最后一排的男孩
  16. 诗歌
  17. 朋友的幽灵
  18. 将漫天的星斗一饮而尽(外二首)
  19. 随笔
  20. 逝去的故国
  21. 告诉你一个哭泣的真理
  22. 书评
  23. 新北京的昂贵代价
  24. 全球书情
  25. 撰稿人
  26. 单读12:创造力之死
  27. 假如创造力是一座公园
  28. 话题
  29. 欧洲马赛克 ——捷克、个人主义、女性及作家权力
  30. 搜神 ——围绕《山海经》的语言与神话
  31. 讲述一个故事有五百万种方式
  32. 访谈
  33. 海妖服务器与我们的未来
  34. 樱桃园即使毁了也是美的 ——童道明专访
  35. 影像
  36. 摄影是突然到来的,和诗歌如出一辙
  37. 报道
  38. 北戴河碱业工人简史
  39. 小说
  40. 理想情人
  41. 诗歌
  42. 死是无法避免的事情 ——《〈回忆录〉作者》诗选
  43. 书评
  44. 鸟之轻,羽之轻 ——玛格丽特·阿特伍德《好骨头》
  45. 也曾辜负也情深 ——忆语三篇札记
  46. 全球书情
  47. 撰稿人
  48. 单读13:消失的作家
  49. 消失的作家
  50. 话题
  51. 一位长了蛀牙的诺奖得主在城里的牙科医生那里寻找什么?
  52. 最后的秘鲁诗人
  53. 临水照花人的尤利西斯——谈张爱玲的后期写作
  54. 三个关于何伟的写作练习
  55. 访谈
  56. 湖畔散步
  57. 报道
  58. 定西孩子
  59. 随笔
  60. 犹太在于运动
  61. 在高山前,盖一所木屋
  62. 影像
  63. 消失的相机
  64. 小说
  65. AI
  66. 诗歌
  67. 不眠书
  68. 书评
  69. 爱欲与哀矜
  70. 神秘主义入门
  71. 字的主人
  72. 伊斯坦布尔的忧愁
  73. 全球书情
  74. 单读14:世界的水手
  75. 做一个世界的水手
  76. 话题
  77. 讲一个富有想象力的故事至关重要
  78. 在全世界的家中
  79. 谋杀杜伦斯太太
  80. 跳棋
  81. 影像
  82. 大雨将至
  83. 访谈
  84. 戴锦华专访 置死地而后生?
  85. 随笔
  86. 英国乡村纪实
  87. 相机的事
  88. 戍边者参孙
  89. 诗歌
  90. 世界的胎记
  91. 小说
  92. 芥末故事集
  93. 评论
  94. 良心的交响乐
  95. “新伤痕时代”及其文化应对
  96. 全球书情
  97. 撰稿人
  98. 单读15:我们的黄金时代
  99. 文学致幻剂
  100. 王德威专访 世界总在那里,但生活是最眼前的
  101. 小说
  102. 世上没有鬼
  103. 平乐事
  104. 风后面是风
  105. 盐井风筝
  106. 跷跷板
  107. 诗歌
  108. 致未婚夫
  109. 影像
  110. 豫东和陇西
  111. 随笔
  112. 我的游荡
  113. 东京宝贝
  114. 伞兵
  115. 世间已无贝内特
  116. 翻译无易事
  117. 报道
  118. 词语
  119. 评论
  120. 波拉尼奥镇魂曲
  121. 穆旦 像钢铁编织起亚洲的海棠
  122. 全球书情 特朗普、移民和反智主义的世界
  123. 英文目录
  124. 撰稿人

FAQ

Which five issues does this bound volume contain, and what are their themes?
It collects issues 11 to 15 of One-Way Street, with themes in order: Connection/Disconnection, The Death of Creativity, The Disappearing Writer, Sailors of the World, and Our Golden Age. Each issue has its own focus, and reading them together reveals the continuous thread of the editor's selections.
I haven't read earlier issues of One-Way Street. Can I read this directly?
Yes. The articles in each issue are relatively independent and do not rely on prior context. The bound volume is actually well suited for new readers to gain an overall impression of One-Way Street's style and thematic interests before going back to other issues.
Is this book suitable for a reading group?
Yes. The themes are open-ended and the articles vary in length, so you can choose one or two for each discussion. It helps to frame questions around topics such as "connection and disconnection" or "the predicament of creativity," which easily lead to exchanges about personal experience.

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About the author

Wu Qi Author · China · 1986

Wu Qi was born in Lengshuijiang, Hunan, in 1986, and graduated from the School of Journalism and Communication at Peking University. He previously worked as a reporter for ACROSS and Southern People Weekly. Since 2015 he has led the editorial work of One-Way Street (Dan Du), where he now serves as editor-in-chief and also hosts the podcast Screws Tightening. He co-authored the book Self as Method: Conversations with Xiang Biao and has translated works including The Next Time Will Be Fire. Twenty of his works are held in the collection. His writing and editorial practice center on social culture, literary appreciation, and film and television, touching on social psychology and essays; under his direction, the One-Way Street series combines interviews, essays, and commentary around thematic features, attending to the spiritual condition and public concerns of contemporary youth and exerting a certain influence among Chinese readers. Public information about his personal life is limited.

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