The Thousand-Faced Yama
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy identity displacement and protagonists who clear their names after being framed.
- Traditional wuxia readers who prefer gang rivalry and confrontations between assembled righteous and villainous forces.
- Readers who can accept many character nicknames and faction names and are willing to sort out the camps.
- Wuxia fans who like sect vendettas and training-and-growth storylines.
Not a good fit for
- Readers who want a single protagonist’s solo show and have no patience for multiple forces advancing at once.
- Readers who find dense nicknames and numerous character names difficult in traditional wuxia writing.
- Readers who prefer light, humorous, or modern-toned narration.
Reading tips
- First clarify the two lines: who is impersonating Thousand-Faced Yama to frame him, and who is plotting the Chongwu Pact behind the scenes.
- Sketch a simple diagram of the collusion among Qilibu, Chen Zhili, and the Gold-Clad Man; the middle section will be clearer.
- Pause a little at passages where experts guide and transmit skills; these are the basis for the protagonist’s later breakthroughs.
- Before the decisive battle, list the allies on both sides; the confrontation at Baishui Peak will feel more immersive.
Contents
- 版权信息
- 楔子
- 第一章:绕指阴功
- 第二章:百毒神君
- 第三章:天水相属
- 第四章:玄沙扇法
- 第五章:淡烟浮影
- 第六章:穿云拏月
- 第七章:双龙夺珠
- 第八章:红鳞软甲
- 第九章:来顺客栈
- 第一〇章:千面阎罗
- 第一一章:青衣三子
- 第一二章:太阳神功
- 第一三章:寨外三枭
- 第一四章:剑圣武陀
- 第一五章:圣手神剑
- 第一六章:冷面煞手
- 第一七章:白衣书生
- 第一八章:长鲸令箭
- 第一九章:阴风初动
- 第二十章:天山老人
- 第二一章:翻山填海
- 第二二章:藤萝老怪
- 第二三章:海天七星
- 第二四章:毒龙出洞
- 第二五章:百鸟朝凤
- 第二六章:知恩图报
- 第二七章:风火洞中
- 第二八章:无音语箭
- 第二九章:火魅内丹
- 第三十章:刀光剑影
- 第三一章:昊天八式
- 第三二章:彩瘴蝎母
- 第三三章:五宝真经
- 第三四章:乌蟒擒兔
- 第三五章:风起云涌
- 第三六章:四海好汉
- 第三七章:乱石堆云
- 第三八章:冷掌摧魂
- 第三九章:一元心法
- 第四十章:紫水仙蕊
- 第四一章:鬼手拿月
- 第四二章:锦衣女子
- 第四三章:千里龙驹令
- 第四四章:春风徐来
- 第四五章:武林正义
- 第四六章:无常勾魂
- 第四七章:回鹰帮
- 第四八章:无神掌
- 第四九章:天地奇人
FAQ
Does the title “Thousand-Faced Yama” refer to the protagonist?
Is the protagonist very strong from the beginning?
Does the ending conclude fully or leave suspense?
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About the author
Gu Duxiang was a wuxia novelist from Taiwan, China. Public information about him is limited, and little is known of his life. He was active in the 1960s and 1970s, following in the tradition of Chen Qingyun and Tian Ge and continuing and developing the style of the "ghost school" (guipai) of wuxia fiction. Four of his works are currently included in the database: Blood God, The Thousand-Faced Yama, Remnant Soul of the Blood Sea, and Shadow of the Blood Light. Most were published by houses such as Tsinghua Publishing. These novels often blend wuxia with elements of otherworldly continents; their plots are eerie and unpredictable, their atmosphere gloomy and oppressive, and they are notable for gruesome, bloody scenes and suspense that builds layer by layer. He occupies a place in the genealogy of Taiwan's "ghost school" wuxia. Although his output and reach were smaller than those of better-known writers of the same school, his work remains of value for understanding the themes and aesthetic tastes of this type of wuxia.