Setting Sail cover

Setting Sail

Rating 4.0
Word count
71K words
Series
Shincho Library: Yumeji Takehisa
ISBN
9787513304962

Tags

Summary

Setting Sail is a semi-autobiographical novel by the Taisho-era Japanese painter and poet Yumeji Takehisa (1884–1934). It was first serialized in the Tokyo newspaper Miyako Shimbun from May 2 to September 12, 1927 (Showa 2), in 134 installments, each published in the distinctive format of one text and one illustration, with the illustrations drawn by Takehisa himself to accompany the text. The novel was not published in book form until after the author's death, and from 1940 onward Aoi Shobo and other publishers issued multiple editions. The work centers on the painter Santaro, following his life as he travels between Tokyo and Kyoto with his young son Yamahiko: his painting career, exhibitions, theater troupes, and the literary and artistic circles of the cafes, as well as his tangled and difficult relationships with women—his wife Misao, his kindred spirit Yoshino, and the strong-willed Ohana. Much of the book is based on real events, and the story's timeframe roughly spans from Taisho 3 to Taisho 14—the years when Takehisa was between thirty and forty-one. Santaro is Takehisa himself, and Misao, Yamahiko, Yoshino, and Ohana all have real-life prototypes. The novel is therefore both a self-account of half a lifetime's travels and a confession colored by justification and embellishment—truth and fiction permeate each other throughout. The book carries on the aesthetic of the "Yumeji-style beauty": large round eyes, long slender eyelashes, fragile, easily broken figures, which mirror the melancholy and sorrow in the text. The simplified Chinese edition was translated by Wang Weixing and published by New Star Press in 2012 in the "New Classic Library" series, with illustrations and plates and a preface by Zhi An.

Editor's review

如果你想认识竹久梦二,只翻画册是不够的。《出帆》是他亲手写下的半生:一个在东京与京都之间漂泊的画家,带着孩子、带着画具,也带着几段理不清的感情。文字不雕琢,却有旧式日本随笔的松弛与感伤,读来像听一个人在深夜慢慢讲自己的事——明知他有粉饰、有辩解,仍会为那份坦白动容。 这一版最值得留意的有三点:一是保留了原作“一文一画”的样貌,插图与情节互为注脚,能看到梦二怎样把自己的生活挪进画面;二是译笔清简,保留了原作的语气与人物的称呼,不至于读成现代都市情感小说;三是有止庵的序,把梦二其人其艺与丰子恺一脉的渊源交代得清楚,对不熟悉大正时期背景的读者是很好的入口。 丰子恺终生心仪梦二,川端康成也说少年时代的理想总与梦二相连。这本小说正是理解那种“心仪”从何而来的地方:画中美人的忧郁,原来有文字的来处。

Who it's for

A good fit for

  • 喜欢日本近现代文学、对自传体与私小说有兴趣的读者
  • 从事插画、平面设计或绘画,想了解“梦二式美人”来路的人
  • 读过渡边淳一、谷崎润一郎等日本情感题材作品,想再往前追溯的读者
  • 对明治末至昭和初年都市文化、女性形象变迁感兴趣的人

Not a good fit for

  • 期待情节紧凑、冲突强烈小说的读者,本书节奏舒缓散淡
  • 不能接受主人公在情感关系中多重、暧昧立场的读者
  • 只想要一本梦二画集、不打算读文字的人

Reading tips

  1. 先读止庵的序,弄明白梦二、他万喜、彦乃、叶是谁,再进正文会顺畅许多
  2. 把书中插图当作叙事的一部分来看,它并不只是装饰,很多情绪是画说出来的
  3. 不必追情节,可以按连载的方式每天读一两节,体会一文一画原本的节奏
  4. 读完后可对照丰子恺的随笔与画作,感受那一代人怎样从梦二那里取法

About the publisher

New Star Press China · Founded in 1989

New Star Press focuses on classic works, mystery and detective fiction, science fiction, history, foreign literature and art, and its 602 titles in the library show a balance between popular reading and humanistic depth. Representative books include The Complete Works of Shakespeare: Illustrated Collector's Edition, And Then There Were None, Murder on the Orient Express, The Player of Games, Local Government in Qing China, A Good Man Is Hard to Find and A Collection of Fine Ukiyo-e Prints, spanning classic literature, detective fiction, science fiction, local history and visual art. Its authors and contributors include William Shakespeare, Agatha Christie and Iain M. Banks, as well as translators such as Zhu Shenghao and Su Fuzhong and illustrators such as John Gilbert and George Cruikshank. Known for the detective series Midnight Library and for social-science and humanities titles, the press emphasizes edition design and reading experience; public information is limited, so this profile highlights the publishing features reflected in the library's books.

FAQ

这本书是小说还是自传?
两者兼具,通常称为“半自传体小说”。人物与事件多有原型:三太郎即竹久梦二本人,美佐绪对应前妻他万喜,山彦对应次子不二彦,吉野对应笠井彦乃,阿花对应叶。但梦二在写作中做了修饰与虚构,因此既有史料价值,也不能当作严格传记使用。
需要先了解竹久梦二才能读吗?
不必。小说本身有完整的人物与情节脉络,可以直接读。不过事先知道梦二是一位画家、诗人,且书中女性多为他的模特与恋人,会更容易理解文本中的自辩口吻和那种挥之不去的感伤。
书中的插图是什么形式?
原作在大正、昭和之际的报纸上连载时是“一文一画”,每天配一幅梦二自绘的黑白插图。中文简体版收录了大量插图与图版,可视为小说与画集合一,插图本身也参与了叙事。
这个版本和台版有什么区别?
新星出版社2012年版由王维幸翻译,为简体中文,收入“新经典文库”,附止庵序;台湾黑体文化2025年版由吴守钢翻译,为繁体中文,另加入逾百幅原版复刻版画,属不同编辑取向的两种译本。
书名“出帆”是什么意思?
字面意思是“扬帆启航”。小说写的是一群在时代浪头前等待出发的人,书名既指人生的启程,也暗含始终未能真正离岸的怅惘,与全书弥漫的忧郁气质相合。

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About the author

竹久梦二 Author

Takehisa Yumeji is a widely known modern Japanese painter and poet whose work spans painting, poetry, and book illustration. As public information is limited, specific biographical details are not elaborated here; nonetheless, the three works included in the collection clearly reveal his artistic character: Toward the Bright Side (Commemorative Edition), Takehisa Yumeji: Paintings and Poems, and Japanese Art and Culture Picture Books (2 volumes). These works showcase a creative approach that combines painting with literature, featuring tender, lyrical imagery and plain, understated writing imbued with the aesthetic atmosphere of modern Japan. In common classifications, his works fall under foreign literature, classic works, and art, indicating that his creations possess both literary reading value and artistic appreciation value, and are of reference significance for understanding modern Japanese art and popular culture.

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