The Princess cover

The Princess

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Word count
191K words
ISBN
9787229143756

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Summary

The Princess is a long blank-verse narrative poem published in 1847 by Alfred Tennyson (1809–1892), Poet Laureate of Victorian England; the third edition of 1850 added several lyrical interludes. The poem uses a medieval romance framework: Princess Ida, pursuing the ideal of equality between men and women, refuses to marry the prince to whom she was betrothed since childhood and founds a university for women only, far from men, where female students receive higher education equal to that of men's universities. The prince, enamored of the princess, disguises himself and two friends as female students to infiltrate the campus; they are quickly discovered and flee, an incident that nearly triggers war between the two countries, until the two sides agree to settle the matter by a small-scale duel. The prince is gravely wounded, and at the crucial moment the princess has a change of heart, converting the palace into a temporary hospital and personally caring for all the wounded soldiers; under her nursing the prince gradually recovers and wins her love. The princess ultimately realizes that the true resolution of women's rights requires the joint efforts of both sexes. The poem also contains a frame narrative: seven young men and women gather on a summer night and take turns telling the story, their own circumstances mirroring the characters in the poem. The lyrical interludes interspersed throughout, such as "Sweet and Low," "Tears, Idle Tears," and "Now Sleeps the Crimson Petal," are among Tennyson's most famous short poems, widely set to music, and the work itself was adapted into the Gilbert and Sullivan opera Princess Ida. The Chinese translation, rendered poem for poem by Associate Professor Cai Hecun of Huaqiao University, strives to reproduce the meter and language style of the original.

Editor's review

丁尼生的《公主》是一部常被低估却极具讨论价值的长诗:它诞生于1847年,正值英国关于女子教育与社会角色的争论方兴未艾,诗人借中世纪传奇的外壳,把「女性是否应当接受高等教育」「两性能否平等协作」这类尖锐问题送进诗行。作品的妙处在于它并不给出简单答案——公主艾达的决绝与后来的回心转意,既可以读作对激进主张的修正,也可以读作维多利亚时代男性视角的自我辩护。今天读来,这种摇摆本身就构成了一份关于十九世纪性别观念的珍贵样本。 中译本由华侨大学外国语学院蔡和存副教授翻译,译者主张「以诗译诗」,在汉语的节奏与分行中努力保留丁尼生那种凝练、音律感强烈的句式。书中还穿插精美手绘插图,采用小开本彩色印刷,便于随身携带,也适合作为收藏。若你只熟悉丁尼生的《尤利西斯》或《轻骑兵冲锋》,这本书会补上他另一副面孔:一个会讲故事、会写歌词、也会在社会议题上左右为难的诗人。

Who it's for

A good fit for

  • 喜爱英国维多利亚时代诗歌、想系统读丁尼生的读者
  • 关注女性教育、性别议题及其文学史脉络的读者
  • 正在做十九世纪英国文学或女性主义研究的学生与教师
  • 喜欢装帧精致、便于携带的小开本诗集的收藏者

Not a good fit for

  • 期待快节奏情节、以现代小说阅读习惯读故事的读者
  • 对无韵体长诗与框架叙事结构缺乏耐心,只想读抒情短诗的读者

Reading tips

  1. 先通读故事主线,再回头重读框架叙事部分,体会讲述者与故事之间的映照关系。
  2. 把《低声,柔语》《泪,无端的泪》等插曲单独摘出朗读,感受丁尼生的音律之美。
  3. 可对照阅读1850年增补版信息与吉尔伯特、沙利文歌剧《艾达公主》的相关资料,理解作品的接受史。
  4. 结合作品诞生年代,留意诗人对女性education的态度中「同情」与「保留」并存的张力。

About the publisher

Chongqing Publishing House China · Founded in 1950

Chongqing Publishing House is a comprehensive publisher known for its titles in the humanities, social sciences, literature and arts, with about 940 books in its catalogue. Its publishing areas cover world history, science fiction, foreign literature, architecture and philosophy. Representative titles include Xiang Da's A History of Communications Between China and the West, Liang Sicheng's Rules of Qing-Style Construction, Liu Cixin's The Three-Body Problem II: The Dark Forest and III: Death's End, Ann Rand's The Fountainhead (25th Anniversary Edition), and Brandon Sanderson's Stormlight Archive series. Its authors include Xiang Da, Liu Cixin, Liang Sicheng and Ann Rand. The press has developed distinctive strengths in historical source editing, the introduction and creation of science fiction, the translation of foreign literature, and architecture and philosophy titles, balancing scholarly value with general readership. As public information is limited, this profile outlines its publishing directions based only on the books in the catalogue.

FAQ

《公主》是小说还是诗?
它是长篇无韵体叙事诗,不是小说。全诗以故事形式讲述公主艾达创办女子大学、与王子相遇的经过,并穿插多首抒情短诗,兼具叙事性与抒情性。
这本书的中文版是哪个译本?
目前流传较广的中文版为重庆出版社2020年3月出版的版本,译者是华侨大学外国语学院副教授蔡和存,ISBN为978-7-229-14375-6。
诗中那些抒情插曲独立成篇吗?
《低声,柔语》《泪,无端的泪》《绯红的花瓣如今安睡》等本就是诗中的插曲,但因旋律优美常被单独选入英语诗选,并被大量谱写成歌曲。
没有读过丁尼生其他作品,能直接读这本吗?
可以。这首诗叙事线索相对清晰,篇幅也适中,是中译本中较易进入的丁尼生长诗。若想先熟悉他的风格,可搭配《尤利西斯》等短诗一起读。

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