Global Communication
Tags
Summary
Editor's review
Who it's for
A good fit for
- Undergraduate and graduate students in journalism and communication who need a systematic grasp of the global communication knowledge framework
- Researchers concerned with international communication and cross-cultural issues, for organizing concepts and theoretical lineages
- Media practitioners and policy watchers who wish to understand transnational media conglomerates and media policy
- General readers interested in the relationship between globalization and media who have basic communication knowledge
Not a good fit for
- Readers with no communication studies background who want an easy introduction; the conceptual density is relatively high
- Media operations staff seeking only practical techniques; the book leans toward theory and analysis of phenomena
- Readers expecting in-depth single-country case studies; the book focuses on an overall framework
Reading tips
- Read the first four chapters first to build a framework of globalization and related concepts, then move on to the chapters on media policy and media conglomerates
- After each chapter, take notes comparing the book's arguments with one or two current international news or platform cases
- Read the chapters on cultural imperialism and on media content and audiences together to clarify the logical chain from production to reception
- Can be used as a course textbook chapter by chapter, summarizing core concepts and points of controversy at the end of each chapter
About the publisher
Peking University Press is a comprehensive university press whose publishing areas cover classical literature, popular science, social culture, world history, Western philosophy, and culture. Its catalogue contains 6,031 titles, with representative books including A Dream of Red Mansions, Relativity: The Special and General Theory (15th Edition) (with Einstein's classic papers on unified field theory and other topics), Elements, Conics, The Aristocratic Families of the Eastern Jin, The Philosophy of Mythology (Volume I), The Philosophy of Mythology (Volume II), and The Origin of Continents and Oceans. Representative authors include Cao Xueqin, Zhou Ruchang, Albert Einstein, Euclid, Apollonius, Tian Yuqing, Schelling, and Xian Gang. The press has developed distinctive strengths in classical Chinese literature and in the translation of Western philosophical classics, while also covering scientific classics and social and cultural studies. As public information is limited, this description is based only on the books in the catalogue and offers no further extrapolation.
Contents
- 版权信息
- 第一章 全球化及其相关概念
- 第二章 经济全球化
- 第三章 政治全球化
- 第四章 文化全球化
- 第五章 文化帝国主义
- 第六章 全球化与媒体政策
- 第七章 跨国传媒集团
- 第八章 全球化时代的媒体内容
- 第九章 全球化时代的受众
- 后 记
FAQ
Can I understand this book without a background in communication studies?
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Is it suitable for use as a course textbook?
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About the author
Chen Yang is an author about whom little public information is available; his nationality, dates of birth and death, and educational background are not clearly documented. Judging from the works at hand, his range is notably broad: he has translated and introduced Western classics of thought and literature such as The Social Contract, Confessions, and Reveries of the Solitary Walker, while also writing science fiction like The Immortality Company and working in social fiction and miscellaneous essays. His output further extends to multiple editions of The Fruits of the Earth and to compiled volumes on classical architecture and sculpture ornament, a design and art field. With twenty-one works in the collection, spanning politics, biography, essays, science fiction, and design, he shows considerable versatility as a writer and editor. Overall, Chen Yang resists classification in a single genre, and his influence lies chiefly in the dissemination of classic texts and in practice across multiple subjects.