Trust cover

Trust

Rating 4.2
Word count
169K words
Chapters
22
ISBN
9787532795161

Tags

Summary

Though 1920s New York was a clamor of voices, the Lasks were still its most dazzling couple: Benjamin a legendary Wall Street tycoon, Helen the brilliant daughter of eccentric aristocrats. As the Great Depression loomed, together they climbed to the pinnacle of boundless wealth. But what did they sacrifice to amass such fortune? This is the mystery at the heart of the 1937 novel The Bond—yet the story of privilege and deception has other versions.

Popular fiction and the tycoon's autobiography weave contradictory accounts. And the ghostwriter behind the autobiography is the one who, across a century, disentangles fact from fiction: she it is who finds the true voice of the mistress hidden behind layer upon layer of veils, a voice that will expose the secret of boundless wealth. Trust is a kaleidoscope of capitalism run amok—a story about the pursuit of truth, about the power of wealth to distort reality, and about how power manipulates fact.

Editor's review

Trust is an intricately structured novel of cascading reversals, built around the wealth and secrets of a Wall Street tycoon and his wife—yet it is far more than a story of privilege. It collages novel, autobiography, memoir, and other narratives, keeping the reader in constant doubt about the reliability of the version at hand. With the ghostwriter's arrival, the female voice long obscured by layers of narration gradually surfaces, and the inquiry into privilege, deception, and how power manipulates fact grows ever clearer. Diaz's prose is cool and restrained, and the narrative rhythm shifts across the four parts; reading it feels like solving a puzzle and like scrutinizing narration itself. Suited to readers willing to read slowly and hunt for clues in the gaps of the text, savoring the tension between fiction and truth in quiet reading time.

Who it's for

A good fit for

  • Readers of fiction who enjoy multiple perspectives and structural reversals
  • Social-science readers interested in wealth, privilege, and truth
  • Deep readers willing to read slowly and savor the puzzle of the text
  • Literary readers attentive to how women's voices are obscured by narration

Not a good fit for

  • Readers of popular fiction expecting a single linear, straightforward plot
  • Readers impatient with multiple versions and unreliable narration
  • Readers who want a quick read and won't revisit details

Reading tips

  1. Read the four parts in order first; don't peek ahead, so as to preserve the experience of being misled by the narration.
  2. At the end of each part, look back at key details, noting changes in the narrator's identity and stance.
  3. Pay attention to how Helen's voice is relayed by others; consider who speaks and who is spoken for.
  4. After finishing, reread Part One to reinterpret its foreshadowing and fissures in light of what follows.

About the publisher

Shanghai Translation Publishing House China · Founded in 1978

Shanghai Translation Publishing House is a Chinese publisher oriented mainly toward translation and publishing. Its publications cover foreign literature, world classics and classic works, as well as social culture, folk literature and classical poetry. The database contains 2,618 titles, including Never Let Me Go, Les Misérables (2 volumes), Don Quixote (illustrated collector's edition), The Complete Comedies of Molière (4 volumes), The Complete Novels of Kafka (3 volumes), The Collected Works of Dostoevsky (9-volume set), Reason and Persons, and Oedipus Rex (Translation Classics). Its author resources include foreign writers such as Kazuo Ishiguro, Victor Hugo, Cervantes and Molière, as well as translators such as Zheng Kelu, Sun Jiameng, Li Jianwu and Zhang Kun. The publisher has brands such as "Translation Classics Selections" and "Translation Documentary," and emphasizes translated works in foreign literature and the humanities and social sciences, while also publishing bilingual dictionaries and foreign-language educational books. Public information is limited; the above is based on the book information in the database.

Contents

  1. 版权信息
  2. 《纽带》, 哈罗德·范纳
  3. 第一部
  4. 第二部
  5. 第三部
  6. 第四部
  7. 《我的一生》, 安德鲁·贝维尔
  8. 前言
  9. 一
  10. 二
  11. 三
  12. 四
  13. 五
  14. 六
  15. 七
  16. 《关于回忆录的回忆》, 艾达·帕尔坦扎
  17. 第一部
  18. 第二部
  19. 第三部
  20. 第四部
  21. 《未来》, 米尔德丽德·贝维尔
  22. 致谢

FAQ

Is this a book about Wall Street finance?
The financial backdrop is only a shell. What the novel truly examines is how wealth distorts reality, how power manipulates fact, and the contradictory truths among different narrative versions. Don't get bogged down in financial details; what matters more is who the narrator is and why he tells it this way.
What is the relationship among the four parts?
The four parts unfold as novel, autobiography, memoir, and the ghostwriter's narrative—each supplementing and dismantling the others. Read them in order, treat each as one version, and compare the contradictions afterward to appreciate the design.
Why does the narration feel unreliable?
That is precisely the author's intent. Each narrator has a stance and concealments; only with the ghostwriter's arrival does the obscured female voice surface. When confused, keep reading—later sections gradually answer the questions earlier ones leave open.

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About the author

Hernán Díaz is a foreign-literature author about whom limited public information is available; the library currently holds only one of his works, his representative novel Trust. Under the usual classification, his writing falls into foreign literature and is aimed at readers of contemporary fiction. The title Trust suggests that the narrative may revolve around interpersonal reliance, ambiguous relationships, and the reliability of storytelling; since more verifiable information is lacking, no specific inferences about the plot are made here. What is certain is that the book has been translated into Chinese and has become the main entry point for readers to encounter this author, also serving as a starting point for understanding his later work. For readers interested in contemporary foreign fiction, Hernán Díaz is a name worth noting but still awaiting fuller presentation through more materials.

刘健 Author

Liu Jian is an author with limited publicly available information, and the works attributed to him under this name span a notably wide range of subjects. The database contains twenty-one titles, covering management, society and culture, world history, Eastern philosophy, foreign literature, and law. Among the representative works are volumes on cognition and thinking such as Appearance and Essence: Analogy as the Source and Fire of Thought; historical works including Perry Anderson's European History Trilogy and The Transition from Antiquity to Feudalism; studies in Western Marxism such as the Guide to Lukács Studies; a legal-practice volume in the illustrated series on case filing, evidence, conviction and sentencing standards; and a book on cardiac health and lifestyle titled On the Heart. Since his birth and death dates, nationality, and educational background are unknown, his overall style and scholarly stance are difficult to summarize; readers may form their own judgment from the subjects and editorial formats of the individual works.

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