The Demon-Subduing Flying Dragon
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Summary
Yet the summit of Mount Lu, Guling, is wrapped year-round in mist and cloud, and has always been devoid of human traces. The line “I know not the true face of Mount Lu” speaks precisely of the dense fog and heavy clouds atop Guling, shrouding the whole of Mount Lu—so that one cannot know its true face without climbing it.
The lingering stars had not yet paled and the crescent moon hung in the sky. Suddenly, below the lesser Lu peak, a point of white light sped from afar to near, like a shooting star or a flung pellet, skimming the ground like flowing water, straight toward the summit of Guling.
That point of white light moved with extraordinary speed; in the blink of an eye it vanished into the veil of night.
Suddenly a shout rang out, loud as a great bell. Then two figures, swift as loosed arrows, poured down from the summit one behind the other.
The figure in front was somewhat stronger in qinggong than the one behind. Before the echo of the shout had faded, he had already alighted with a flourish, barring the white light’s path.
At that moment the white light gathered and withdrew; in the misty shadows appeared an old monk with frost-white brows and hoary head, holding a horsetail whisk. The whisk seemed made of silver threads, shimmering brightly in the moonlight. That white light had been the doing of the whisk in the old monk’s hand.
Editor's review
Who it's for
A good fit for
- Readers who enjoy traditional wuxia and tales of martial-world grudges
- Readers who prefer novels set against famous mountains and scenic landscapes with a strong sense of atmosphere
- Readers who want to experience suspense and action scenes in a short read
- Readers interested in themes of the strange and supernatural and reclusive masters and heroes
Not a good fit for
- Readers who prefer realistic themes and contemporary urban life
- Readers hoping to see analysis of complex social issues
- Readers unaccustomed to the narrative pace and style of traditional wuxia
Reading tips
- First read through the opening three chapters, noting the details of the old monk's and the two figures' entrances, and build a character relationship chart.
- While reading, pay attention to the recurring imagery of Mount Lu's clouds and mist, and consider its connection to character identities and judgments of good and evil.
- If scenes switch rapidly, review the preceding action descriptions to clarify the routes of pursuit and confrontation.
- After finishing, compare other traditional wuxia opening techniques to appreciate this book's features in setting up suspense.
Contents
- 版权信息
- 第一章 庐山炼丹话少年
- 第二章 少阳神功七日寒
- 第三章 剑如秋水锄鬼魅
- 第四章 奇丑巫婆柳身摇
- 第五章 龙剑争锋锣鼓起
- 第六章 南柯一梦百日醒
- 第七章 少阳冰禅一掌拼
- 第八章 一月冬眠还魂丹
- 第九章 是敌是友待分明
- 第十章 杜鹃啼血悲又凄
- 第十一章 卧龙待兔玄都观
- 第十二章 泣声软化铁石心
- 第十三章 冥阴索取处女血
- 第十四章 天注孽缘恨绵绵
- 第十五章 翻天一剑现神龙
- 第十六章 点将排位群英谱
- 第十七章 无名暗毒生死危
- 第十八章 马尾魅影惊魂钟
- 第十九章 群豪梦醒英雄泪
- 第二十章 烽火息灭归山林
FAQ
What is the identity of the old monk at the opening of The Demon-Subduing Flying Dragon?
Is this book suitable as an introductory wuxia read?
Is Guling in Mount Lu merely a backdrop in the story?
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About the author
Huan Long is a Chinese author known mainly for wuxia fiction, though publicly available information about his life is extremely limited, with no clear record of his nationality, dates of birth and death, or English name. Eleven of his works can currently be identified, including The Legend of the Horned Dragon, Cold Rainbow Sword, The Crippled Scholar, Flying Rainbow Iron Garments, Demon-Subduing Flying Dragon, Sunset Dragon Slaying, The Killing Finger, and Blood Shadows of the Vault of Heaven, all classified as wuxia novels. Judging from their titles and themes, Huan Long's works tend to revolve around Jianghu grudges, swordsman revenge, magical swords and martial feats, and clashes between good and evil, bearing the distinct marks of traditional wuxia. Images such as "dragon", "rainbow", "sword", and "blood shadow" recur in the titles, suggesting a preference for eerie, sharp-edged Jianghu imagination and a fast-paced narrative of gratified vengeance. Because public material is limited, his specific career, the dates of his writing, and his martial lineage cannot be reliably verified, and his extant works remain the main way to understand this author.