Ion cover

Ion

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Series
Euripides' Tragedies
ISBN
9787208161139

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Summary

Ion is a surviving play by Euripides, one of the three great tragedians of ancient Greece, generally dated to the late fifth century BC. The story takes place at the Temple of Apollo at Delphi: Ion, an orphan raised in the temple since childhood and charged with sweeping and serving, has never known his parentage and regards himself merely as a servant of the god. Creusa, Queen of Athens, comes to the temple with her husband Xuthus to inquire about offspring, and encounters Ion; a long-buried past is thus revealed—in her youth she was taken by force by Apollo and abandoned the child she bore. Through the gradual unfolding of recognition and oracle, the play stages both a reunion and scenes in which Creusa and Ion in turn ask: has a god the right thus to dispose of mortal fates? Euripides is famed for bringing ordinary daily life onto the stage and for deep psychological portrayal; in this play the grief of Creusa and the bewilderment of Ion are especially finely and movingly drawn, and it is regarded as one of the representative Greek tragedies treating the relation between myth and human ethics. This volume is the separate edition of Ion from the Wenjing Classics·Famous Translations Illustrated Edition of The Tragedies of Euripides, translated by Zhou Zuoren from the Greek text edited by A. S. Owen (Oxford edition), with notes and illustrations.

Editor's review

欧里庇得斯是古希腊三大悲剧诗人中对后世欧洲戏剧影响最大的一位,他让神话人物说普通人的话,也让被神欺压的凡人第一次敢于开口质问。《伊翁》正是这样一部作品:表面是神庙孤兒认母的传奇,内里却是一场关于神义与人间苦难的追问。周作人的译本语言清简耐读,保留了希腊原文的对话节奏;注释交代神话谱系与名物,读来不费力。上海人民出版社「文景古典·名译插图本」将《欧里庇得斯悲剧集》十八种剧本分册出版,配油画、版画、雕塑插图,单册篇幅适中,适合作为进入古希腊悲剧的第一本,也适合与《美狄亚》《希波吕托斯》对读,体会欧里庇得斯笔下女性与弱者的处境。

Who it's for

A good fit for

  • 对古希腊戏剧与西方文学源头感兴趣的读者
  • 读过《美狄亚》、想继续读欧里庇得斯其他剧本的人
  • 研究神话、宗教与伦理议题的文史专业学生
  • 喜欢篇幅短、对话紧凑的古典剧本的普通读者

Not a good fit for

  • 期待现代小说式叙事与大量情节铺陈的读者
  • 完全没有希腊神话背景、又不愿看注释的人

Reading tips

  1. 先读译本前言与神话谱系说明,弄清阿波罗、克瑞乌萨、伊翁的关系,再进入正文。
  2. 留意克瑞乌萨的独白与歌队唱词,那里集中体现欧里庇得斯对神义的质疑。
  3. 可与《美狄亚》《希波吕托斯》连读,比较他笔下被神与男性伤害的女性形象。
  4. 读完不妨回看结局的处理,思考剧作家为何在激烈质问之后选择收束。

About the publisher

Shanghai People's Publishing House China · Founded in 1951

Shanghai People's Publishing House is a comprehensive publisher whose list focuses on academic monographs and general-interest titles in philosophy, social sciences, politics and law, economics and management, and history. Among its books are Wei, Jin, Southern and Northern Dynasties History in the Chinese Dynastic History series; The Hobbit and The Lord of the Rings trilogy in foreign literature; the Wenjing Classical Translation Illustrated Edition of The Complete Greek Tragedies of Euripides; and works of social theory such as Max Weber's Economy and Society and Dialectic of Enlightenment: Philosophical Fragments. Its authors include Wang Zhongluo, J.R.R. Tolkien, Luo Niansheng, and Zhou Zuoren.

FAQ

《伊翁》是柏拉图那篇同名的对话录吗?
不是。同名的有两部古希腊作品:欧里庇得斯的悲剧《伊翁》(约公元前414—前412年演出),写神庙孤兒伊翁认母的故事;柏拉图的《伊安篇》则是一篇短对话,记苏格拉底与诵诗人伊安讨论灵感与技艺。本书是前者。
这个译本依据什么原文?
据馆藏书目著录,周作人是依据奥文(A. S. Owen)编订、牛津1939年出版的《欧里庇得斯的伊翁》希腊原文译出,收入上海人民出版社「文景古典·名译插图本」《欧里庇得斯悲剧集》。
这本书可以单独买吗?
《欧里庇得斯悲剧集》十八种剧本以分册形式出版,也整套发售;《伊翁》有独立分册,ISBN 978-7-208-16113-9,篇幅约一百五十余页,可单独阅读。
读之前需要多少希腊神话基础?
不必系统掌握。剧中涉及阿波罗、赫耳墨斯、雅典王室谱系等,译本注释有交代,读前言时留意人物关系即可顺利进入。

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About the author

Euripides Author · Ancient Greek

Euripides, one of the three great tragedians of ancient Greece, was born around 480 BCE on Salamis and died in 406 BCE in Macedonia. He wrote more than ninety plays, of which eighteen or nineteen survive, including Medea, Hippolytus, The Trojan Women, and The Bacchae. This library holds twenty-one of his works, among them the eighteen-volume illustrated Wenjing Classics edition of his tragedies and individual plays such as Medea, The Bacchae, Iphigenia among the Taurians, Hecuba, Hippolytus, Alcestis, and Iphigenia at Aulis. Drawing on myth and legend, his plays are known for profound psychological portrayal and social criticism, depicting inner conflict and the dilemmas of fate with particular subtlety. He has been called "the philosopher of the stage" and has deeply influenced later European drama. Because public information on the details of his life is limited, no further biographical detail is given here.

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