今文古译 cover

今文古译

Rating 3.5
Word count
62K words
Chapters
47
ISBN
9787514243802

Tags

Summary

Jinwen Guyiyi (Ancient Translations of Modern Texts) is divided into three volumes. The first, the "Emotions Volume," introduces popular expressions tied to universal human feelings—anxiety, sorrow, ecstasy, and the like—alongside the classical sayings that correspond to them. The second, the "Circumstances Volume," presents classical sayings related to situations common in modern life: disappointment, unrecognized talent, ill-fated relationships, temporary career setbacks, couples' cold wars. The third, the "Scenes Volume," gathers classical sayings that describe landscapes, famous sites, and concrete things—wind, clouds, sudden weather changes, unusual celestial phenomena. Together the three volumes cover every corner of life, so that readers can, at any moment, "feel it and give voice to it with eloquence."

Editor's review

Jinwen Guyiyi is an ingenious experiment in language. Its author, Ge Xujiao, is no academic scholar of classical literature but a practitioner with a keen feel for Chinese. The book's core idea is to take classic modern vernacular texts—Lu Xun, Zhu Ziqing, Shen Congwen, even internet slang—and subject them to a "reverse translation" or "classical restyling" in the diction and forms of literary Chinese. This is no mere wordplay: through this unique "folding of time and space," it forces readers to reexamine a modern Chinese that has grown transparent from overfamiliarity. Reading it, you marvel at the concision and elasticity of literary Chinese while coming to appreciate more deeply the vernacular's strengths in nuanced expression and direct feeling. The contrast works like a two-way mirror, revealing both the contemporary vitality of the classical and the distinctive value of the modern. For lovers of Chinese, it is an excellent "language workout" that sharpens sensitivity to the forms and textures of the mother tongue. These pages, at once familiar and wholly renewed, offer not only intellectual pleasure but a deeper reflection on how language is passed down and transformed.

Who it's for

A good fit for

  • Enthusiasts with a strong interest in the form and beauty of the Chinese language itself
  • Writers and copywriters seeking to hone their language and expand their expressive range
  • Readers who enjoy light, informative, and entertaining reading
  • Chinese-language learners at middle-school level and above, as a supplementary text for understanding the relationship between classical and vernacular Chinese

Not a good fit for

  • Readers seeking systematic classical Chinese grammar or serious academic research
  • Readers indifferent to language experiments and textual transformation who want only a clear story or argument

Reading tips

  1. There is no need to read straight through; begin with the chapter matching a modern text you know well—comparison makes it more enjoyable.
  2. While reading, try "classicizing" a short passage of everyday writing yourself, to experience firsthand the shift between the two registers.
  3. Read alongside accomplished contemporary writing in literary Chinese (certain game scripts, guofeng song lyrics) and consider the many possibilities for using classical Chinese today.

About the publisher

Cultural Development Press Co. Ltd. China · Founded in 1981

Cultural Development Press focuses on cultural and educational publishing, maintaining a sustained presence in popular science, world classics, foreign literature, history, essays and miscellaneous writings, and social fiction, while retaining its specialty in printing and packaging textbooks. Representative books in the database include The Evolution of Physics, Shakespeare's Four Great Tragedies, Of Human Bondage, Silent Spring (new edition), The Empire of the Steppes, The Essays of Bacon, The Heart Is a Lonely Hunter, and Bangcha Girl. Its author resources involve Albert Einstein, Leopold Infeld, William Shakespeare, W. Somerset Maugham, and Rachel Carson. The press balances the introduction of classics with original works, shaping a publishing profile that values both scientific humanism and literary reading. Public information is limited; the above is summarized mainly from books in the database.

Contents

  1. 版权信息
  2. 前言
  3. 情感篇
  4. “孤单”何止“寂寞冷”
  5. 不要满口“好嗨呦”,开心可以更激情
  6. “蓝瘦”“香菇”什么鬼?学学古人的“高级忧伤”
  7. 表达钦佩何须“给跪了”
  8. 诗人“破防”了?——出自崩溃时刻的佳作
  9. 古人关于“emo”的“高级表达”
  10. 诗人也会偶尔“皮”一下
  11. 与其赞叹“绝绝子”,不如学点古诗词
  12. 当诗人爱上一个人——相爱何止“一见钟情”
  13. 当诗人思念一个人——相思不止“用尽全力在想你”
  14. 当诗人离开一个人——分离远比“我们的故事,到此为止”更心碎
  15. 境遇篇
  16. 古代诗人遭遇“大无语事件”怎么讲?
  17. 古人“摆烂”的五种借口?
  18. 当诗人发现——“小丑竟是我自己”
  19. 你还能比古人更懂“人在江湖,身不由己”?
  20. “物是人非”虽简练,但有更文艺的说法
  21. 土味情话“审丑疲劳”,不如来点“古风浪漫”
  22. 古人也有“我太难”,听听他们怎么说
  23. 品味古诗里的“真·佛系”人生
  24. 诗人们的“脑洞大开”时刻
  25. “圈地自萌”的名人说辞
  26. 古人“丧”起来,有现代人什么事儿!
  27. 来自古代的“小确幸”宣言
  28. 古人也爱“躺平”,但他们有更好的说辞
  29. 励志篇
  30. 今有“咸鱼梦”,古有“凌云志”
  31. 即便不是“打工人”,诗人也有“打工魂”
  32. “一睁一闭,一天过去”——古人都看不下去了!
  33. 现代“脆皮青年”VS古代“文艺青年”
  34. 补充“正能量”,诗人也能玩出“新花样”
  35. 古人之“狂”,岂止“还有谁”
  36. “逆行者”的倔强,诗人也能懂
  37. 加油、打气,别只会说“奥利给!”
  38. 要比“凡尔赛”?古人比你高级多了
  39. 景物篇
  40. 春暖花开你总犯困,诗人妙笔咏春词
  41. 夏日来袭,品品古人的“热辣滚烫”
  42. “咻”季节,悲欢皆在字里行间
  43. 寒冬你已“冻成狗”,古人却有好文章
  44. 一座“山”,诗人能写出多少花样?
  45. 别感叹“大海啊全是水”,看看诗人怎么“吹”
  46. 你要“诗和远方”,古人“种豆南山”
  47. “边塞”风光,古人笔下最大气磅礴的风景

FAQ

What is the book's Douban rating?
A search shows no widespread rating data for this book on Douban; it is a relatively niche yet well-regarded work of language entertainment within certain reader circles.
What is the background of author Ge Xujiao?
Ge Xujiao is an active editor and writer long devoted to making language accessible and enjoyable. Known for fresh perspectives and clear, engaging exposition, Ge is not a classical Chinese specialist in the traditional sense but an explorer of language in use.
What specific content is "classically translated" in the book?
The selections are wide-ranging: passages from modern and contemporary literary classics, classic song lyrics, social news, even everyday conversation—rendered into various classical forms such as letters, memorials to the throne, and notes, demonstrating the many possibilities of linguistic transformation.

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About the author

戈旭皎 Author

Ge Xujiao is an author about whom limited public information is available. Four works are currently confirmed, spanning the categories of inspirational personal growth and biography. Representative titles include Rendering Classical Chinese in Modern Language, Broad and Elegant: The Steadfast Poetic Spirit of Chen Zi'ang, Sense of Proportion and Rank: How Winners Are Made (2 volumes), and Rank. Judging from these works, Ge Xujiao's writing moves between modern translation and interpretation of classical poetry and prose, biographical writing on historical figures, and personal growth and conduct topics centered on ideas such as sense of proportion and rank. Broad and Elegant takes the Tang poet Chen Zi'ang as its subject, presenting his poetic integrity and elegance; Rendering Classical Chinese in Modern Language reflects an effort to translate and popularize ancient texts; and the Sense of Proportion and Rank series leans toward practical judgment and self-improvement in real-life situations. Overall, the author emphasizes readability and practicality, building a bridge between traditional culture and contemporary growth topics for general readers interested in classical literature, biography, and inspirational books.

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