Shanghai Memory cover

Shanghai Memory

Rating 4.0
Word count
124K words
Chapters
37
ISBN
9787108063434

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Summary

She loves food and can't resist the aroma of sugar-roasted chestnuts; she keeps up with fashion, curling her hair with discarded electric coils even in turbulent times; she chases idols, once embracing Gregory Peck for a photo at a Beverly Hills event... Born in 1946 to a truly distinguished family, she was nonetheless closer to today's youth than anyone. She is a daughter of Shanghai—or rather, she is Shanghai itself: seemingly compliant amid the old-new transitions of the times, yet stubbornly holding her ground, square within and round without, content in her own joy. Thus the words that flow from her pen... legends lurk in ordinary alleys, brimming with extraordinary vitality. Though she has been gone for seven years, her fervor for life remains vibrantly alive on the page, inspiring both those who make books and those who read them.

Editor's review

Shanghai Memory is a deeply affectionate retrospective from Ceng Naishan, a major author of Shanghai-style literature in her later years. Unlike her earlier novels such as The Blue House and Poor Street, this work is closer to a nonfictional archive of urban memory, weaving personal family history with the city's transformations to construct a delicate and restrained spiritual map of Shanghai. Ceng Naishan came from a financial dynasty—her maternal grandfather founded the Zhejiang Industrial Bank, and her mother graduated from Shanghai's McTyeire School—and this distinctive "old Shanghai elite" background gives the book an irreplaceable historical perspective: it is neither nostalgic curiosity-seeking nor academic research, but a city's spiritual archaeology undertaken by a firsthand witness through a literary lens. Her evocations of the texture of daily life in Shanghai from the 1930s through the 1960s—from the chestnut cake at Kiessling's to the plane-tree shadows on Huaihai Road, from the Ping'an Cinema to life with coal-ball stoves—transcend mere material record, touching on how the city formed its distinctive civic character and aesthetic resilience amid the tides of history. Most precious is that the author maintains a clear historical distance even as she writes of old dreams of splendor, mourning the refinement and openness of that "Paris of the East" while calmly facing the decades of change and sedimentation that followed; this complex emotional tension distinguishes the book from superficial nostalgia and makes it an essential text for understanding the formation of Shanghai's urban character.

Who it's for

A good fit for

  • Readers with a strong interest in Shanghai-style culture and the city's history
  • Literature lovers seeking to understand great historical change through personal and family memory
  • Readers who appreciate delicate, restrained, richly textured depictions of everyday life
  • Observers of the formation of modern Chinese urban spirit and the history of civic life

Not a good fit for

  • Readers of popular fiction seeking suspenseful plots or intense dramatic conflict
  • Readers expecting a systematic, academic study of Shanghai history

Reading tips

  1. Approach it as a literary archive of urban memory, attending to the emotional warmth and historical detail suffusing the prose rather than looking for a conventional storyline
  2. Read it alongside Ceng Naishan's earlier novels The Blue House and The Book of Daughters to understand her creative trajectory from fiction to nonfiction
  3. Pay attention to the depictions of everyday objects, spaces, and customs, which are often the keys to decoding the city's cultural codes

About the publisher

SDX Joint Publishing Company China · Founded in 1932

SDX Joint Publishing Company is a publisher known for its humanities and social science titles, covering classics, culture, history, social fiction and politics. Its catalogue of 826 books includes Chinese and foreign literary classics such as The Scholars, Camel Xiangzi and Selected Short Stories of Chekhov, scholarly works such as Studies of Chinese Cave Temples, A Study of the Tuoba History (Revised Edition) and The Nine-Rank System: A Prehistory of the Imperial Examination, and translations such as Red Star Over China and Notes from the House of the Dead. Its authors include renowned Chinese and foreign writers such as Wu Jingzi, Lao She, Su Bai and Chekhov, as well as scholars and translators such as Chen Xiaoming, Wang Benhua, Guo Changbao and Zhu Xiansheng. Its publishing character lies in balancing the popularisation of classics with academic depth, with attention to textual quality and the transmission of knowledge.

Contents

  1. 版权信息
  2. 总序 她多么爱生活,爱得太多太多
  3. 老辰光
  4. 肖照
  5. 搓麻将
  6. 雪花膏忆旧
  7. 压岁钿
  8. 涮马桶
  9. 永别了,上海下只角
  10. 屋里厢
  11. 弄堂
  12. 后门
  13. 亭子间
  14. 后巷
  15. 逝去的上海老虎灶
  16. 烟纸店和士多铺
  17. 好人家
  18. 阿拉上海人
  19. 圆台面
  20. 过年全匣
  21. 毛脚
  22. 上海人家
  23. 侬好呀
  24. 白相
  25. 黄鱼不是鱼
  26. 上海闲话里的“小”
  27. 上海俚语与吃食
  28. 口头动漫
  29. 时尚洋泾浜
  30. 双城之恋
  31. 小毛师傅和上海旗袍
  32. 洋盘上海开洋荤
  33. 冬至夜的团圆
  34. 外国阿妈
  35. 罗宋人
  36. 从外国人到老外
  37. 代跋

FAQ

How does this book differ from Chen Danyan's Shanghai Memorabilia?
Ceng Naishan's writing is more rooted in her genuine family experience and class perspective, carrying the stronger warmth of firsthand witness; Chen Danyan's work is more a cultural survey from the vantage of observer and interviewer. The former is an "inside" narrative of memory, the latter an "outside" cultural interpretation.
Can readers without experience of life in Shanghai understand this book?
Absolutely. The book's value lies precisely in how its extremely concrete, tangible details of daily life construct a universal theme beyond any region: how personal memory converses with urban history, and how tradition transforms and endures through modernization.
What is the writing style of this book?
The style is delicate and plain, with the ease of an essayist and the sincerity of a memoirist. The author excels at plain description, conveying the atmosphere and emotion of an era through material details such as food, clothing, and home furnishings, avoiding excessive sentimentality and maintaining the restraint of reportage and the texture of literature.

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About the author

程乃珊 Author

Cheng Naishan is a Chinese-language author known for writing about Shanghai's urban memory and everyday culture, with four of her works included in this collection. Her writing centers mainly on essays and social-science subjects, and her representative works include Shanghai Lady, Shanghai Color, Shanghai Memory, and the series collectively known as Cheng Naishan's Shanghai Story Trilogy. These titles suggest that her writing revolves around the city of Shanghai, focusing on urban life, its people, and the everyday details of changing times, with a strong sense of regional culture and nostalgia. Her prose tends toward the plain and delicate, often beginning from concrete scenes of daily life to sketch Shanghai's distinctive urban character, giving her a recognizable voice among readers of similar writing. Public information about her personal life—such as her birth year, native place, and education—is limited, so her works themselves remain the main way to understand her writing.

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