Summer Days
Tags
Summary
Editor's review
Who it's for
A good fit for
- English learners who want light original-English extensive reading practice
- Readers studying nineteenth-century American juvenile literature
- Researchers who need public-domain English electronic texts for citation
- Book collectors interested in Project Gutenberg eBook editions
Not a good fit for
- Readers hoping for a modern annotated or introduced edition
- Readers who prefer strongly plotted, fast-paced contemporary fiction
- Beginners with weak English who need sentence-by-sentence translation support
Reading tips
- Read one chapter through first to get a feel for nineteenth-century English usage, then look up unfamiliar words.
- Read alongside the author's biography and period background materials to understand the work's context.
- Read in comparison with other public-domain juvenile works to compare narrative styles.
- Take electronic notes on language features for later citation and searching.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
George Melville Baker (1832–1890) was an American playwright best known for his one-act farces and short stage pieces. Public information about his life and nationality is limited, and surviving accounts focus mainly on his plays themselves. The eighteen works held here lean toward light, humorous stage sketches: Gentlemen of the Jury, Poison, and A Mysterious Disappearance are all labeled farces, relying on misunderstanding, coincidence, and exaggerated characters for comic effect, and are suited to amateur companies and home performance. He also wrote three-act melodrama such as Nevada or, The Lost Mine, along with seasonal and children's pieces like Summer Days and The Merry Christmas of the Old Woman who Lived in a Shoe. His work balances entertainment with practical stageability, in plain language and compact structure, and is representative of nineteenth-century American popular drama publishing.