Poison: A Farce
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Summary
Editor's review
Who it's for
A good fit for
- Readers interested in nineteenth-century Anglo-American popular theater
- Hobbyists who need a short play script for reading aloud or performance
- Students who want an easy introduction to the early American farce genre
Not a good fit for
- Serious literary readers expecting profound themes or complex characterization
- Readers who dislike play-script format and prefer narrative prose only
Reading tips
- Read through once for the plot, then read aloud by role to feel the comic rhythm of the dialogue.
- Pay attention to stage directions while reading and imagine the staging and character blocking.
- Read alongside background material on nineteenth-century American theater history for comparison.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
George Melville Baker (1832–1890) was an American playwright best known for his one-act farces and short stage pieces. Public information about his life and nationality is limited, and surviving accounts focus mainly on his plays themselves. The eighteen works held here lean toward light, humorous stage sketches: Gentlemen of the Jury, Poison, and A Mysterious Disappearance are all labeled farces, relying on misunderstanding, coincidence, and exaggerated characters for comic effect, and are suited to amateur companies and home performance. He also wrote three-act melodrama such as Nevada or, The Lost Mine, along with seasonal and children's pieces like Summer Days and The Merry Christmas of the Old Woman who Lived in a Shoe. His work balances entertainment with practical stageability, in plain language and compact structure, and is representative of nineteenth-century American popular drama publishing.